Eighteenth-Century Women Playwrights, vol 2

Eighteenth-Century Women Playwrights, vol 2 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040287891
Category : Literary Criticism
Languages : en
Pages : 376

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Eighteenth-Century Women Playwrights, vol 2

Eighteenth-Century Women Playwrights, vol 2 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040287891
Category : Literary Criticism
Languages : en
Pages : 376

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Eighteenth-Century Women Playwrights, vol 1

Eighteenth-Century Women Playwrights, vol 1 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040281192
Category : Literary Criticism
Languages : en
Pages : 295

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Eighteenth-Century Women Playwrights, vol 6

Eighteenth-Century Women Playwrights, vol 6 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040288170
Category : Literary Criticism
Languages : en
Pages : 253

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Eighteenth-Century Women Playwrights, vol 3

Eighteenth-Century Women Playwrights, vol 3 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040278515
Category : Literary Criticism
Languages : en
Pages : 310

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Eighteenth-Century Women Playwrights, vol 5

Eighteenth-Century Women Playwrights, vol 5 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040288162
Category : Literary Criticism
Languages : en
Pages : 341

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Eighteenth-Century Women Playwrights, vol 4

Eighteenth-Century Women Playwrights, vol 4 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040280307
Category : Literary Criticism
Languages : en
Pages : 313

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Stuart Women Playwrights, 1613–1713

Stuart Women Playwrights, 1613–1713 PDF Author: Pilar Cuder-Dominguez
Publisher: Routledge
ISBN: 1317048997
Category : Performing Arts
Languages : en
Pages : 177

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Book Description
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.

Eighteenth-century Women Playwrights: Mary Pix and Catherine Trotter

Eighteenth-century Women Playwrights: Mary Pix and Catherine Trotter PDF Author: Derek Hughes
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 366

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Book Description


Eighteenth-century Women Playwrights

Eighteenth-century Women Playwrights PDF Author: Derek Hughes
Publisher: Routledge
ISBN:
Category : Drama
Languages : en
Pages : 302

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Women Writing Music in Late Eighteenth-Century England

Women Writing Music in Late Eighteenth-Century England PDF Author: Leslie Ritchie
Publisher: Routledge
ISBN: 1351536621
Category : Literary Criticism
Languages : en
Pages : 280

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Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.