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Author: Guido Noccioli
Publisher: Manchester University Press
ISBN: 9780719008474
Category : Biography & Autobiography
Languages : en
Pages : 204
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Book Description
Author: Guido Noccioli
Publisher: Manchester University Press
ISBN: 9780719008474
Category : Biography & Autobiography
Languages : en
Pages : 204
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Book Description
Author: Robert Gottlieb
Publisher: Macmillan + ORM
ISBN: 1429961066
Category : Literary Collections
Languages : en
Pages : 444
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Book Description
The product of a lifetime immersed in the literary, performing arts, and entertainment worlds, Robert Gottlieb's Lives and Letters spotlights the work, careers, intimate lives, and lasting achievements of a vast array of celebrated writers and performers in film, theater, and dance, and some of the more curious iconic public figures of our times. From the world of literature, Charles Dickens, James Thurber, Judith Krantz, John Steinbeck, and Rudyard Kipling; the controversies surrounding Bruno Bettelheim and Elia Kazan; and Marjorie Kinnan Rawlings and her editor, Maxwell Perkins. From dance and theater, Isadora Duncan and Margot Fonteyn, Serge Diaghilev and George Balanchine, Sarah Bernhardt and Eleonora Duse. In Hollywood, Bing Crosby and Judy Garland, Douglas Fairbanks and Lillian Gish, Tallulah Bankhead and Katharine Hepburn, Mae West and Anna May Wong. In New York, Diana Vreeland, the Trumps, and Gottlieb's own take on the contretemps that followed his replacing William Shawn at The New Yorker. And so much more . . .
Author: Helen Sheehy
Publisher: Knopf
ISBN: 030748422X
Category : Biography & Autobiography
Languages : en
Pages : 550
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Book Description
A new biography, the first in two decades, of the legendary actress who inspired Anton Chekhov, popularized Henrik Ibsen, and spurred Stanislavski to create a new theory of acting based on her art and to invoke her name at every rehearsal. Writers loved her and wrote plays for her. She be-friended Rainer Maria Rilke and inspired the young James Joyce, who kept a portrait of her on his desk. Her greatest love, the poet d’Annunzio, made her the heroine of his novel Il fuoco (The Flame). She radically changed the art of acting: in a duel between the past and the future, she vanquished her rival, Sarah Bernhardt. Chekhov said of her, “I’ve never seen anything like it. Looking at Duse, I realized why the Russian theatre is such a bore.” Charlie Chaplin called her “the finest thing I have seen on the stage.” Gloria Swanson and Lillian Gish watched her perform with adoring attention, John Barrymore with awe. Shaw said she “touches you straight on the very heart.” When asked about her acting, Duse responded that, quite simply, it came from life. Except for one short film, Duse’s art has been lost. Despite dozens of books about her, her story is muffled by legend and myth. The sentimental image that prevails is of a misty, tragic heroine victimized by men, by life; an artist of unearthly purity, without ambition. Now Helen Sheehy, author of the much admired biography of Eva Le Gallienne, gives us a different Duse—a woman of strength and resolve, a woman who knew pain but could also inflict it. “Life is hard,” she said, “one must wound or be wounded.” She wanted to reveal on the stage the truth about women’s lives and she wanted her art to endure. Drawing on newly discovered material, including Duse’s own memoir, and unpublished letters and notes, Sheehy brings us to an understanding of the great actress’s unique ways of working: Duse acting out of her sense of her character’s inner life, Duse anticipating the bold aspects of modernism and performing with a sexual freedom that shocked and thrilled audiences. She edited her characters’ lines to bare skeletons, asked for the simplest sets and costumes. Where other actresses used hysterics onstage, Duse used stillness. Sheehy writes about the Duse that the actress herself tried to hide—tracing her life from her childhood as a performing member of a family of actors touring their repertory of drama and commedia dell’arte through Italy. We follow her through her twenties and through the next four decades of commissioning and directing plays, running her own company, and illuminating a series of great roles that included Emile Zola’s Thérèse Raquin, Marguerite in Dumas’s La Dame aux camélias, Nora in Ibsen’s A Doll’s House, and Hedda in his Hedda Gabler. When she thought her beauty was fading at fifty-one, she gave up the stage, only to return to the theatre in her early sixties; she traveled to America and enchanted audiences across the country. She died as she was born—on tour. Sheehy’s illuminating book brings us as close as we have ever been to the woman and the artist.
Author: British Library
Publisher: Walter de Gruyter
ISBN: 3111725944
Category : Reference
Languages : en
Pages : 528
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Author: Forrest Izard
Publisher: Good Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
In 'Heroines of the Modern Stage' by Forrest Izard, the author delves into the portrayal of female characters in modern theater, examining their roles, complexities, and impact on the stage. Izard's analytical approach to the literary and social significance of these heroines offers readers a thought-provoking exploration of gender dynamics and representation in contemporary plays. Through detailed character studies and nuanced interpretations, Izard sheds light on the evolution of women's roles in theater, highlighting the power and agency of these heroines in shaping narratives and challenging societal norms. Drawing on a range of dramatic works, from classic plays to avant-garde productions, Izard demonstrates the enduring relevance of these strong and multifaceted characters in the modern theatrical landscape. Forrest Izard, a renowned theater scholar and critic, brings a wealth of knowledge and expertise to 'Heroines of the Modern Stage'. His deep understanding of dramatic literature and feminist theory enriches the book's insightful analysis, offering readers a comprehensive study of female representation in contemporary theater. This insightful and meticulously researched book is a must-read for theater enthusiasts, academics, and anyone interested in the intersection of gender, performance, and culture.
Author: Diana McLellan
Publisher: Macmillan
ISBN: 9780312283209
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.
Author: Peter Rader
Publisher: Simon & Schuster
ISBN: 1476738386
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today. Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon—and she gave them their money’s worth. The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the perfect “book for all of us who binge-watched Feud” (Daniel de Visé, author of Andy & Don: The Making of a Friendship and a Classic American TV Show).
Author: W. J. Thorold
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 354
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 362
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Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 488
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