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Author: Yehuda Moraly
Publisher: Liverpool University Press
ISBN: 1802071288
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Every artist has a dream project an enterprise that he or she has continuously taken up but never completed. Via archived notes and drafts, a retrospective reconstitution of such projects can serve as a key for better understanding the authors artistic corpus. The present study reaches out to the authorship of Paul Claudel, Jean Genet, and Federico Fellini. Claudel deferred and never completed the fourth segment of his Trilogie des Coufontaine. The only indication of the existence of this prospective fourth part of the theatre sequence is a brief entry in his Journal. In 1949, he began writing a third version of his first great work Tête d'Or. Like the unfinished fourth section that was to be added to the trilogy, the draft of the third version of Tête d'Or reveals a dialogue between the Old and New Testaments a theme that appears to be central to Claudel's entire corpus. Genet labored over La Mort for many years. At the conclusion of Saint Genet, comédien et martyr (1952), Sartre mentions this final work of Genet. Genet discussed his progress on La Mort in correspondence and even published Fragments of La Mort in the literary magazine Les Temps Modernes. While the project never came to fruition, it nevertheless remains an important means through which to understand Genets work. The aborted production of Fellinis Voyage de G. Mastorna has become a legend. After 8" and Giulietta degli spiriti, Fellini wrote a screenplay that he began to film but subsequently abandoned, much to the chagrin of producer Dino de Laurentiis who had already invested in sets and costumes. Fellini would often revisit this project, but never completed it. This book also examines additional dream projects taken from different art forms: poetry (Mallarmés Le Livre); literature (Vignys Daphné); painting (Monets Nymphéas); music (Schoenbergs Moses und Aron); and various films (Clouzots LEnfer, Viscontis La Recherche, Kubricks Napoleon, etc.).
Author: Yehuda Moraly
Publisher: Liverpool University Press
ISBN: 1802071288
Category : Performing Arts
Languages : en
Pages : 257
Get Book Here
Book Description
Every artist has a dream project an enterprise that he or she has continuously taken up but never completed. Via archived notes and drafts, a retrospective reconstitution of such projects can serve as a key for better understanding the authors artistic corpus. The present study reaches out to the authorship of Paul Claudel, Jean Genet, and Federico Fellini. Claudel deferred and never completed the fourth segment of his Trilogie des Coufontaine. The only indication of the existence of this prospective fourth part of the theatre sequence is a brief entry in his Journal. In 1949, he began writing a third version of his first great work Tête d'Or. Like the unfinished fourth section that was to be added to the trilogy, the draft of the third version of Tête d'Or reveals a dialogue between the Old and New Testaments a theme that appears to be central to Claudel's entire corpus. Genet labored over La Mort for many years. At the conclusion of Saint Genet, comédien et martyr (1952), Sartre mentions this final work of Genet. Genet discussed his progress on La Mort in correspondence and even published Fragments of La Mort in the literary magazine Les Temps Modernes. While the project never came to fruition, it nevertheless remains an important means through which to understand Genets work. The aborted production of Fellinis Voyage de G. Mastorna has become a legend. After 8" and Giulietta degli spiriti, Fellini wrote a screenplay that he began to film but subsequently abandoned, much to the chagrin of producer Dino de Laurentiis who had already invested in sets and costumes. Fellini would often revisit this project, but never completed it. This book also examines additional dream projects taken from different art forms: poetry (Mallarmés Le Livre); literature (Vignys Daphné); painting (Monets Nymphéas); music (Schoenbergs Moses und Aron); and various films (Clouzots LEnfer, Viscontis La Recherche, Kubricks Napoleon, etc.).
