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Author: Asoke Kumar Bhattacharyya
Publisher: Abhinav Publications
ISBN: 9788170174226
Category : Buddhist sculpture
Languages : en
Pages : 158
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Book Description
Japan S Iconographical Material Covers Buddhism, Shintoism And A Few Other Smaller Sects In That Country. Yet Buddhist Iconography Sculptural And In Painting Constitutes By Far The Greatest In Number And Variety. Further, Again, Wood Sculpture In That Land Of Wood-Yielding Vegetation, Forms The Greater Measure Of Iconographic Material. In Fact, Japan Is Not So Fortunate In The Availability Of Stone That Can Stand Fine Chiselling Or Carving, As Chine And India. With This Background It As But Reasonable Justified That Specialist Study Of Stone Sculpture In Icons And Other Subjects Is Undertaken And Brought To The Notice Of Scholars And The Lay Public. In Doing So, The Available Stone Material: Early Artifacts, Religious Icons And Other Subjects Have Been Presented Here In Eight Sections And A Map. The Section Deal With Early Artefacts, Decorative Sculptures, Lanterns, Pagodas, Engravings, Buddha Images, Images Of The Buddhist Pantheon And Biku, Bikuni & Rakans.The Over All Survey Made Of The Sculptures Of The Buddha And The Buddhist Pantheon In Stone In Japan, Is A Unique Contribution To The Study Of Buddhist Iconography In General And That In Japan In Particular.
Author: Asoke Kumar Bhattacharyya
Publisher: Abhinav Publications
ISBN: 9788170174226
Category : Buddhist sculpture
Languages : en
Pages : 158
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Book Description
Japan S Iconographical Material Covers Buddhism, Shintoism And A Few Other Smaller Sects In That Country. Yet Buddhist Iconography Sculptural And In Painting Constitutes By Far The Greatest In Number And Variety. Further, Again, Wood Sculpture In That Land Of Wood-Yielding Vegetation, Forms The Greater Measure Of Iconographic Material. In Fact, Japan Is Not So Fortunate In The Availability Of Stone That Can Stand Fine Chiselling Or Carving, As Chine And India. With This Background It As But Reasonable Justified That Specialist Study Of Stone Sculpture In Icons And Other Subjects Is Undertaken And Brought To The Notice Of Scholars And The Lay Public. In Doing So, The Available Stone Material: Early Artifacts, Religious Icons And Other Subjects Have Been Presented Here In Eight Sections And A Map. The Section Deal With Early Artefacts, Decorative Sculptures, Lanterns, Pagodas, Engravings, Buddha Images, Images Of The Buddhist Pantheon And Biku, Bikuni & Rakans.The Over All Survey Made Of The Sculptures Of The Buddha And The Buddhist Pantheon In Stone In Japan, Is A Unique Contribution To The Study Of Buddhist Iconography In General And That In Japan In Particular.
Author: Kyōtarō Nishikawa
Publisher: Art Media Resources
ISBN:
Category : Art
Languages : en
Pages : 166
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Book Description
Catalog of the first exhibition of classic Japanese sculpture to tour the United States. The period represented, the seventh to the fourteenth centuries, was the definitive age in the history of this art form, encompassing its introduction from Korea, its assimilation, flourishing, and decline. The fifty-two pieces included in the show were drawn from active temples and major museum collections.
Author: Ive Covaci
Publisher: Yale University Press
ISBN: 0300215770
Category : Art
Languages : en
Pages : 193
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Book Description
Catalog of the exhibition at the Asia Society Museum, New York, February 9-May 8, 2016.
Author: Bunsaku Kurata
Publisher:
ISBN: 9780913304136
Category :
Languages : en
Pages : 122
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Book Description
Author: Sherry D. Fowler
Publisher: University of Hawaii Press
ISBN: 0824874587
Category : Art
Languages : en
Pages : 312
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Book Description
Murōji, a magnificent temple founded in the eighth century, is known both for its dramatic location and the exceptional quality of its ritual objects and art dating from the ninth and tenth centuries of the Heian period. Sherry Fowler makes extensive use of primary sources to explore the circumstances surrounding the creation and function of the temple’s main images and considers why major works of early Heian sculpture were housed in such a remote mountain setting. Employing a multifaceted approach that looks at Murōji’s art and architecture in socio-political context, she explores the establishment of the temple, its role in the religious life and power structure of the region, and the ways in which the temple reconfigured its early history to suit its later circumstances. Emerging from Fowler’s study are pervasive themes relating to worship and practice at Murōji that highlight plurality of practice (of different schools of Buddhism as well as Shinto); flexibility of practice and its impact on sculptural icons; the relationship of Murōji to other temple/shrine complexes; and the association of the temple with women’s worship.
Author: Sylvia Fraser-Lu
Publisher: Yale University Press
ISBN: 0300209452
Category : Art
Languages : en
Pages : 273
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Book Description
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.
Author: Seiroku Noma
Publisher: Read Books Ltd
ISBN: 1473356784
Category : Art
Languages : en
Pages : 107
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Victor Harris
Publisher:
ISBN:
Category : Buddhist sculpture
Languages : en
Pages : 136
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Book Description
Author: Jacqueline I. Stone
Publisher: University of Hawaii Press
ISBN: 0824867653
Category : History
Languages : en
Pages : 633
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Book Description
Buddhists across Asia have often aspired to die with a clear and focused mind, as the historical Buddha himself is said to have done. This book explores how the ideal of dying with right mindfulness was appropriated, disseminated, and transformed in premodern Japan, focusing on the late tenth through early fourteenth centuries. By concentrating one’s thoughts on the Buddha in one’s last moments, it was said even an ignorant and sinful person could escape the cycle of deluded rebirth and achieve birth in a buddha’s pure land, where liberation would be assured. Conversely, the slightest mental distraction at that final juncture could send even a devout practitioner tumbling down into the hells or other miserable rebirth realms. The ideal of mindful death thus generated both hope and anxiety and created a demand for ritual specialists who could act as religious guides at the deathbed. Buddhist death management in Japan has been studied chiefly from the standpoint of funerals and mortuary rites. Right Thoughts at the Last Moment investigates a largely untold side of that story: how early medieval Japanese prepared for death, and how desire for ritual assistance in one’s last hours contributed to Buddhist preeminence in death-related matters. It represents the first book-length study in a Western language to examine how the Buddhist ideal of mindful death was appropriated in a specific historical context. Practice for one’s last hours occupied the intersections of multiple, often disparate approaches that Buddhism offered for coping with death. Because they crossed sectarian lines and eventually permeated all social levels, deathbed practices afford insights into broader issues in medieval Japanese religion, including intellectual developments, devotional practices, pollution concerns, ritual performance, and divisions of labor among religious professionals. They also allow us to see beyond the categories of “old” versus “new” Buddhism, or establishment Buddhism versus marginal heterodoxies, which have characterized much scholarship to date. Enlivened by cogent examples, this study draws on a wealth of sources including ritual instructions, hagiographies, doctrinal writings, didactic tales, courtier diaries, historical records, letters, and relevant art historical material to explore the interplay of doctrinal ideals and on-the-ground practice.
Author: Toshio Nagahiro
Publisher: Reynal Morrow
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
