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Author: Evelyn Tribble
Publisher: Bloomsbury Publishing
ISBN: 1472576055
Category : Drama
Languages : en
Pages : 238
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Book Description
What skills did Shakespeare's actors bring to their craft? How do these skills differ from those of contemporary actors? Early Modern Actors and Shakespeare's Theatre: Thinking with the Body examines the 'toolkit' of the early modern player and suggests new readings of the plays of Shakespeare and his contemporaries through the lens of their many skills. Theatre is an ephemeral medium. Little remains to us of the plays of Shakespeare and his contemporaries: some printed texts, scattered documents and records, and a few scraps of description, praise, and detraction. Because most of what survives are printed playbooks, students of English theatre find it easy to forget that much of what happened on the early modern stage took place within the gaps of written language: the implicit or explicit calls for fights, dances, military formations, feats of physical skill, song, and clowning. Theatre historians and textual editors have often ignored or denigrated such moments, seeing them merely as extraneous amusements or signs that the text has been 'corrupted' by actors. This book argues that recapturing a positive account of the skills and expertise of the early modern players will result in a more capacious understanding of the nature of theatricality in the period.
Author: Evelyn Tribble
Publisher: Bloomsbury Publishing
ISBN: 1472576055
Category : Drama
Languages : en
Pages : 238
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Book Description
What skills did Shakespeare's actors bring to their craft? How do these skills differ from those of contemporary actors? Early Modern Actors and Shakespeare's Theatre: Thinking with the Body examines the 'toolkit' of the early modern player and suggests new readings of the plays of Shakespeare and his contemporaries through the lens of their many skills. Theatre is an ephemeral medium. Little remains to us of the plays of Shakespeare and his contemporaries: some printed texts, scattered documents and records, and a few scraps of description, praise, and detraction. Because most of what survives are printed playbooks, students of English theatre find it easy to forget that much of what happened on the early modern stage took place within the gaps of written language: the implicit or explicit calls for fights, dances, military formations, feats of physical skill, song, and clowning. Theatre historians and textual editors have often ignored or denigrated such moments, seeing them merely as extraneous amusements or signs that the text has been 'corrupted' by actors. This book argues that recapturing a positive account of the skills and expertise of the early modern players will result in a more capacious understanding of the nature of theatricality in the period.
Author: Richard Dutton
Publisher: OUP Oxford
ISBN: 9780199697861
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
An international team of scholars examines the theatrical world in which Shakespeare worked, tracing the social, political, and patronage pressures under which actors operated. They also explore the practicalities of playing: acquiring scripts, theatres, rehearsing, lighting, music, props, boy actors, and the role of women in an 'all-male' world.
Author: Susan Zimmerman
Publisher:
ISBN: 9780748633630
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This book explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture within a theoretical framework that makes use of history, psychoanalysis and anthropology.
Author: Nora Johnson
Publisher: Cambridge University Press
ISBN: 0521117372
Category : Art
Languages : en
Pages : 221
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Book Description
This book uncovers important links between acting and authorship in early modern England.
Author: Brett Gamboa
Publisher: Cambridge University Press
ISBN: 1108417434
Category : Drama
Languages : en
Pages : 303
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Book Description
Machine generated contents note: Introduction; 1. 'Improbable fictions: Shakespeare's plays without the plays; 2. Versatility and verisimilitude on sixteenth-century stages; 3. Doubling in The Winter's Tale; 4. Dramaturgical directives and Shakespeare's cast size; 5. Doubling in A Midsummer Night's Dream and Romeo and Juliet; 6. Where the boys aren't; 7. Doubling in Twelfth Night and Othello; Epilogue: Ragozine and Shakespearean substitution; Appendix; Bibliography; Index.
Author: Douglas Bruster
Publisher: Routledge
ISBN: 1134313713
Category : Art
Languages : en
Pages : 181
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Book Description
This remarkable study shows how prologues ushered audience and actors through a rite of passage and how they can be seen to offer rich insight into what the early modern theatre was thought capable of achieving.
Author: Travis Curtright
Publisher: Rowman & Littlefield
ISBN: 1611479398
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, exploring particular rhetorical forms and how they function in five different plays. At the end of this study, Curtright envisions how Richard Burbage, Shakespeare’s best actor, might have employed the theatrical convention of directly addressing audience members. Though personation clearly differs from the realism aspired to in modern approaches to the stage, Curtright reveals how Shakespeare’s sophisticated use and development of persuasion’s arts would have provided early modern actors with their own means and sense of performing lifelike dramatic persons.
Author: Cécile de Banke
Publisher: Routledge
ISBN: 1317652800
Category : Performing Arts
Languages : en
Pages : 327
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Book Description
An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published. This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage. Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante. This book is an invaluable wealth of research, with extensive bibliographies and extra information.
Author: John Astington
Publisher: Cambridge University Press
ISBN: 0521192501
Category : Biography & Autobiography
Languages : en
Pages : 261
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Book Description
Perfect for courses, this book is an account of the first actors in the plays of Shakespeare, Marlowe, and Jonson.
Author: T. J. King
Publisher: Cambridge University Press
ISBN: 0521327857
Category : Drama
Languages : en
Pages : 0
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Book Description
In careful analysis, T. J. King reveals how the size and composition of the casts of characters for Shakespeare's plays were determined by common theatrical practices at London playhouses between 1590 and 1642.
