Author: Rodney W. Shirley
Publisher:
ISBN:
Category : British Isles
Languages : en
Pages : 66
Book Description
Early Printed Maps of the British Isles, 1477-1640
Author: Rodney W. Shirley
Publisher:
ISBN:
Category : British Isles
Languages : en
Pages : 66
Book Description
Publisher:
ISBN:
Category : British Isles
Languages : en
Pages : 66
Book Description
Early Printed Maps of the British Isles, 1477-1650
Author: Rodney W. Shirley
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 60
Book Description
A Reference Guide for English Studies
Author: Michael J. Marcuse
Publisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816
Book Description
Publisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816
Book Description
Early Printed Maps of the British Isles, 1477-1650
Author: Rodney W. Shirley
Publisher: Young Writers
ISBN:
Category : History
Languages : en
Pages : 272
Book Description
Publisher: Young Writers
ISBN:
Category : History
Languages : en
Pages : 272
Book Description
Map Collectors' Series
Author: Rodney W. Shirley
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 84
Book Description
Printed Maps of the British Isles 1650-1750
Author: Rodney W. Shirley
Publisher:
ISBN:
Category : History
Languages : en
Pages : 176
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 176
Book Description
Pocket Maps and Public Poetry in the English Renaissance
Author: Katarzyna Lecky
Publisher: Oxford University Press
ISBN: 0192571753
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Katarzyna Lecky explores how early modern British poets paid by the state adapted inclusive modes of nationhood charted by inexpensive, small-format maps. She explores chapbooks ('cheapbooks') by Edmund Spenser, Samuel Daniel, Ben Jonson, William Davenant, and John Milton alongside the portable cartography circulating in the same retail print industry. Domestic pocket maps were designed for heavy use by a broad readership that included those on the fringes of literacy. The era's de facto laureates all banked their success as writers appealing to this burgeoning market share by drawing the nation as the property of the commonwealth rather than the Crown. This book investigates the accessible world of small-format cartography as it emerges in the texts of the poets raised in the expansive public sphere in which pocket maps flourished. It works at the intersections of space, place, and national identity to reveal the geographical imaginary shaping the flourishing business of cheap print. Its placement of poetic economies within mainstream systems of trade also demonstrates how cartography and poetry worked together to mobilize average consumers as political agents. This everyday form of geographic poiesis was also a strong platform for poets writing for monarchs and magistrates when their visions of the nation ran counter to the interests of the government.
Publisher: Oxford University Press
ISBN: 0192571753
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Katarzyna Lecky explores how early modern British poets paid by the state adapted inclusive modes of nationhood charted by inexpensive, small-format maps. She explores chapbooks ('cheapbooks') by Edmund Spenser, Samuel Daniel, Ben Jonson, William Davenant, and John Milton alongside the portable cartography circulating in the same retail print industry. Domestic pocket maps were designed for heavy use by a broad readership that included those on the fringes of literacy. The era's de facto laureates all banked their success as writers appealing to this burgeoning market share by drawing the nation as the property of the commonwealth rather than the Crown. This book investigates the accessible world of small-format cartography as it emerges in the texts of the poets raised in the expansive public sphere in which pocket maps flourished. It works at the intersections of space, place, and national identity to reveal the geographical imaginary shaping the flourishing business of cheap print. Its placement of poetic economies within mainstream systems of trade also demonstrates how cartography and poetry worked together to mobilize average consumers as political agents. This everyday form of geographic poiesis was also a strong platform for poets writing for monarchs and magistrates when their visions of the nation ran counter to the interests of the government.
A Guide to English Illustrated Books, 1536-1603
Author: Ruth Samson Luborsky
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Design
Languages : en
Pages : 800
Book Description
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Design
Languages : en
Pages : 800
Book Description
English in Print from Caxton to Shakespeare to Milton
Author: Valerie Hotchkiss
Publisher: University of Illinois Press
ISBN: 0252091531
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book and Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological coverage of Pollard and Redgrave's famous Short-Title Catalogue (1475-1640), beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of 1644. William Shakespeare, neither a printer nor a writer much concerned with publishing his own plays, nonetheless deserves his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on the world of English printing in the period between Caxton and Milton.
Publisher: University of Illinois Press
ISBN: 0252091531
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book and Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological coverage of Pollard and Redgrave's famous Short-Title Catalogue (1475-1640), beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of 1644. William Shakespeare, neither a printer nor a writer much concerned with publishing his own plays, nonetheless deserves his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on the world of English printing in the period between Caxton and Milton.
The Cambridge History of the Book in Britain
Author: Richard Gameson
Publisher: Cambridge University Press
ISBN: 9780521661829
Category : Language Arts & Disciplines
Languages : en
Pages : 964
Book Description
Volume 4 of The Cambridge History of the Book in Britain covers the years between the incorporation of the Stationers' Company in 1557 and the lapsing of the Licensing Act in 1695. In a period marked by deep religious divisions, civil war and the uneasy settlement of the Restoration, printed texts - important as they were for disseminating religious and political ideas, both heterodox and state approved - interacted with oral and manuscript cultures. These years saw a growth in reading publics, from the developing mass market in almanacs, ABCs, chapbooks, ballads and news, to works of instruction and leisure. Atlases, maps and travel literature overlapped with the popular market but were also part of the project of empire. Alongside the creation of a literary canon and the establishment of literary publishing there was a tradition of dissenting publishing, while women's writing and reading became increasingly visible.
Publisher: Cambridge University Press
ISBN: 9780521661829
Category : Language Arts & Disciplines
Languages : en
Pages : 964
Book Description
Volume 4 of The Cambridge History of the Book in Britain covers the years between the incorporation of the Stationers' Company in 1557 and the lapsing of the Licensing Act in 1695. In a period marked by deep religious divisions, civil war and the uneasy settlement of the Restoration, printed texts - important as they were for disseminating religious and political ideas, both heterodox and state approved - interacted with oral and manuscript cultures. These years saw a growth in reading publics, from the developing mass market in almanacs, ABCs, chapbooks, ballads and news, to works of instruction and leisure. Atlases, maps and travel literature overlapped with the popular market but were also part of the project of empire. Alongside the creation of a literary canon and the establishment of literary publishing there was a tradition of dissenting publishing, while women's writing and reading became increasingly visible.