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Languages : en
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Author: Howard Shanet
Publisher: Doubleday Books
ISBN:
Category : Music
Languages : en
Pages : 864
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Book Description
In this book the author traces the history of America's oldest symphonic organization down to the beginning of Pierre Boulez's conductorship. Against the background of changing cultural patterns of American life over a century and a quarter, the author examines interactions between the New York Philharmonic and the society in which it functioned. There are colorful personality portraits, often tied to surprising reappraisals of such glamorous Philharmonic stars as Arturo Toscanini (who enjoined other conductors to play every note "as written," but who felt free - as the author documents - to make his own changes to the scores of the masters), Gustav Mahler, Dimitri Mitropoulos, Leopold Stokowski, Bruno Walter, and the spectacular Leonard Bernstein. The author gives the reader insight into an organization that has helped shape America's musical taste - an organization that has brought its performances to the largest audiences in the annals of symphonic music, yet has often suffered from "the vast, and largely unjustified, inferiority complex that has oppressed American music throughout its history."
Author: John Canarina
Publisher: Hal Leonard Corporation
ISBN: 157467188X
Category : Performing Arts
Languages : en
Pages : 533
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Book Description
(Amadeus). The New York Philharmonic, from Bernstein to Maazel continues the story of America's oldest orchestra as told in Howard Shanet's Philharmonic: A History of New York's Orchestra . That volume ended with the 1970-71 season, just before the arrival of Pierre Boulez as music director. Obviously, much has happened since. This book begins, however, with a retrospective account of the controversial last years of the tenure of Dimitri Mitropoulos and the ascendancy of Leonard Bernstein to the music directorship. Having been a Philharmonic assistant conductor during Bernstein's tenure, and an inveterate Philharmonic watcher ever since, the author brings some personal insights to the story as well as moments of humor. A sub-theme of the book concerns the way the Philharmonic and its music directors have been treated by the New York press, the Times in particular. Howard Taubman's attacks on Mitropoulos, Harold Schonberg's on Bernstein, and Donal Henahan's on Zubin Mehta are all covered here, as are the writings of various critics on those and other conductors, and on the orchestra itself. The New York Philharmonic is the only orchestra ever to undertake a foreign tour solely on the initiative of its musicians, without benefit or support from management. How this came about is chronicled, as are the opening of Lincoln Center, the Parks Concerts, Promenades, Prospective Encounters, Rug Concerts, tours, and, of course, the subscription seasons. John Canarina shows how the New York Philharmonic weathered extraordinary ups and downs during this period, while remaining a vital component of New York's cultural life.
Author: John Erskine
Publisher: New York : Macmillan
ISBN:
Category : Concert programs
Languages : en
Pages : 198
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Book Description
A famous music critic once wrote: "the history of the New York Philharmonic is the history of music in America." In 1942, this great orchestra celebrated its hundredth anniversary, presenting a gala season under such conductors as Toscanini, Stokowski, Koussevitzky, and Walter. New York's Philharmonic is not merely the oldest orchestra in America, but one of the oldest and most famous in the world - only those of the Leipzig Gewandhaus and the Paris Conservatoire have a longer record. It seems fitting to commemorate the Philharmonic's achievement by a short history of the organization, describing the span of its progress from the first concerts given in the Apollo Rooms on lower Broadway in 1842 up to the present season, when it is heard all over the world in weekly broadcasts. The author, whose writings on music are known everywhere, has told the story in vivid and arresting fashion with many illustrations. This book is valuable evidence of the development of American musical taste during the last century.
Author: Howard Shanet
Publisher:
ISBN: 9780300053463
Category :
Languages : en
Pages : 672
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Author: John Spitzer
Publisher: University of Chicago Press
ISBN: 0226769771
Category : History
Languages : en
Pages : 504
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Book Description
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
Author: Susan M. Filler
Publisher: Routledge
ISBN: 1135946698
Category : Music
Languages : en
Pages : 418
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Book Description
This revised edition of Garland's 1989 publication updates the core bibliography on Gustave Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustave Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler’s research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional English-language music scholarship.
Author: Vera Brodsky Lawrence
Publisher: University of Chicago Press
ISBN: 9780226470153
Category : Biography & Autobiography
Languages : en
Pages : 676
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Book Description
In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
Author: Joseph Horowitz
Publisher: Univ of California Press
ISBN: 0520323041
Category : Biography & Autobiography
Languages : en
Pages : 414
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Book Description
As never before or since, Richard Wagner's name dominated American music-making at the close of the nineteenth century. Europe, too, was obsessed with Wagner, but—as Joseph Horowitz shows in this first history of Wagnerism in the United States—the American obsession was unique. The central figure in Wagner Nights is conductor Anton Seidl (1850-1898), a priestly and enigmatic personage in New York musical life. Seidl's own admirers included the women of the Brooklyn-based Seidl Society, who wore the letter "S" on their dresses. In the summers, Seidl conducted fourteen times a week at Brighton Beach, filling the three-thousand-seat music pavilion to capacity. The fact that most Wagnerites were women was a distinguishing feature of American Wagnerism and constituted a vital aspect of the fin-de-siècle ferment that anticipated the New American Woman. Drawing on the work of such cultural historians as T. Jackson Lears and Lawrence Levine, Horowitz's lively history reveals an "Americanized" Wagner never documented before. An entertaining and startling read, a treasury of operatic lore, Wagner Nights offers an unprecedented revisionist history of American culture a century ago. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Author: Mike Wallace
Publisher: Oxford University Press
ISBN: 0199723052
Category : History
Languages : en
Pages : 1195
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Book Description
In this utterly immersive volume, Mike Wallace captures the swings of prosperity and downturn, from the 1898 skyscraper-driven boom to the Bankers' Panic of 1907, the labor upheaval, and violent repression during and after the First World War. Here is New York on a whole new scale, moving from national to global prominence -- an urban dynamo driven by restless ambition, boundless energy, immigrant dreams, and Wall Street greed. Within the first two decades of the twentieth century, a newly consolidated New York grew exponentially. The city exploded into the air, with skyscrapers jostling for prominence, and dove deep into the bedrock where massive underground networks of subways, water pipes, and electrical conduits sprawled beneath the city to serve a surging population of New Yorkers from all walks of life. New York was transformed in these two decades as the world's second-largest city and now its financial capital, thriving and sustained by the city's seemingly unlimited potential. Wallace's new book matches its predecessor in pure page-turning appeal and takes America's greatest city to new heights.
