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Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
Get Book Here
Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837231
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Contributions by Dorian L. Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Małgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator’s mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Ira Moskowitz
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages :
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Book Description
Drawings in pencil, pen, charcoal, sepia, wash, watercolor, chalk and crayon, the work of 442 artists culled from 174 collections.
Author: Jess Erskine
Publisher:
ISBN: 9781951613013
Category :
Languages : en
Pages : 110
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Book Description
Not sure what to draw? Want to be creative but don't know where to begin? Jumpstart your drawings and fuel your imagination with 50 unique artistic prompts and partial drawings, ready for YOU to complete and color any way you choose! Be creative, weird, visionary, fantastic, offbeat, whimsical and just have fun! Grab the closest pencil or pen and Finish the Drawing!
Author: Flora Waycott
Publisher: Walter Foster Publishing
ISBN: 1633228010
Category : Art
Languages : en
Pages : 131
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Book Description
Learn to draw and paint more than 100 of your favorite everyday items! Step-by-step projects and creative inspiration make it fun and easy. The Inspired Artist series invites art hobbyists and casual art enthusiasts to have fun learning basic art concepts, relaxing into the creative process to make art in a playful, contemporary style. With Draw Every Little Thing, the first book in this new series, you can learn to draw and paint your favorite everyday items. From learning to draw and paint plants, flowers, and bicycles to the neighborhood café and the contents of the kitchen cabinet, this contemporary drawing book demonstrates just how easy it is to render the world around you with little more than a pencil, paper, and paint. Following a brief introduction to the joys of simplistic drawing and painting, this aesthetically pleasing book familiarizes you with a range of drawing tools and materials, including graphite pencil, pen and ink, colored pencil, and gouache, before offering a quick overview of basic color theory. Each subsequent chapter is then devoted to a specific theme—kitchenalia, hobbies, neighborhood haunts, and much more—and packed with simple step-by-step drawing projects. This accessible book encourages you to jump around so you can draw what immediately inspires you. Interactive prompts, creative exercises, and inspiring ideas make the process fun and engaging. Easy techniques and helpful instructions show you how to develop your own personal style, as well as add color to your drawings using gouache and colored pencil. Crafty projects round out the book, allowing you to use your newfound drawing and painting skills. Filled to the brim with whimsical artwork and loads of creative ideas, Draw Every Little Thing encourages artists of all skill levels to draw any time inspiration strikes.
Author: Fiona Watt
Publisher: Usborne Publishing Limited
ISBN: 9781409565192
Category : Drawing
Languages : en
Pages : 0
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Book Description
An easy-to-follow, step-by-step drawing book that helps children master the simple drawing skills required to render a range of animals, people and objects. It comes with plenty of space for doing their own drawings.
Author: Walter Foster
Publisher: Walter Foster Publishing
ISBN: 1633227707
Category : Art
Languages : en
Pages : 46
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Book Description
Learn to draw a variety of subjects in graphite pencil from basic shapes. In Drawing: How to Draw 1—which also features contributions by acclaimed artist William F. Powell—Walter Foster invites you into his artistic world and shows you how to draw a variety of subjects. Even if you’ve never drawn before, you’ll be amazed at how quickly and easily you can render just about anything you’d care to draw. With Drawing: How to Draw 1, you’ll learn the principles of drawing, as well as all the materials and tools you’ll need to get started. You’ll begin by drawing simple, familiar shapes and quickly learn to transform them into three-dimensional, lifelike forms using just a few easy techniques. And with simple step-by-step instructions, you’ll learn to draw a variety of popular subjects, including fruits, flowers, animals, human portraits, and even cartoons. With the help of Drawing: How to Draw 1, anyone can learn to draw! Designed for beginners, the How to Draw & Paint series offers an easy-to-follow guide that introduces artists to basic tools and materials and includes simple step-by-step lessons for a variety of projects suitable for the aspiring artist. Drawing: How to Draw 1 allows artists to develop their drawing skills, demonstrating how to start with basic shapes and use pencil and shading techniques to create varied textures, values, and details for a realistic, completed drawing.
Author: Carylee Gressman
Publisher:
ISBN: 9780977859702
Category : Bible stories
Languages : en
Pages : 63
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Book Description
Now you can combine art, history, and cursive handwriting all in one! Draw and Write Through History is a great supplement to any history curriculum. Students draw different pictures related to the historical time period and then write about what they drew. It is Chronological, including Biblical history. It is student friendly. Each how-to drawing is broken down into steps, and each step is done is color. The first book in this series covers the time period from creation to Jonah (about 760 B.C.). This book is in full-color. All the illustrations are done in Prismacolor pencils.
Author: Steve Huston
Publisher:
ISBN: 1631590650
Category : Art
Languages : en
Pages : 195
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Book Description
Learn to draw the human figure with a two-step approach used by the biggest animation studios in the business with Figure Drawing for Artists.
Author: Karen Kiefer
Publisher: Paraclete Press
ISBN: 1640603107
Category : Juvenile Fiction
Languages : en
Pages : 42
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Book Description
Picasso's artistic inspiration takes hold of young Emma's faith imagination in this beautifully illustrated debut picture book about how we all see God differently. “This urge to draw something beyond spectacular would not leave my side. ‘What should I draw?’ I thought. I sat quietly, listening to my mind and heart. That's when I heard their whisper and I decided to draw God.” Emma tries again and again and again to draw God, but her classmates can’t see God in any of her drawings. Emma finally realizes that she doesn’t need their approval. “I knew I had drawn God. God knew I had drawn God, and maybe Picasso knew, too. That finally felt like enough.” But when Emma returns to school on the following Monday, something beyond spectacular happens. Drawing God is a story for children to discover what inspires their very own faith imagination and to realize the contagious faith that lives powerfully within them. Celebrate World Drawing God Day on November 7th. Visit www.drawing-god.com.
