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Author: Jin Li
Publisher: John Wiley & Sons
ISBN: 1509561374
Category : Philosophy
Languages : en
Pages : 319
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Book Description
From the fraught world of geopolitics to business and the academy, it’s more vital than ever that Westerners and East Asians understand how each other thinks. As Jin Li shows in this groundbreaking work, the differences run deep. Li explores the philosophical origins of the concept of self in both cultures and synthesizes her findings with cutting-edge psychological research to reveal a fundamental contrast. Westerners tend to think of the self as being, as a stable entity fixed in time and place. East Asians think of the self as relational and embedded in a process of becoming. The differences show in our intellectual traditions, our vocabulary, and our grammar. They are even apparent in our politics: the West is more interested in individual rights and East Asians in collective wellbeing. Deepening global exchanges may lead to some blurring and even integration of these cultural tendencies, but research suggests that the basic self-models, rooted in long-standing philosophies, are likely to endure. The Self in the West and East Asia is an enriching and enlightening account of a crucial subject at a time when relations between East and West have moved center-stage in international affairs.
Author:
Publisher:
ISBN: 9780957081697
Category :
Languages : en
Pages :
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Book Description
Author: Kathryn Selig Brown
Publisher: Prestel Publishing
ISBN: 9783791347561
Category : Book covers
Languages : en
Pages : 0
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Book Description
This elegant volume is the first published study of the finely carved wooden covers designed to protect fragile Tibetan Buddhist texts. From the 11th through 14th centuries, Tibetan monks worked tirelessly to transcribe the life and teachings of the Buddha onto paper. Highly skilled craftsmen then covered these pages with wooden boards that had been elaborately and painstakingly carved, gilded, and painted. The MacLean Collection, based in Chicago, has significant holdings of these extremely rare and ornately decorated objects. The first and most comprehensive study of its kind in English, this lavishly produced, oversize volume features numerous illustrations of magnificent book covers from Tibet as well as several examples from other cultures. The volume tells the fascinating history of these objects, examines the materials from which they were carved, and traces stylistic influences from Kashmir, India, Nepal, and China. AUTHOR: Kathryn H. Selig Brown is a former curator at the Rubin Museum of Art, New York. She is the author of Eternal Presence: Handprints and Footprints in Buddhist Art and a former Luce Fellow at the Asia Society. 195 colour illustrations
Author: Jin Li
Publisher: John Wiley & Sons
ISBN: 1509561374
Category : Philosophy
Languages : en
Pages : 319
Get Book Here
Book Description
From the fraught world of geopolitics to business and the academy, it’s more vital than ever that Westerners and East Asians understand how each other thinks. As Jin Li shows in this groundbreaking work, the differences run deep. Li explores the philosophical origins of the concept of self in both cultures and synthesizes her findings with cutting-edge psychological research to reveal a fundamental contrast. Westerners tend to think of the self as being, as a stable entity fixed in time and place. East Asians think of the self as relational and embedded in a process of becoming. The differences show in our intellectual traditions, our vocabulary, and our grammar. They are even apparent in our politics: the West is more interested in individual rights and East Asians in collective wellbeing. Deepening global exchanges may lead to some blurring and even integration of these cultural tendencies, but research suggests that the basic self-models, rooted in long-standing philosophies, are likely to endure. The Self in the West and East Asia is an enriching and enlightening account of a crucial subject at a time when relations between East and West have moved center-stage in international affairs.
Author: D.J. Huppatz
Publisher: Bloomsbury Publishing
ISBN: 1474296866
Category : Design
Languages : en
Pages : 281
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Book Description
Modern Asian Design provides a comprehensive introduction to the development of Asian design in the modern period, both tracing historical threads and offering a theoretical framework within which to chart the history of design in Asia. Rather than a singular “Asian history”, this book presents a series of studies centred on trade routes, colonial relationships, regional networks and cross-cultural exchanges. Modern Asian Design builds on existing resources beyond design history in an effort to map the field, focusing particularly on relations between Asia and the West and also across Asian design cultures. Opening with a brief overview of trade and exchange networks in the 17th and 18th centuries, the bulk of this study comprises analysis of the development of modern design in Asia during the later 19th and early 20th centuries, a period of rapid modernisation. The book's final two chapters bring these central ideas into a contemporary and highly relevant context.