Author: Yehuda Moraly
Publisher: Liverpool University Press
ISBN: 1782846743
Category : Performing Arts
Languages : en
Pages : 196
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Book Description
Every artist has a dream project an enterprise that he or she has continuously taken up but never completed. Via archived notes and drafts, a retrospective reconstitution of such projects can serve as a key for better understanding the authors artistic corpus. The present study reaches out to the authorship of Paul Claudel, Jean Genet, and Federico Fellini. Claudel deferred and never completed the fourth segment of his Trilogie des Coufontaine. The only indication of the existence of this prospective fourth part of the theatre sequence is a brief entry in his Journal. In 1949, he began writing a third version of his first great work Tête d'Or. Like the unfinished fourth section that was to be added to the trilogy, the draft of the third version of Tête d'Or reveals a dialogue between the Old and New Testaments a theme that appears to be central to Claudel's entire corpus. Genet labored over La Mort for many years. At the conclusion of Saint Genet, comédien et martyr (1952), Sartre mentions this final work of Genet. Genet discussed his progress on La Mort in correspondence and even published Fragments of La Mort in the literary magazine Les Temps Modernes. While the project never came to fruition, it nevertheless remains an important means through which to understand Genets work. The aborted production of Fellinis Voyage de G. Mastorna has become a legend. After 8" and Giulietta degli spiriti, Fellini wrote a screenplay that he began to film but subsequently abandoned, much to the chagrin of producer Dino de Laurentiis who had already invested in sets and costumes. Fellini would often revisit this project, but never completed it. This book also examines additional dream projects taken from different art forms: poetry (Mallarmés Le Livre); literature (Vignys Daphné); painting (Monets Nymphéas); music (Schoenbergs Moses und Aron); and various films (Clouzots LEnfer, Viscontis La Recherche, Kubricks Napoleon, etc.).
Author: Gordon Dahlquist
Publisher: Bantam
ISBN: 0307755576
Category : Fiction
Languages : en
Pages : 482
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Book Description
Here begins an extraordinary alliance—and a brutal and tender, shocking, and electrifying adventure to end all adventures. It starts with a simple note. Roger Bascombe regretfully wishes to inform Celeste Temple that their engagement is forthwith terminated. Determined to find out why, Miss Temple takes the first step in a journey that will propel her into a dizzyingly seductive, utterly shocking world beyond her imagining—and set her on a collision course with a killer and a spy—in a bodice-ripping, action-packed roller-coaster ride of suspense, betrayal, and richly fevered dreams.
Author: Branden W. Joseph
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 490
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Book Description
Examining Tony Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Tony Conrad has significantly influenced cultural developments from minimalism to underground film, "concept art," postmodern appropriation, and the most sophisticated rock and roll. Creator of the "structural" film, The Flicker, collaborator on Jack Smith's Flaming Creatures and Normal Love, follower of Henry Flynt's radical anti-art, member of the Theatre of Eternal Music and the first incarnation of The Velvet Underground, and early associate of Mike Kelley, Tony Oursler, and Cindy Sherman, Conrad has eluded canonic histories. Yet Beyond the Dream Syndicate does not claim Conrad as a major but under-recognized figure. Neither monograph nor social history, the book takes Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Such an approach simultaneously illuminates and estranges current understandings of the period, redrawing the map across medium and stylistic boundaries to reveal a constitutive hybridization at the base of the decade's artistic development. This exploration of Conrad and his milieu goes beyond the presentation of a relatively overlooked oeuvre to chart multiple, contestatory regimes of power simultaneously in play during the pivotal moment of the 1960s. From the sovereign authority invoked by Young's music, to the "paranoiac" politics of Flynt, to the immanent control modeled by Conrad's films, each avant-garde project examined reveals an investment within a particular structure of power and resistance, providing a glimpse into the diversity of the artistic and political stakes that continue to define our time.
