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Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Engraving, Italian
Languages : en
Pages : 382
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Book Description
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Engraving, Italian
Languages : en
Pages : 382
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Book Description
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Engraving, Italian
Languages : en
Pages : 68
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Book Description
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
Author: Tancred Borenius
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 144
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Book Description
Author: Roelof van Straten
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 302
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Book Description
Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 632
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Book Description
"Italian engravings, with a few woodcuts and "nielli" (engraved silver plates) from around 1460 to the early 1500's in 29 chapters with about 375 engravings. Illustrations may show various states of the same engraving, or reproduce the original for engravings done from a work in some other medium. With an index, consecutive paginated but loosely inserted. Appendices of copper plates, niello prints, woodcuts, a concordance with the Hind catalogue of Early Italian Engravings, and a list of watermarks." - See more at: http://www.oakknoll.com/pages/books/52374/jay-a-levenson/early-italian-engravings-from-the-national-gallery-of-art#sthash.nqLkjQEn.dpuf.
Author: Fogg Art Museum
Publisher:
ISBN:
Category : Engraving, Italian
Languages : en
Pages : 372
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Book Description
Ausst.: Fogg Art Museum Cambridge, Mass. : 1915
Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
ISBN: 1588396495
Category : Art
Languages : en
Pages : 311
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Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 512
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Book Description
Author: Domenico Laurenza
Publisher: Metropolitan Museum of Art
ISBN: 1588394565
Category : Anatomy, Artistic
Languages : en
Pages : 52
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Book Description
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
