Early History of Human Anatomy PDF Download
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Author: T. V. N. Persaud
Publisher: Charles C. Thomas Publisher
ISBN:
Category : Medical
Languages : en
Pages : 222
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Book Description
Author: T. V. N. Persaud
Publisher: Charles C. Thomas Publisher
ISBN:
Category : Medical
Languages : en
Pages : 222
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Book Description
Author: Leslie Klenerman
Publisher: Oxford University Press, USA
ISBN: 0198707371
Category : Science
Languages : en
Pages : 177
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Book Description
An understanding of the structure and function of the human body is vital for anyone studying the medical and health sciences. In this book, Leslie Klenerman provides a clear and accessible overview of the main systems of the human anatomy, illustrated with a number of clear explanatory diagrams.
Author: Domenico Laurenza
Publisher: Metropolitan Museum of Art
ISBN: 1588394565
Category : Anatomy, Artistic
Languages : en
Pages : 52
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Book Description
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Author: Monique Kornell
Publisher: Getty Publications
ISBN: 1606067699
Category : Art
Languages : en
Pages : 252
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Book Description
This illustrated volume examines the different methods artists and anatomists used to reveal the inner workings of the human body and evoke wonder in its form. For centuries, anatomy was a fundamental component of artistic training, as artists such as Leonardo da Vinci and Michelangelo sought to skillfully portray the human form. In Europe, illustrations that captured the complex structure of the body—spectacularly realized by anatomists, artists, and printmakers in early atlases such as Andreas Vesalius’s De humani corporis fabrica libri septem of 1543—found an audience with both medical practitioners and artists. Flesh and Bones examines the inventive ways anatomy has been presented from the sixteenth through the twenty-first century, including an animated corpse displaying its own body for study, anatomized antique sculpture, spectacular life-size prints, delicate paper flaps, and 3-D stereoscopic photographs. Drawn primarily from the vast holdings of the Getty Research Institute, the over 150 striking images, which range in media from woodcut to neon, reveal the uncanny beauty of the human body under the skin
Author: Luis H. Toledo-Pereyra
Publisher: World Scientific
ISBN: 9814329622
Category : Medical
Languages : en
Pages : 209
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Book Description
Many surgical revolutions distinguish the history and evolution of surgery. Some are small, others more dominant, but each revolution improves the art and science of surgery. Surgical revolutionaries are indispensable in the conception and completion of any surgical revolution, initiating scientific and technological advances that propel surgical practice forward. Surgical revolutionaries can come in the guises of Lister (antisepsis), Halsted (surgical residency and safe surgery), Cushing (safe brain surgery), Wangensteen (gastrointestinal physiological surgery), Blalock (relief of cyanotic heart disease), Lillehei (open heart surgery), and many others. With the hindsight of history, we can recognize patterns of progress, evaluate means of advancing new ideas, and solidify details of innovative behavior that could lead to new surgical revolutions. This volume examines the following vital questions in detail: What is a surgical revolution and how do we recognize one? Are surgical revolutionaries different? Is there a way to educate new surgical revolutionaries? Can history provide enduring examples of surgical revolutions? Are there different kinds of surgical revolutions? What characterizes a surgical revolution in the context of science and technology? What surgical revolutions are on the horizon?
Author: Katharine Park
Publisher: Princeton University Press
ISBN:
Category : Health & Fitness
Languages : en
Pages : 430
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Book Description
Women's bodies and the study of anatomy in Italy between the late thirteenth and the mid-sixteenth centuries.
Author: Mirko Dražen Grmek
Publisher: Harvard University Press
ISBN: 9780674007956
Category : History
Languages : en
Pages : 502
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Book Description
This history of medical thought from antiquity through the Middle Ages reconstructs the slow transformations and sudden changes in theory and practice that marked the birth and early development of Western medicine. Grmek and his contributors adopt a synthetic, cross-disciplinary approach, with attention to cultural, social, and economic forces.
Author: Maaike Bleeker
Publisher: Amsterdam University Press
ISBN: 9053565167
Category : Medical
Languages : en
Pages : 271
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Book Description
Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson—the technically precise province of clinical surgeons and medical faculties—hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. Anatomy Live: Performance and the Operating Theatre, a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head—using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, Anatomy Live is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice.
Author: Martin Clayton
Publisher: Royal Collection Trust
ISBN: 9781909741034
Category : Anatomy, Artistic
Languages : en
Pages : 0
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Book Description
"First published in hardback 2012 by Royal Collection Trust".-Title page verso.
Author: Sachiko Kusukawa
Publisher: University of Chicago Press
ISBN: 0226465292
Category : Art
Languages : en
Pages : 350
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Book Description
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
