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Author:
Publisher:
ISBN: 9781987998009
Category : Editing
Languages : en
Pages : 203
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Book Description
Editorial Niches began as part of Editing Canadian English, 3rd edition - the style manual of the Editors' Association of Canada. However, to keep the print edition a manageable size and price, the sections on editorial roles and requirements (chapter 12) and editorial niches (chapter 13) have now been published as this companion volume, using the same chapter numbering to preserve the link with the online edition.Chapter 12 explores key roles and requirements for editors today:• Professional Editorial Standards (2009): the fundamentals of editing and standards for structural editing, stylistic editing, copy editing, and proofreading• professional development• fact checking• indexing• email etiquette• software for editorsChapter 13 delves into a wide variety of editorial niches:• online materials• books• corporations, not-for-profits, associations, and government• educational materials• academic materials• poetry, plays, and screenplays• cookbooks• magazines• science, technology, and medicine• visual materialsWhether you are a would-be, new or established editor, Editorial Niches offers a treasure trove of information by a team of seasoned editors who are experts in their field.
Author:
Publisher:
ISBN: 9781987998009
Category : Editing
Languages : en
Pages : 203
Get Book Here
Book Description
Editorial Niches began as part of Editing Canadian English, 3rd edition - the style manual of the Editors' Association of Canada. However, to keep the print edition a manageable size and price, the sections on editorial roles and requirements (chapter 12) and editorial niches (chapter 13) have now been published as this companion volume, using the same chapter numbering to preserve the link with the online edition.Chapter 12 explores key roles and requirements for editors today:• Professional Editorial Standards (2009): the fundamentals of editing and standards for structural editing, stylistic editing, copy editing, and proofreading• professional development• fact checking• indexing• email etiquette• software for editorsChapter 13 delves into a wide variety of editorial niches:• online materials• books• corporations, not-for-profits, associations, and government• educational materials• academic materials• poetry, plays, and screenplays• cookbooks• magazines• science, technology, and medicine• visual materialsWhether you are a would-be, new or established editor, Editorial Niches offers a treasure trove of information by a team of seasoned editors who are experts in their field.
Author: L. Lo Pinto
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
Author: Rebecca M. Rush
Publisher: Princeton University Press
ISBN: 0691215685
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetry In his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” Despite his claim to be a pioneer, Milton was not initiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse’s complexities. Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures. Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.
Author: Dmitri Trenin
Publisher: John Wiley & Sons
ISBN: 1509527702
Category : Political Science
Languages : en
Pages : 140
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Book Description
Over the past century alone, Russia has lived through great achievements and deepest misery; mass heroism and mass crime; over-blown ambition and near-hopeless despair – always emerging with its sovereignty and its fiercely independent spirit intact. In this book, leading Russia scholar Dmitri Trenin accompanies readers on Russia’s rollercoaster journey from revolution to post-war devastation, perestroika to Putin’s stabilization of post-Communist Russia. Explaining the causes and the meaning of the numerous twists and turns in contemporary Russian history, he offers a vivid insider’s view of a country through one of its most trying and often tragic periods. Today, he cautions, Russia stands at a turning point – politically, economically and socially – its situation strikingly reminiscent of the Russian Empire in its final years. For the Russian Federation to avoid a similar demise, it must learn the lessons of its own history.
Author: Robert Stanley Mann
Publisher:
ISBN:
Category : Journalism
Languages : en
Pages : 54
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Book Description
Author: Jocelyn Hargrave
Publisher: Cambridge University Press
ISBN: 110885673X
Category : Language Arts & Disciplines
Languages : en
Pages : 172
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Book Description
A key challenge facing all educators working in practice-based subjects is the need to negotiate tensions between past and present and provide a training that prepares students for fast-changing conditions, while also conveying long-standing principles. This Element therefore investigates how effectively editing and publishing programmes prepare graduates for industry and how well these graduates translate this instruction to the workplace. Taking a global perspective to gauge the state of the discipline, the mixed-methods approach used for this Element comprised two online surveys for educators and graduates, three semi-structured interviews with industry practitioners (scholarly, education and trade) and ethnographic practice (author as educator and practitioner). Three key concepts also framed this Element's enquiry: being, learning and doing. The Element demonstrates how these transitioning but interdependent concepts have the potential to form a holistic practice-led pedagogy for students of editing and publishing programmes.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1302
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Book Description
Author:
Publisher:
ISBN:
Category : Editorials
Languages : en
Pages : 890
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Book Description
Author:
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 478
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Book Description
Author: Carol Fisher Saller
Publisher: University of Chicago Press
ISBN: 0226734102
Category : Reference
Languages : en
Pages : 151
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Book Description
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