Author: Lynn Fulton
Publisher: Knopf Books for Young Readers
ISBN: 0525579621
Category : Juvenile Nonfiction
Languages : en
Pages : 24
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Book Description
A 2018 New York Times/New York Public Library Best Illustrated Children's Books On the bicentennial of Frankenstein, join Mary Shelley on the night she created the most frightening monster the world has ever seen. On a stormy night two hundred years ago, a young woman sat in a dark house and dreamed of her life as a writer. She longed to follow the path her own mother, Mary Wollstonecraft, had started down, but young Mary Shelley had yet to be inspired. As the night wore on, Mary grew more anxious. The next day was the deadline that her friend, the poet Lord Byron, had set for writing the best ghost story. After much talk of science and the secrets of life, Mary had gone to bed exhausted and frustrated that nothing she could think of was scary enough. But as she drifted off to sleep, she dreamed of a man that was not a man. He was a monster. This fascinating story gives readers insight into the tale behind one of the world's most celebrated novels and the creation of an indelible figure that is recognizable to readers of all ages. "Eye-catching artwork and engaging storytelling give this biography of a fascinating woman even more appeal."--Booklist
Author: Liz Hockinson
Publisher:
ISBN: 0972394621
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Marcello is a tiny mouse who spends his time watching movies at the Grand Palazzo Theatre and dreaming about making his own film someday.
Author: Lenore Appelhans
Publisher: Carolrhoda Lab& 8482
ISBN: 1541512596
Category : Juvenile Fiction
Languages : en
Pages : 276
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Book Description
"Riley, a Manic Pixie Dream Boy, lives in Trope Town, where he makes a living appearing as a side character in novels--until he and his fellow manic pixies must ban together to save themselves from retirement"--
Author: David Gascoigne
Publisher: Peter Lang
ISBN: 9783039106974
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
This book presents the first complete overview in English of the prose fiction of Georges Perec, recognised since his death in 1982 as one of the most influential and innovative French writers of his generation. In particular, it explores in depth the nature of the numerous, and often astonishing, games and ludic devices which he used to generate and develop his material and to draw his readers into a playful interaction with his texts. Moreover this study situates Perec's writings as the culmination of a significant tradition in twentieth-century French writing, that of ludic fiction, whose evolution is traced from Roussel to Ricardou and the Nouveau Roman and Oulipo movements. In so doing, it seeks to answer two important questions: why did ludic writing reach such particular prominence in the 1960s and 1970s? What made its appeal for Georges Perec so special that it came to shape his whole approach to writing, and led this orphan of war and holocaust to invest literary game-playing with such a profound personal and cultural importance?
Author:
Publisher: DragonRising Publishing
ISBN: 1873483988
Category :
Languages : en
Pages : 225
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Book Description
Project Sanctuary is a training manual to allow the user to begin understanding and using Quantum Logic, and to repair the conscious/unconscious divide.For most if not all endeavours at the far edge of human knowledge, an innate understanding of Quantum Logic is essential. This is systemic, organic thinking which may involve computations of n-complexity - and this cannot be achieved with ordinary thinking "the hard way". Human beings are structurally designed to think in Quantum Logic but have been entrained to a much slower, harder and highly limited logic of four dimensional symbols and language, thus causing a break between what we now call the conscious and the unconscious mind. For anyone involved in learning about people, psychology, healing, mathematics, art, creativity, physics etc. it is of the essence to firstly bridge the gap and allow insights derived from the Quantum Logic processes of the "unconscious mind" to be made available to the conscious mind once more; and secondly, to re-train the conscious mind to be able to compute in Quantum logic also, thereby "reuniting dream and real". This leads even at the beginning stages to a powerful increase in intuition, ESP, creativity and effectiveness in learning and understanding the complex systems of relationships, of people and of their ecology. Project Sanctuary achieves this reunification process by a simple and joyful communication within one person's mind in a stepped off reality dimension which gave the training process and the book its name. Project Sanctuary, the third edition, contains both the original training process as well as a reaching addendum of practical and powerful patterns which were derived directly by using the Project Sanctuary process itself in order to generate these.
Author: John Saul
Publisher: Bantam
ISBN: 0553262580
Category : Fiction
Languages : en
Pages : 385
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Book Description
“[John] Saul has the instincts of a natural storyteller.”—People Something is happening to the children of Eastbury, Massachusetts. Something that causes healthy babies to turn cold in their cribs. Something that strikes at the heart of every parent’s darkest fears. Something is taking the children one by one. Now, an entire town waits on the edge of panic for the next nightmare. there must be a reason for the terror. They all know it. But no one ever suspected . . .
