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Author: Richard C. Sha
Publisher: University of Pennsylvania Press
ISBN: 1512807362
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
With their broken lines and hasty brushwork, sketches acquired enormous ideological and aesthetic power during the Romantic period in England. Whether publicly displayed or serving as the basis of a written genre, these rough drawings played a central role in the cultural ferment of the age by persuading audiences that less is more. The Visual and Verbal Sketch in British Romanticism investigates the varied implications of sketching in late-eighteenth- and early-nineteenth-century culture. Calling on a wide range of literary and visual genres, Richard C. Sha examines the shifting economic and aesthetic value of the sketch in sources ranging from auction catalogs and sketching manuals to novels that employed scenes of sketching and courtship. He especially shows how sketching became a double-edged accomplishment for women when used to define "proper" femininity. Sha's work offers fresh readings of Austen, Gilpin, Wordsworth, and Byron, as well as less familiar writers, and provides sophisticated interpretations of visual sketches. As the first full-length work about sketching during the Romantic era, this volume is a rich interdisciplinary study of both representation and gender.
Author: Henry E. Huntington Library and Art Gallery
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
The Huntington collection of British art includes not only the unrivaled full-length, life-size portrait paintings, but also many examples of the less familiar, more informal, but charming side of British portraiture--the drawings. In this book, twenty-five of these drawings are reproduced, each accompanied by a facing page of commentary. There are works in pencil, pen, wash, pastel, watercolor, and various combinations thereof. Some are presentation works intended to fill a more private and intimate function than the life-scale portraits in oil. Some are preparatory studies for works of art. Some are casual sketches made for the artist's own enjoyment or as a record of a memorable face. The drawings are representative examples of the work of twenty-five artists. They range in date from the early seventeenth century to the early twentieth and vary enormously in style and purpose. They include "plumbagos," miniatures in pencil done by the masters of the form, Loggan and Forster; drawings done in pencil and wash by Cosway, Lawrence, and Harlow; drawings by Greenhill and Gardner; and drawings used as preliminary studies for portraits to be done in oils by Ramsay, Fuseli, and Mortimer. Together with Wark's text, they demonstrate the quality of British achievement, the variety in types, and the fascinating complexity in appeal.
Author: Richard C. Sha
Publisher: University of Pennsylvania Press
ISBN: 1512807362
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
With their broken lines and hasty brushwork, sketches acquired enormous ideological and aesthetic power during the Romantic period in England. Whether publicly displayed or serving as the basis of a written genre, these rough drawings played a central role in the cultural ferment of the age by persuading audiences that less is more. The Visual and Verbal Sketch in British Romanticism investigates the varied implications of sketching in late-eighteenth- and early-nineteenth-century culture. Calling on a wide range of literary and visual genres, Richard C. Sha examines the shifting economic and aesthetic value of the sketch in sources ranging from auction catalogs and sketching manuals to novels that employed scenes of sketching and courtship. He especially shows how sketching became a double-edged accomplishment for women when used to define "proper" femininity. Sha's work offers fresh readings of Austen, Gilpin, Wordsworth, and Byron, as well as less familiar writers, and provides sophisticated interpretations of visual sketches. As the first full-length work about sketching during the Romantic era, this volume is a rich interdisciplinary study of both representation and gender.
Author: Robert R. Wark
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
This book marks the retirement of Robert Wark as Curator of the Huntington Art Collections and reflects his wide interests in the field of British art. Contributors include Shelley Bennett, David Bindman, Martin Butlin, Patricia Crown, Robert Essick, John Hayes, Ronald Paulson, Jules Prown, Graham Reynolds, and Duncan Robinson. Topics covered in this volume include the connection between the political and the aesthetic in Hogarth's art, verbal/visual relationships in British book illustration, Blake's illustrations to Paradise Lost, late-eighteenth-century portrait miniatures, Cotes's double portrait of the Crathornes, the French Revolution in English graphic art of the 1790s, comic art and the rococo, a study of a Reynolds portrait, and a tribute by John Hayes to Robert Wark's thirty-five years of curatorship of the Huntington Art Collections. The essays are accompanied by 122 color and black and white illustrations of items from leading British and American art collections.
Author: Shelley M. Bennett
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
Author: Laura Lunger Knoppers
Publisher: Cornell University Press
ISBN: 9780801489013
Category : Art
Languages : en
Pages : 324
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Book Description
Multi-disciplinary in approach & cross-European in scope, this volume explores links between the political & the monstrous in Europe from the Renaissance to the 19th century. These essays stress the continual reinvention & polemical applications of the monstrous.
Author: Michael Broughton
Publisher: Paul Holberton Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 288
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Book Description
The Spooner Collection of watercolours is one of the finest of its kind, featuring all the leading artists of the period 1750 - 1850. Notable among them are watercolours of the Lake District by John White Abbott, and rural scenes by several artists - Gainsborough, Turner, Cozens, Rowlandson, Francis Towne, Samuel Palmer. Architecture dominates the setting, in works by Girtin, Cotman and Sandby. The essays accompanying the catalogue discuss outdoor painting and the role of memory in watercolour painting, the connoisseurship, and attitudes towards watercolours; and give a brief biography of William Wycliffe Spooner himself. This complete catalogue of the collection, bequeathed by Spooner to the Courtauld Institute, is published on the occasion of a touring exhibition of select works from the collection, showing at The Worsworth Trust, Grasmere; The Huntingdon Library, California; and the Courtauld Institute Gallery, London, 2005 - 2006.
Author: Ashmolean Museum
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 760
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Book Description
British artists and foreigners working in Britain before c. 1775.
Author: Stephen Wade
Publisher: Amberley Publishing Limited
ISBN: 1445630540
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
A biography of one of the most famous names in Regency satirical art.
Author: Colin J. Bailey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: Henry E. Huntington Library and Art Gallery
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 598
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Book Description
