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Author: Thomas Wynn
Publisher: Oxford University Press
ISBN: 0198895321
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Thomas Wynn explores how plays were read in eighteenth-century France and, relatedly, the mode of closet drama: plays that were never performed within the playhouse. Drawing on queer theory, Wynn argues that eighteenth-century closet reading fostered disruptive pleasures that imparted another side to the period's 'théâtromanie'.
Author: Thomas Wynn
Publisher: Oxford University Press
ISBN: 0198895321
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Thomas Wynn explores how plays were read in eighteenth-century France and, relatedly, the mode of closet drama: plays that were never performed within the playhouse. Drawing on queer theory, Wynn argues that eighteenth-century closet reading fostered disruptive pleasures that imparted another side to the period's 'théâtromanie'.
Author: Allan H. Pasco
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754656104
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
In this innovative study, the author carves out a new field, a sociology of literature in which he offers insightful commentary about the nexus of literature and society. Calling on history, sociology, and psychology as well as literature as points of reference, Allan Pasco examines the conceptual in eighteenth-century France's ideal of love from familial duty to personal fulfilment.
Author: John McCormick
Publisher: Routledge
ISBN: 1134880014
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
This is the only book to provide an account of how popular theatre developed from the fairground booths of the eighteenth century to become a vehicle of mass entertainment in the following century. Whereas other studies offer a traditional approach to the theatres of high culture, John McCormick takes the role of impartial historian, uncovering the popular theatres of the boulevards, suburbs and fairgrounds. He focuses on the social and economic context in which vaudevilles, pantomimes and melodramas were performed, and explores the audiences who enjoyed them.
Author: Robert Justin Goldstein
Publisher: Berghahn Books
ISBN: 1845458990
Category : History
Languages : en
Pages : 320
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Book Description
In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class’s time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.
Author: Stendhal
Publisher: Wildside Press LLC
ISBN: 1434457648
Category : Drama
Languages : en
Pages : 158
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Book Description
The French loved Shakespeare! Here are five stunning French plays reworked from the Immortal Bard's originals: "The Stendhal Hamlet Scenarios," by Stendhal; "Falstaff: The Tavern Scene," by Auguste Vacquerie and Paul Meurice; "Titania: A Musical Drama," by Lucas Gallet and Andre Cormeau; "Oberon's Horn," by Georges Ephraim Mikhael; and the anonymous folk drama, "The French Lear; or, The Beggar King." With a new introduction by editor and translator, Frank J. Morlock.
Author: William Burgwinkle
Publisher: Cambridge University Press
ISBN: 0521897866
Category : Literary Criticism
Languages : en
Pages : 823
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Book Description
The most comprehensive history of literature written in French ever produced in English.
Author: J. Ellen Gainor
Publisher:
ISBN: 9780393283471
Category : Drama
Languages : en
Pages : 1792
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Book Description
Comprehensive and up-to-date, now with more instructor resources
Author: Robin Mitchell
Publisher: University of Georgia Press
ISBN: 0820354333
Category : History
Languages : en
Pages : 209
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Book Description
Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
Author: Logan Connors
Publisher: Cambridge University Press
ISBN: 1009431218
Category : Drama
Languages : en
Pages : 267
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Book Description
The first study of French theater and war at a time of global revolutions, colonial violence, and radical social transformation.
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 9781009011754
Category : Music
Languages : en
Pages : 0
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Book Description
This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.