Author: Zsuzsanna Gulácsi
Publisher: BRILL
ISBN: 900413994X
Category : Religion
Languages : en
Pages : 267
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Book Description
Mediaeval Manichaean Book Art focuses on a corpus of 89 fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries C.E., and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and 'palm-leaf' formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
Author:
Publisher: UM Libraries
ISBN:
Category : Art, East Asian
Languages : en
Pages : 520
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Book Description
Author: Albert Tzeng
Publisher: Flipside Digital Content Company Inc.
ISBN: 981478673X
Category : Social Science
Languages : en
Pages : 281
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Book Description
This book explores the interconnection between geopolitical context and the ways this context frames our knowledge about Asia, highlighting previously neglected cause-effect relations. It also examines how various knowledge institutions promote and shape Asian Studies. The authors seek to explain why Asian Studies and its subfields developed in the way they did, and what the implications of these transformations might be on intellectual and political understandings of Asia. The book not only builds on the current debates on the decolonization and de-imperialization of knowledge about Asia; it also proposes a more multifaceted view rather than just examining the impact of the West on the framing of Asian Studies.
Author: Mingwei Song
Publisher: BRILL
ISBN: 1684175607
Category : History
Languages : en
Pages : 400
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Book Description
The rise of youth is among the most dramatic stories of modern China. Since the last years of the Qing dynasty, youth has been made a new agent of history in Chinese intellectuals’ visions of national rejuvenation through such tremendously popular notions as “young China” and “new youth.” The characterization of a young protagonist with a developmental story has also shaped the modern Chinese novel. Young China takes youth as a central literary motif that was profoundly related to the ideas of nationhood and modernity in twentieth-century China. A synthesis of narrative theory and cultural history, it combines historical investigations of the origin and development of the modern Chinese youth discourse with close analyses of the novelistic construction of the Chinese Bildungsroman, which depicts the psychological growth of youth with a symbolic allusion to national rejuvenation. Negotiating between self and society, ideal and action, and form and reality, such a narrative manifests as well as complicates the various political and cultural symbolisms invested in youth through different periods of modern Chinese history. In this story of young China, the restless, elusive, and protean image of youth both perpetuates and problematizes the ideals of national rejuvenation.
Author: TImothy Wai Keung Chan
Publisher: BRILL
ISBN: 9004229027
Category : Poetry
Languages : en
Pages : 252
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Book Description
This book focuses on the representation of human mortality in early medieval Chinese literature. This theme is observed and reconstructed through the contextual and intertextual analysis of the work of eminent writers of the period, texts that have never been examined from an eschatological perspective. Through this perspective, and the careful use of research from the fields of religion and anthropology, the book offers a fresh view of commentator Wang Yi (fl. 89–158), well-known poets Ruan Ji (210–63), Tao Qian (365?–427), and Xie Lingyun (385–433), and also brings into the discussion relevant works by several previously neglected authors. The book contributes a new angle from which to appreciate literature of this and other periods in Chinese history.
Author: Dennitza Gabrakova
Publisher: Taylor & Francis
ISBN: 1000782085
Category : Art
Languages : en
Pages : 195
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Book Description
This book examines four contemporary sites of visual culture in East Asia through the poetic prism of the “ruinous garden.” Framing destroyed, discarded, and displaced material objects within a rhetoric of development and relating this to the experience of ethnic/national culture, the book presents succinct analyses of visual works, as well as cultural criticisms, centered on space in metropolitan Japan and Hong Kong, China. These analyses are placed in dialog with approaches from postcolonial texts, addressing development and fractures in representation. Additionally, the book suggests graphic design as a form of retrospective cultural thinking, encompassing visual and invisible modernity, as well as an attachment to disappearing space. Offering a unique and thorough analysis of Japanese visual culture, combining discussion on photography, installation art, and graphic design, as well as integrating material from Hong Kong visual culture in discussions of identity, this book will appeal to students and scholars of visual culture in East Asia, environmental art, and environmental humanities.
