Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0
Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.
The Great Age of British Watercolours, 1750-1880
Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0
Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0
Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.
Early English Drawings and Watercolours
Author: Walker Art Gallery
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 102
Book Description
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 102
Book Description
The Golden Age of Watercolours
Author: Eric Shanes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Published to accompany the exhibition, 'The golden age of watercolours: the Hickman Bacon collection', held at Dulwich Picture Gallery, London, 19 September 2001 - 6 January 2002.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Published to accompany the exhibition, 'The golden age of watercolours: the Hickman Bacon collection', held at Dulwich Picture Gallery, London, 19 September 2001 - 6 January 2002.
Great British Watercolors
Author: Matthew Hargraves
Publisher: Yale University Press
ISBN: 0300116586
Category : Art
Languages : en
Pages : 244
Book Description
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
Publisher: Yale University Press
ISBN: 0300116586
Category : Art
Languages : en
Pages : 244
Book Description
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
My Town
Author: David Gentleman
Publisher: Penguin UK
ISBN: 014199312X
Category : Art
Languages : en
Pages : 290
Book Description
David Gentleman has lived in London for almost seventy years, most of it on the same street. This book is a record of a lifetime spent observing, drawing and getting to know the city, bringing together work from across his whole career, from his earliest sketches to watercolours painted just a few months ago. Here is London as it was, and as it is today: the Thames, Hampstead Heath; the streets, canals, markets and people of his home of Camden Town; and at the heart of it all, his studio and the tools of his work. Accompanied by reflections on the process of drawing and personal thoughts on the ever-changing city, this is a celebration of London, and the joy of noticing, looking and capturing the world. 'David has spent a lifetime depicting with wit and affection a London he has made his own' Alan Bennett 'He delivers a poetry of exultant concentration ... The surface fusion of the sensuous and the sharply modern is echoed by Gentleman's imagery' Guardian 'The artist and illustrator has been responsible for some of the most-seen public artworks in this country' The Times 'Perhaps the last of the great polymath designer-painters' Camden New Journal
Publisher: Penguin UK
ISBN: 014199312X
Category : Art
Languages : en
Pages : 290
Book Description
David Gentleman has lived in London for almost seventy years, most of it on the same street. This book is a record of a lifetime spent observing, drawing and getting to know the city, bringing together work from across his whole career, from his earliest sketches to watercolours painted just a few months ago. Here is London as it was, and as it is today: the Thames, Hampstead Heath; the streets, canals, markets and people of his home of Camden Town; and at the heart of it all, his studio and the tools of his work. Accompanied by reflections on the process of drawing and personal thoughts on the ever-changing city, this is a celebration of London, and the joy of noticing, looking and capturing the world. 'David has spent a lifetime depicting with wit and affection a London he has made his own' Alan Bennett 'He delivers a poetry of exultant concentration ... The surface fusion of the sensuous and the sharply modern is echoed by Gentleman's imagery' Guardian 'The artist and illustrator has been responsible for some of the most-seen public artworks in this country' The Times 'Perhaps the last of the great polymath designer-painters' Camden New Journal
Early English Watercolours
Author: Iolo Aneurin Williams
Publisher:
ISBN:
Category : Water-colors, English
Languages : en
Pages : 506
Book Description
Publisher:
ISBN:
Category : Water-colors, English
Languages : en
Pages : 506
Book Description
Urban Watercolor Sketching
Author: Felix Scheinberger
Publisher: Watson-Guptill
ISBN: 0770435246
Category : Art
Languages : en
Pages : 160
Book Description
A guide that shows painters, drawers, doodlers, and urban sketchers how to bring their drawings to life with colorful, bold, yet accessible painting methods. Watercolor sketching is a rapidly emerging technique that enlivens sketches done in pen or pencil with the expressive washes, glazes, and luminous hues of watercolor . This lushly illustrated resource teaches artists on the go how to sketch with watercolor, rendering subjects efficiently and without inhibitions. Readers are guided through all aspects of the medium, from fundamental techniques including wet-on-wet, glazing, and washes; materials and supplies; and little known tips and tricks for getting the most out of watercolor (for example, just sprinkling a little salt on your painting creates a texture that's impossible to achieve with a brush.) A strong focus color theory provides a solid foundation for enhancing drawings with vibrant hues.
Publisher: Watson-Guptill
ISBN: 0770435246
Category : Art
Languages : en
Pages : 160
Book Description
A guide that shows painters, drawers, doodlers, and urban sketchers how to bring their drawings to life with colorful, bold, yet accessible painting methods. Watercolor sketching is a rapidly emerging technique that enlivens sketches done in pen or pencil with the expressive washes, glazes, and luminous hues of watercolor . This lushly illustrated resource teaches artists on the go how to sketch with watercolor, rendering subjects efficiently and without inhibitions. Readers are guided through all aspects of the medium, from fundamental techniques including wet-on-wet, glazing, and washes; materials and supplies; and little known tips and tricks for getting the most out of watercolor (for example, just sprinkling a little salt on your painting creates a texture that's impossible to achieve with a brush.) A strong focus color theory provides a solid foundation for enhancing drawings with vibrant hues.
British Watercolours and Drawings from Rowlandson to Riley
Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 70
Book Description
British Watercolours, 1750 to 1850
Author: Andrew Wilton
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
William Blake, John Constable, and Joseph Mallord William Turner are among the ten British watercolorists whose works are analyzed and reproduced in color and black and white.
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
William Blake, John Constable, and Joseph Mallord William Turner are among the ten British watercolorists whose works are analyzed and reproduced in color and black and white.
Painting in Britain, 1530 to 1790
Author: Ellis Kirkham Waterhouse
Publisher: Yale University Press
ISBN: 9780300058338
Category : Art
Languages : en
Pages : 420
Book Description
The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.
Publisher: Yale University Press
ISBN: 9780300058338
Category : Art
Languages : en
Pages : 420
Book Description
The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.