The Muller Dynasty: Jan Harmensz. Muller

The Muller Dynasty: Jan Harmensz. Muller PDF Author: Erik Hinterding
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 344

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The New Hollstein German Engravings, Etchings and Woodcuts, 1400-1700: Albrecht and Erhard Altdorfer

The New Hollstein German Engravings, Etchings and Woodcuts, 1400-1700: Albrecht and Erhard Altdorfer PDF Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 284

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[Vol. 2].

The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts, 1450-1700

The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts, 1450-1700 PDF Author: Zsuzsanna van Ruyven-Zeman
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 148

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Dutch and Flemish Etchings, Engravings and Woodcuts 1450-1700

Dutch and Flemish Etchings, Engravings and Woodcuts 1450-1700 PDF Author: F. W. H. Hollstein
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Hollstein's German Engravings, Etchings and Woodcuts

Hollstein's German Engravings, Etchings and Woodcuts PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 281

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David Vinck(e)boons to Hendrik Visjager

David Vinck(e)boons to Hendrik Visjager PDF Author: Friedrich Wilhelm Heinrich Hollstein
Publisher:
ISBN: 9789072658159
Category : Engravings, Dutch
Languages : en
Pages : 275

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The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries

The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries PDF Author: Grażyna Jurkowlaniec
Publisher: Routledge
ISBN: 1000173127
Category : Art
Languages : en
Pages : 421

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Book Description
This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda

Dutch and Flemish Etchings, Engravings, and Woodcuts, Ca. 1450-1700

Dutch and Flemish Etchings, Engravings, and Woodcuts, Ca. 1450-1700 PDF Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 152

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The Renaissance of Etching

The Renaissance of Etching PDF Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
ISBN: 1588396495
Category : Art
Languages : en
Pages : 311

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Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Dutch and Flemish Etchings, Engravings, and Woodcuts, Ca. 1450-1700: Masters and monogrammists of the 15th century

Dutch and Flemish Etchings, Engravings, and Woodcuts, Ca. 1450-1700: Masters and monogrammists of the 15th century PDF Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engraving, Dutch
Languages : en
Pages : 296

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