Early Eastern Chalukya Sculpture PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Early Eastern Chalukya Sculpture PDF full book. Access full book title Early Eastern Chalukya Sculpture by C. Sivaramamurti. Download full books in PDF and EPUB format.
Author: C. Sivaramamurti
Publisher:
ISBN:
Category : Chalukyas
Languages : en
Pages : 162
Get Book Here
Book Description
Author: C. Sivaramamurti
Publisher:
ISBN:
Category : Chalukyas
Languages : en
Pages : 162
Get Book Here
Book Description
Author: C. Sivaramamurti
Publisher:
ISBN:
Category : Sculpture, Chalukyan
Languages : en
Pages : 174
Get Book Here
Book Description
Author: James C. Harle
Publisher: Yale University Press
ISBN: 9780300062175
Category : Art
Languages : en
Pages : 616
Get Book Here
Book Description
Thirty years' research and first-hand knowledge of the area have enabled the author to trace the cultural contacts which have contributed to the rich mosaic of sculpture, temples, mosques, and painting that have gone towards the creation of one of the great civilizations of the world.
Author: M. Krishna Kumari
Publisher: Discovery Publishing House
ISBN: 9788171411023
Category : Andhra Pradesh (India)
Languages : en
Pages : 246
Get Book Here
Book Description
Author: Carol Radcliffe Bolon
Publisher: Penn State Press
ISBN: 9780271043692
Category : Art
Languages : en
Pages : 190
Get Book Here
Book Description
Striking images of a certain Indian goddess have been variously referred to as the "shameless woman" the "nude squatting goddess," the "mother goddess," or, because her historical name remains unknown, more than twenty-five names, among them Aditi, Lajjā Gaurī, Renukā, and Nagna Kabambdha. The best-known images of this goddess have a female torso and a lotus flower in place of a head, while her legs are bent up at the knees and drawn up to each side in a position that has been described as one of "giving birth" or "self-display." This type of goddess figure is explained as part of a long, highly sophisticated tradition of expressing fertility and well-being in Indian art. The artists creating images of Lajjā Gaurī drew on various ancient symbols of fortune, fertility, and life-force to communicate her power through their rich heritage of meanings. As these historical-religious symbols and images were constantly reused and reincorporated, they formed a new and enriched religious context. In the process of recycling they became empowered cultural metaphors, visual morphemes in the language of Indian art. Because there are no texts to explain the figure, the study proceeds from the basis of the objects to derive their meaning. Carol Bolon charts the changes in the goddess's form over a period of more than four centuries, including its possible adoption from tribal worship into Hindu temples, and brings a new appreciation of Lajjā Gaurī's rich symbolic meanings and cultural context.
Author:
Publisher:
ISBN:
Category : Andhra Pradesh (India)
Languages : en
Pages : 620
Get Book Here
Book Description
Author: Lalit Chugh
Publisher: Notion Press
ISBN: 1947137360
Category : Architecture
Languages : en
Pages : 525
Get Book Here
Book Description
Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.
Author: Ratan Parimoo
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 526
Get Book Here
Book Description
Papers and proceedings of the National Seminar on Ellora Caves Sculpture and Architecture, held at Ellora Caves, November 18, 1985.
Author: S. Nageswara Rao
Publisher:
ISBN:
Category : Architecture, Chalukyan
Languages : en
Pages : 224
Get Book Here
Book Description
Illustrations: 58 B/w illustrations Description: This book is a pioneering study on the contribution of Eastern Chalukyas to the art and architecture of Andhradesa. Bikkavolu is located in the East Godavari district of Andhra Pradesh where a group of six fine temples are existing. The Bikkavolu temples though not included in the Pancharamas, form the earliest group and typical examples of the Dravidian style of architecture in the heart of coastal Andhra. The three temples located on the outskirts of the Bikkavolu village form the early group, with cognate architectural features and the other temples located within the village belong to a later group. On a comparison of the art and architectural features the early Chalukya and Rastrakuta temples the early group of temples is dated to late ninth century AD, particularly to the reign of Gunaga Vijayaditya (AD 848-92) and the later group to late eleventh century AD, particularly to the reign of Rajaraja Narendra (AD 1022-61) or Vijayaditya VII (AD 1061-75). The work is fully based upon field study of the temples, profusely illustrated with photographs of the temples, the architecture sculpture and iconography along with the ground plans.
Author: Fred W. Clothey
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110804107
Category : Religion
Languages : en
Pages : 272
Get Book Here
Book Description
The series Religion and Society (RS) contributes to the exploration of religions as social systems - both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.
