Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Dutch Paintings of the Seventeenth Century
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
An Entrance for the Eyes
Author: Martha Hollander
Publisher: Univ of California Press
ISBN: 0520221354
Category : Art
Languages : en
Pages : 293
Book Description
"How refreshing, how absolutely refreshing, to find a book on Dutch painting that asks readers to begin by simply looking. Hollander is faithful to the possibility--so common in painting, so unusual in scholarship--that the paintings are elusive, evasive, unsystematically ambiguous. Doors ajar, windows onto the street, paintings within paintings, half-drawn curtains, blank mirrors, a man's coat hung on a nail: those are the engines of interpretation, and Hollander tells their history lucidly and entirely persuasively."—James Elkins, author of The Object Stares Back "Hollander offers fresh and compelling readings of key works by Karel van Mander, Gerard Dou, Nicolaes Maes, and Pieter de Hooch. Very few recent books on Dutch art are as rich as this; and few are written in such lucid, unpretentious prose. What shines forth from every page is a genuine love of the pictures. Here is art history well tempered to the objects it interprets."—Joseph L. Koerner, author of The Moment of Self-Portraiture in German Renaissance Art "In recent years, scholars have explored how space signifies in seventeenth-century Dutch art and culture; Hollander's fascinating study is the most comprehensive to date. It examines space--as conceived in the writings of Dutch art theorists, constructed in contemporary architecture, and disposed and made meaningful in the work of Gerard Dou, Nicolaes Maes, Pieter de Hooch, and Karel van Mander. An Entrance for the Eyes lays a firm foundation for research on this intriguing and hitherto understudied aspect of Dutch art."—Wayne E. Franits, author of Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art
Publisher: Univ of California Press
ISBN: 0520221354
Category : Art
Languages : en
Pages : 293
Book Description
"How refreshing, how absolutely refreshing, to find a book on Dutch painting that asks readers to begin by simply looking. Hollander is faithful to the possibility--so common in painting, so unusual in scholarship--that the paintings are elusive, evasive, unsystematically ambiguous. Doors ajar, windows onto the street, paintings within paintings, half-drawn curtains, blank mirrors, a man's coat hung on a nail: those are the engines of interpretation, and Hollander tells their history lucidly and entirely persuasively."—James Elkins, author of The Object Stares Back "Hollander offers fresh and compelling readings of key works by Karel van Mander, Gerard Dou, Nicolaes Maes, and Pieter de Hooch. Very few recent books on Dutch art are as rich as this; and few are written in such lucid, unpretentious prose. What shines forth from every page is a genuine love of the pictures. Here is art history well tempered to the objects it interprets."—Joseph L. Koerner, author of The Moment of Self-Portraiture in German Renaissance Art "In recent years, scholars have explored how space signifies in seventeenth-century Dutch art and culture; Hollander's fascinating study is the most comprehensive to date. It examines space--as conceived in the writings of Dutch art theorists, constructed in contemporary architecture, and disposed and made meaningful in the work of Gerard Dou, Nicolaes Maes, Pieter de Hooch, and Karel van Mander. An Entrance for the Eyes lays a firm foundation for research on this intriguing and hitherto understudied aspect of Dutch art."—Wayne E. Franits, author of Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art
An Inner World
Author: Lara Yeager-Crasselt
Publisher: University of Pennsylvania Press
ISBN: 1734733829
Category : Art
Languages : en
Pages : 80
Book Description
An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world—figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age.
Publisher: University of Pennsylvania Press
ISBN: 1734733829
Category : Art
Languages : en
Pages : 80
Book Description
An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world—figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age.
