Author: Félicité Robert de Lamennais
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 354

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Author: Elizabeth Prettejohn
Publisher: Oxford University Press
ISBN: 0192801600
Category : Art
Languages : en
Pages : 225

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Book Description
What do we mean when we call a work of art `beautiful`? How do perceptions of beauty change with the passage of time? Elizabeth Prettejohn explores these crucial questions, showing the vital relationship between our changing notions of beauty and specific works of art. She charts the story of western art, from eighteenth-century Germany to the late 20th century, from Kauffman to Whistler, Ingres to Rossetti, Cézanne to Jackson Pollock.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 152

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Author:
Publisher: Editions Publibook
ISBN: 2342161670
Category :
Languages : en
Pages : 586

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Author: Léon Walras
Publisher:
ISBN:
Category : Economics
Languages : en
Pages : 498

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Author:
Publisher: Oxford University Press
ISBN: 0192579002
Category : Philosophy
Languages : en
Pages : 769

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Book Description
French philosophy is an internationally celebrated national philosophical tradition, and this Oxford Handbook offers a comprehensive approach to its history since 1800. The Handbook features essays written by renowned international specialists, illuminating key movements and positions, themes and thinkers in nineteenth-, twentieth- and even twenty-first-century French philosophy. The volume takes into account developments in recent historical scholarship by broadening the notion of Modern French Philosophy in two ways. Whereas recent approaches in the field have often ignored early nineteenth-century developments, this volume offers comprehensive treatment of French thought of this period in order to grasp better later developments. Moreover, the volume extends the canon at the other end of the period of Modern French Philosophy by including work on philosophers who have come to prominence only in the last ten or twenty years. The volume takes 'French philosophy' in a broad sense to include all philosophy carried out in France over the last 200 years, and it illuminates the institutional and cultural background of this national philosophical tradition in such a way as to provide a fuller and more comprehensive understanding of its unity and of its more famous moments in the twentieth century.

Author: Michèle Hannoosh
Publisher: Penn State Press
ISBN: 0271085304
Category : Literary Criticism
Languages : en
Pages : 164

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Jules Michelet, one of France’s most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michèle Hannoosh examines the crucial role that art writing played in Michelet’s work and shows how it decisively influenced his theory of history and his view of the practice of the historian. The visual arts were at the very center of Michelet’s conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, and engraving bore witness to histories that frequently went untold; that they expressed key ideas standing behind events; and that they articulated concepts that would come to fruition only later. This groundbreaking reevaluation of Michelet’s approach to history elucidates how writing about art provided a model for the historian’s relation to, and interpretation of, the past, and thus for a new type of historiography—one that acknowledges and enacts the historian’s own implication in the history he or she tells.

Author: Institut International de Philosoph
Publisher: Springer Science & Business Media
ISBN: 1402030274
Category : Philosophy
Languages : en
Pages : 210

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Book Description
In this book philosophers try to answer the following question: What is globalization and what does "globe" or "world" (monde) signify? Rémi Brague returns to the Greek idea of the cosmos in order to track the worldhood (mondanéité) of the world, that is, the process by which the idea of the world is formed. Don Ihde shows how a world has developed, in which technologies are no longer considered neutral means serving the ends of human action, but become the very means by which people exist in the world. Vittorio Mathieu describes the economical world at two levels – that of the individual and that of society. Tomonobu Imamichi analyses the capacity of aesthetic experience to disclose a world other than the world of technological efficiency. Francisco Miró Quesada C. emphasises that the great political questions are not solvable without worldviews that express value systems. David Rasmussen describes sensus communis as a cosmopolitan concept, which founds a political globalization of the world. And Peter Kemp attempts to grasp the meaning of that globalization upon which the destiny of our planet depends.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 218

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Author: Jean-François Lyotard
Publisher: Leuven University Press
ISBN: 9058677567
Category : Art
Languages : en
Pages : 273

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Book Description
"Karel Appel. A gesture of colour is the first of a series of five volumes, bringing together the most important writings of Jean-François Lyotard (1924-1998) on contemporary art and artists. The book he devoted to the art of Karel Appel (1921-2006) is without doubt one of the most complete and inspired texts of all the writing included in the series. Neither the original French manuscript nor the English translation has ever been published before, and their presentation face to face should constitute a considerable plus. In this book, Lyotard presents Karel Appel's "matterism" as an offer of presence, presence deferred -- it is the visual where every predicate is suspended, the visual touched, "gesture" of colour more than property of colour, appearance at the edge of the abyss. Christine Buci-Glucksmann's epilogue situates Karel Appel. A gesture of colour within the whole of Lyotard's writings on art and his subsequent work."--P. [4] of cover.