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Author: ElizabethA. Sutton
Publisher: Routledge
ISBN: 135156904X
Category : Art
Languages : en
Pages : 507
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Book Description
Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry, and Dutch mercantilism. At the same time, by analyzing the marketing tactics of the publisher, Cornelis Claesz, this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography, trade, and travel. Exploring how the images and text function together, Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture, Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise.
Author: ElizabethA. Sutton
Publisher: Routledge
ISBN: 135156904X
Category : Art
Languages : en
Pages : 507
Get Book Here
Book Description
Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry, and Dutch mercantilism. At the same time, by analyzing the marketing tactics of the publisher, Cornelis Claesz, this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography, trade, and travel. Exploring how the images and text function together, Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture, Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise.
Author: David Onnekink
Publisher: Cambridge University Press
ISBN: 1107125812
Category : History
Languages : en
Pages : 317
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Book Description
Presents an overview of early modern Dutch history in global context, focusing on themes that resonate with current concerns.
Author: Elizabeth A. Sutton
Publisher:
ISBN: 9781351569033
Category : Africa
Languages : en
Pages : 248
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Book Description
Author: Wayne Franits
Publisher: Routledge
ISBN: 1351546228
Category : Art
Languages : en
Pages : 499
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Book Description
Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.
Author: Elizabeth Sutton
Publisher: Amsterdam University Press
ISBN: 9048542987
Category : Art
Languages : en
Pages : 189
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Book Description
This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today.
Author: Malcolm Jones
Publisher: Paul Mellon Centre
ISBN: 9780300136975
Category : Art
Languages : en
Pages : 0
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Book Description
This book provides an iconographic survey of the single-sheet prints produced in Britain during the early modern era and brings to light some very recent discoveries. This large body of material is treated thematically, and within each theme, chronologically. Chapters are devoted to portents and prodigies, the formal moralities and doctrines of Christianity, the sects of Christianity, and the often vicious satire of the Catholic confession (but also of Protestant non-conformists) visual satire of foreigners and others, domestic political issues principally, the English Civil War social criticism and gender roles, marriage and sex, as well as numerical series and miscellaneous visual tricks, puzzles and jokes. The concluding chapter considers the significance of this wealth of visual material for the cultural history of England in the early modern era.
Author: Pieter de Marees
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
Pieter de Marees' history of Guinea--originally published in 1602--is one of the earliest detailed European descriptions of West African society and an essential reference for anyone interested in the precolonial period. De Marees wrote primarily about the Gold Coast (Ghana), but his work also covers Cape Verde (Senegal), Benin (Nigeria), and Cape Lopez (Gabon). This new translation includes full annotation and the original engravings.
Author: Benjamin Schmidt
Publisher: Cambridge University Press
ISBN: 9780521804080
Category : Art
Languages : en
Pages : 492
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Book Description
Innocence Abroad explores the encounter between the Netherlands and the New World in the sixteenth and seventeenth centuries.
Author: Michiel van Groesen
Publisher: BRILL
ISBN: 9004348034
Category : History
Languages : en
Pages : 262
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Book Description
In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which publishers and printers in early modern Europe gathered information about the Americas, constructed a narrative, and used it to further colonial ambitions in the Atlantic world (1500–1700). The essays examine the creative ways in which knowledge was manufactured in printing workshops. Collectively they bring to life the vivid print culture that determined the relationship between the Old World and the New in the Age of Encounters, and chart the genres that reflected and shaped the European imagination, and helped to legitimate ideologies of colonialism in the next two centuries.
Author: Elmer Kolfin
Publisher: W Books
ISBN: 9789462583726
Category :
Languages : en
Pages : 136
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Book Description
* The rise of the Fab Four - The Beatles in their fledgling years of fame * Incredible photos, many unseen, from the cameras of Terry O'Neill, Norman Parkinson, Michael Ward and Derek Bayes * With text by renowned Pop historian Tony Barrell * The perfect gift for any fan who keeps Beatlemania alive today The Beatles ascended like no band before, hurtling to the dizzy heights of international stardom in the early 1960s. Their counter-cultural vibes and unmistakable talent are still the subject of much discussion today - as is the rabid devotion of their fans. But how did one pop group become, as Lennon infamously quipped, "more popular than Jesus"? The work of four photographers provides an enlightening insight into the band's rise to fame. Ward captured the Fab Four when Beatlemania was still confined to their own home city - the band braved the icy Liverpool streets for a promotional shoot during the Big Freeze of '62-63. O'Neill crossed paths with The Beatles amid the buzz of the Swinging Sixties, resonating with the band in 1963 as a photographer of their generation. Parkinson delivered a deceptively relaxed shoot later that year, when the band were recording their second album; while Bayes captured never-before-published candid shots of The Beatles filming Help! in 1965. Accompanying these pictures, Tony Barrell's text delves into the Beatlemania phenomenon - the good, the bad, the ugly and the odd. From the creation of their early hit records to the hails of confectionery that peppered stages after John claimed George had eaten his jelly babies, Beatlemania: Four Photographers on the Fab Four reveals how one band became a lasting sensation.
