Author: Ahmed Ghazal
Publisher: Bloomsbury Publishing
ISBN: 075560315X
Category : History
Languages : en
Pages : 209
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Book Description
Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention. Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them.
Author: Zaynab El Bernoussi
Publisher: Cambridge University Press
ISBN: 1108845851
Category : History
Languages : en
Pages : 191
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Book Description
Examining the concept of dignity, or karama in Arabic, this provides insights into protesters' motives in participating in the 2011 Egyptian revolution.
Author: Dina Heshmat
Publisher: Edinburgh Studies in Modern Ar
ISBN: 9781474458351
Category : History
Languages : en
Pages : 248
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Book Description
The first book offering an extensive analysis of literary and cinematic narratives dealing with the 1919 anti-colonial revolution in Egypt.
Author: Abdalla F. Hassan
Publisher: Bloomsbury Publishing
ISBN: 0857726579
Category : History
Languages : en
Pages : 290
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Book Description
For too long Egypt's system of government was beholden to the interests of the elite in power, aided by the massive apparatus of the security state. Breaking point came on 25 January 2011. But several years after popular revolt enthralled a global audience, the struggle for democracy and basic freedoms are far from being won. Media, Revolution, and Politics in Egypt: The Story of an Uprising examines the political and media dynamic in pre-and post-revolution Egypt and what it could mean for the country's democratic transition. We follow events through the period leading up to the 2011 revolution, eighteen days of uprising, military rule, an elected president's year in office, and his ouster by the military. Activism has expanded freedoms of expression only to see those spaces contract with the resurrection of the police state. And with sharpening political divisions, the facts have become amorphous as ideological trends cling to their own narratives of truth.
Author: Ahmed Ghazal
Publisher: Bloomsbury Publishing
ISBN: 0755603168
Category : History
Languages : en
Pages : 208
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Book Description
Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention. Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them.
Author: Marle Hammond
Publisher: Edinburgh University Press
ISBN: 1474435793
Category :
Languages : en
Pages : 250
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Book Description
From the exaggerated emotions of 1930s Egyptian melodrama to the cryptic allegories of late 20th-century Palestinian cinema, Arab World Cinemas guides you through 28 Arabic-language feature films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002). Written specially for students, the book is split into 3 parts: Egypt, North Africa and the eastern Arab world. Each part begins with an introductory essay that highlights the aesthetic and socio-historical trends and currents in the cinematic traditions particular to that region. Marle Hammond then dedicates individual chapters to a group of films from the highlighted region, interpreting their form and content through the lenses of cinematic technique and concepts drawn from various disciplines in the arts, humanities and social sciences.
Author: Amir Taha
Publisher: Springer Nature
ISBN: 303068900X
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
This book examines how film articulates countercultural flows in the context of the Egyptian Revolution. The book interrogates the gap between radical politics and radical aesthetics by analyzing counterculture as a form, drawing upon Egyptian films produced between 2010 and 2016. The work offers a definition of counterculture which liberates the term from its Western frame and establishes a theoretical concept of counterculture which is more globally redolent. The book opens a door for further research of the Arab Uprising, arguing for a new and topical model of rebellion and struggle, and sheds light on the interaction between cinema and the street as well as between cultural narratives and politics in the context of the 2011 Egyptian uprising. What is counterculture in the twenty-first century? What role does cinema play in this new notion of counterculture?
Author: Youssef Rakha
Publisher: Springer Nature
ISBN: 3030613542
Category : Social Science
Languages : en
Pages : 121
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Book Description
Brilliantly introduced by Nezar Andary, this book is a work of creative nonfiction that approaches writing on film in a fresh and provocative way. It draws on academic, literary, and personal material to start a dialogue with the Egyptian filmmaker Shadi Abdel Salam’s The Mummy (1969), tracing the many meanings of Egypt’s postcolonial modernity and touching on Arab, Muslim, and ancient Egyptian identities through watching the film.
