Author: Geneviève Thibault
Publisher: London : Victoria and Albert Museum
ISBN:
Category : Music
Languages : en
Pages : 268
Book Description
Eighteenth Century Musical Instruments, France and Britain
Author: Geneviève Thibault
Publisher: London : Victoria and Albert Museum
ISBN:
Category : Music
Languages : en
Pages : 268
Book Description
Publisher: London : Victoria and Albert Museum
ISBN:
Category : Music
Languages : en
Pages : 268
Book Description
Eighteenth Century Musical Instruments
Author: G. Thibault
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
Book Description
Eighteenth Century Musical Instruments
Author: Victoria and Albert Museum (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
Book Description
Eighteenth century musical instruments [engl. u. franz.] France and Britain; Victoria & Albert Museum
Author: Geneviève Thibault
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
18th century musical instruments
Author: G. Thibault
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Eighteenth Century Musical instruments
Author: Geneviève Thibault
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 225
Book Description
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 225
Book Description
Eighteenth Century Musical Instruments: France and Britain
Author: Geneviève Thibault
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
Book Description
Revival: Old English Instruments of Music (1910)
Author: Francis W. Galphin
Publisher: Routledge
ISBN: 1351342223
Category : Music
Languages : en
Pages : 336
Book Description
The study of musical instruments now no longer with us is necessary, not only for the musician and composer, but for the man of letters, the artist, and the chronicler of our national life; for many allusions to customs of bygone times cannot otherwise be understood, and we should be spared such a trying ordeal as we were recently subjected to by one of our leading illustrated papers, which introduced into a thirteenth century scene a twentieth century mandoline with an up to date mechanism.
Publisher: Routledge
ISBN: 1351342223
Category : Music
Languages : en
Pages : 336
Book Description
The study of musical instruments now no longer with us is necessary, not only for the musician and composer, but for the man of letters, the artist, and the chronicler of our national life; for many allusions to customs of bygone times cannot otherwise be understood, and we should be spared such a trying ordeal as we were recently subjected to by one of our leading illustrated papers, which introduced into a thirteenth century scene a twentieth century mandoline with an up to date mechanism.
Music as a Science of Mankind in Eighteenth-Century Britain
Author: Dr Maria Semi
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409495167
Category : Music
Languages : en
Pages : 208
Book Description
Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation – trying to describe how the human mind could develop ideas and emotions by its means – philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which – in David Hume's words – 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409495167
Category : Music
Languages : en
Pages : 208
Book Description
Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation – trying to describe how the human mind could develop ideas and emotions by its means – philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which – in David Hume's words – 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.
Music in Eighteenth-Century Britain
Author: DavidWyn Jones
Publisher: Routledge
ISBN: 1351557408
Category : Music
Languages : en
Pages : 299
Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
Publisher: Routledge
ISBN: 1351557408
Category : Music
Languages : en
Pages : 299
Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.