Dutch Seventeenth-century Genre Painting
Author: Wayne E. Franits
Publisher: Yale University Press
ISBN: 0300102372
Category : Art
Languages : en
Pages : 342
Book Description
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Publisher: Yale University Press
ISBN: 0300102372
Category : Art
Languages : en
Pages : 342
Book Description
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Dutch Figure Drawings from the Seventeenth Century
Author: Peter Schatborn
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Masters of 17th-century Dutch Landscape Painting
Author: Peter C. Sutton
Publisher: University of Pennsylvania Press
ISBN:
Category : Art
Languages : en
Pages : 588
Book Description
Publisher: University of Pennsylvania Press
ISBN:
Category : Art
Languages : en
Pages : 588
Book Description
The Art of Describing
Author: Svetlana Alpers
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 0
Book Description
Dutch Figure Drawings from the Seventeenth Century
Author: Peter Schatborn
Publisher: Hague, Netherlands : Government Pub. Office
ISBN:
Category : Art
Languages : en
Pages : 160
Book Description
''Contrary to our conception of Italian and Spanish drawing, figure studies are not the first works that come to mind when one imagines the panorama of Dutch drawing from Holland's flourishing period. One might think first about the quiet landscapes of Van Goyen, river views under a high sky with a ferry-boat transporting travelers, or about cattle with a shepherd in the shade of a willow as depicted by Cuyp or Potter. Another will see Ruisdael's heavy trees, Molijn's views of dunes, or the woods of Waterloo. For many the images are lively scenes at a public house by Ostade or colorful ice scenes by Averkamp; and nobody will forget the butterflies and insects, and the shells and flowers which were famous in such great numbers throughout the entire 17th century. Studies of the human figure are, initially, somewhat out of the picture. And what about Rembrandt then? Yes, those who think about his drawn cruvre see directly next to his biblical compositions, landscapes, beggars, and Orientals, nude models posing at the border of light and dark, rapid and precise figure sketches with the reed pen, sometimes four or five together on one sheet. In the extremely versatile cruvre of Rembrandt we find our first ideas about Dutch drawings corrected and now figure drawings by other artists also appear in the field of vision. Through closer observation these drawings appear in always greater numbers, in ever richer variation of type, and in unexpected colorful nuances of drawing techniques and materials. Among them one recognizes here and there one among a selection of 'One Hundred Drawings from the Golden Age', or 'Seventeenth Century Drawings from Public Collections. By now they seem to be accompanied by a whole crowd of family members, several generations that are very different from one another, all of them silent and waiting to be brought to speak.''--
Publisher: Hague, Netherlands : Government Pub. Office
ISBN:
Category : Art
Languages : en
Pages : 160
Book Description
''Contrary to our conception of Italian and Spanish drawing, figure studies are not the first works that come to mind when one imagines the panorama of Dutch drawing from Holland's flourishing period. One might think first about the quiet landscapes of Van Goyen, river views under a high sky with a ferry-boat transporting travelers, or about cattle with a shepherd in the shade of a willow as depicted by Cuyp or Potter. Another will see Ruisdael's heavy trees, Molijn's views of dunes, or the woods of Waterloo. For many the images are lively scenes at a public house by Ostade or colorful ice scenes by Averkamp; and nobody will forget the butterflies and insects, and the shells and flowers which were famous in such great numbers throughout the entire 17th century. Studies of the human figure are, initially, somewhat out of the picture. And what about Rembrandt then? Yes, those who think about his drawn cruvre see directly next to his biblical compositions, landscapes, beggars, and Orientals, nude models posing at the border of light and dark, rapid and precise figure sketches with the reed pen, sometimes four or five together on one sheet. In the extremely versatile cruvre of Rembrandt we find our first ideas about Dutch drawings corrected and now figure drawings by other artists also appear in the field of vision. Through closer observation these drawings appear in always greater numbers, in ever richer variation of type, and in unexpected colorful nuances of drawing techniques and materials. Among them one recognizes here and there one among a selection of 'One Hundred Drawings from the Golden Age', or 'Seventeenth Century Drawings from Public Collections. By now they seem to be accompanied by a whole crowd of family members, several generations that are very different from one another, all of them silent and waiting to be brought to speak.''--
Fractured Families and Rebel Maidservants
Author: Christine Petra Sellin
Publisher: Burns & Oates
ISBN:
Category : Arts, Dutch
Languages : en
Pages : 212
Book Description
Examines of the story of Hagar and Ishmael through the eyes of seventeenth-century Dutch painters. Hagar's tale is among the more disturbing, complex accounts of a female figure in the Old Testament, a tragic tale of servitude and heir-making surrogacy. This work looks at Dutch painting to recover Hagar's reputation.
Publisher: Burns & Oates
ISBN:
Category : Arts, Dutch
Languages : en
Pages : 212
Book Description
Examines of the story of Hagar and Ishmael through the eyes of seventeenth-century Dutch painters. Hagar's tale is among the more disturbing, complex accounts of a female figure in the Old Testament, a tragic tale of servitude and heir-making surrogacy. This work looks at Dutch painting to recover Hagar's reputation.
Public Faces and Private Identities in Seventeenth-Century Holland
Author: Ann Jensen Adams
Publisher: Cambridge University Press
ISBN: 9781107698031
Category : Art
Languages : en
Pages : 0
Book Description
During the seventeenth century, Dutch portraits were actively commissioned by corporate groups and by individuals from a range of economic and social classes. Ann Jensen Adams examines four portrait genres - individuals, the family, history portraits, and civic guards. Adams argues that as individuals became unmoored from traditional sources of identity, such as familial lineage, birthplace, and social class, portraits helped them to find security in a self-aware subjectivity and the new social structures that made possible the 'economic miracle' that has come to be known as the Dutch Golden Age.
Publisher: Cambridge University Press
ISBN: 9781107698031
Category : Art
Languages : en
Pages : 0
Book Description
During the seventeenth century, Dutch portraits were actively commissioned by corporate groups and by individuals from a range of economic and social classes. Ann Jensen Adams examines four portrait genres - individuals, the family, history portraits, and civic guards. Adams argues that as individuals became unmoored from traditional sources of identity, such as familial lineage, birthplace, and social class, portraits helped them to find security in a self-aware subjectivity and the new social structures that made possible the 'economic miracle' that has come to be known as the Dutch Golden Age.