Author: Alaa Al Aswany
Publisher: Gingko Library
ISBN: 9781909942714
Category : Political Science
Languages : en
Pages : 0
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Book Description
As the Egyptian revolution unfolded throughout 2011 and the ensuing years, no one was better positioned to comment on it—and try to push it in productive directions—than best-selling novelist and political commentator Alaa Al-Aswany. For years a leading critic of the Mubarak regime, Al-Aswany used his weekly newspaper column for Al-Masry Al-Youm to propound the revolution’s ideals and to confront the increasingly troubled politics of its aftermath. This book presents, for the first time in English, all of Al-Aswany’s columns from the period, a comprehensive account of the turmoil of the post-revolutionary years, and a portrait of a country and a people in flux. Each column is presented along with a context-setting introduction, as well as notes and a glossary, all designed to give non-Egyptian readers the background they need to understand the events and figures that Al-Aswany chronicles. The result is a definitive portrait of Egypt today—how it got here, and where it might be headed.
Author: Paul Amar
Publisher: American University in Cairo Press
ISBN: 164903315X
Category : Social Science
Languages : en
Pages : 515
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Book Description
A rich examination of the securitization of the everyday lives of the citizens of Cairo and how to build a more equitable urban order Until the year 2000, Cairo had been a model megacity, relatively crime free, safe, and public facing. It featured a thriving public culture and vibrant street life. In recent decades, however, the Egyptian state has accelerated a wholesale dismantlement of public education and public sector jobs and reversed the modest land reforms of the Nasser era. As a result, the vast majority of Cairo’s people have been forcibly deprived of their social rights, social goods, and educational capital. Eschewing the traditional focus on top-down regime and state security, the contributors to this volume, who represent a wide array of academics, activists, artists, and journalists, explore how repressive policies affect the everyday lives of citizens. They show the ways in which urban security crises are politically fashioned and do not emanate from the urban social fabric on their own: city crime, violence, and fear are created by specific means of extraction, production, and control. Another kind of city can live again. But how? By tackling a range of issues, including public health, transportation, labor safety, and housing and property distribution, Cairo Securitized unsettles simplistic binaries of thug and police, public versus private, and slum versus enclave, and proposes compelling new ways in which securitizing processes can be reversed, reengineered, and replaced with a participatory and equitable urban order. Contributors: Sara Soumaya Abed African Leadership Centre, Kings College London Zeinab Abul-Magd Oberlin College, USA Mohamed Ahmed Political Scientist and historian, Cairo Egypt Rania Ahmed Independent Researcher, Cairo Egypt Nicholas Simcik Arese University of Cambridge, UK Ahmed Awadalla activist, blogger at Rebel With A Cause, Berlin Germany Ahmad Borham The American University in Cairo, Cairo Egypt Miguel A. Fuentes Carreño University of California, Santa Barbara, USA Roberta Duffield Scholar on urbanism, public space, Cairo Egypt Momen El-Husseiny The American University in Cairo, Cairo Egypt Mohamed Elmeshad SOAS, London UK Ifdal Elsaket Netherlands-Flemish Institute, Cairo Egypt Mohamed Elshahed Independent Writer and Curator, Mexico City Amy Fallas University of California Santa Barbara, USA Tina Guirguis University of California, Santa Barbara, USA Elena Habersky The American University in Cairo, Cairo Egypt Hanan Hammad Texas Christian University, USA Hatem Hassan Impact Justice, Pittsburgh, USA Amira Hetaba Federal Government of Lower Austria, Austria Deena Khalil The American University in Cairo, Cairo Egypt Omnia Khalil City University of New York, USA Sabrina Lilleby University of Texas, Austin, USA Paul Miranda Nonviolent Peaceforce, South Mosul, Iraq Mostafa Mohie American University in Cairo, Cairo Egypt Laura Monfleur University François-Rabelais, Tours, France Aya Nassar Royal Holloway, University of London, UK Nora Noralla human rights researcher, Berlin, Germany Aly El Reggal Scuola Normale Superiore, Florence Italy Afsaneh Rigot Harvard University, Cambridge USA Yahia Saleh Malmö University, Sweden Bassem al-Samragy political analyst at the International Criminal Court, The Hague, The Netherlands Yahia Shawkat Technische Universität Berlin, Germany Maïa Sinno Géographie Cités Lab, CNRS / Sorbonne University, Paris France Mark Westmoreland Leiden University, The Netherlands
