Drancy - Journey's End!

Drancy - Journey's End! PDF Author: Raymond Roscoe
Publisher: PCI Leisure
ISBN:
Category : History
Languages : en
Pages : 247

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Book Description
Story description A Film Treatment is available to legitimate film production companies for this true story Drancy – Journey's End!' - based on the true account of Thomas Roscoe from his 'Wartime Log' which he wrote during his captivity as a teenage civilian. 'Drancy - Journey's End' is written in a novel style. The account stretches from the day he stepped on board the cargo ship in 1937 (at the age of 14) that was to be his workplace and home for the foreseeable future, through to a meeting held at the houses of Parliament in 1993. The book attempts to view things as he would have done at such a young age. This is a true story of a 14 year old British boy from Liverpool who lied about his age in order to fulfil his childhood dream, to see the world. Using his older brother’s birth certificate, Thomas was able to secure himself a job on a cargo ship, SS Davisian in 1937 two years before the outbreak of WWII. The book covers his fears as the ship he was working on was bombarded with shells from a German surface raider, the scuttling of his ship in shark infested waters. It covers the horrors he endured in a concentration camp, the screams of men, women and children as they were beaten and tortured by guards, the fears he had, his hopes and dreams all dashed and then a final battle in 1993 with a British tribunal. The author is trying to get the war and maritime records corrected and to bring this account into the Public Domain. The author is also looking for a film producer to help put this true story on the screen. The only record the Liverpool Maritime Museum has been that Thomas was sent to one P.O.W. camp, Milag-Nord. They had no idea that other camps were involved. They were shocked to see the Parliamentary tribunal transcript about Drancy concentration camp. Why was there no mention to the media back then about non-combatant British teenage civilians being held in Drancy concentration camp? Was it because it would have caused a media frenzy back then and even today, to know that the government tribunal of the time not only played down Drancy as a Concentration camp, but also left British civilians in Germany even after the war. Maybe that was why they denied it was a concentration camp, maybe that was also the reason why that meeting in 1993 was held so late at night and maybe it could have caused a huge legal battle with even greater compensation with the British media wanting to know why they were left there. So, from the tribunal’s viewpoint, deny Drancy was a concentration camp and don't pay the compensation out, compensation that Germany had given. There are others around the world who deny Drancy was a concentration camp, obviously the holocaust deniers are at the top of the list, referring to it as just a ‘transit’ camp. The following statement is in the 1993 tribunal transcript (copy in the book), quote, ‘under the legal definition that we apply in the United Kingdom, we do not accept that Drancy was a concentration camp’, unquote. The 1993 Parliamentary tribunal transcript in the book states, quote, "On 13 August 1992, Helmut Wegner, the Minister Plenipotentiary at the German embassy in London, wrote to stating that his Government confirmed that in the ”Bundegesetzblatt"— the official gazette—Drancy is listed in the published list of concentration camps" unquote. The Israeli Government, at the Yad Yashem memorial in Jerusalem, has a memorial to holocaust victims, listed there is Drancy as a concentration camp.” These are just two of a number of statements listed in the book. According to the Weiner Library in London, the oldest institution in the world that specialises in the Holocaust, Drancy was a ‘concentration camp’ (their statement is in the transcript of the 1993 meeting) toward the end of the book. Interesting too is the fact that on Amazon there are books about Drancy referring to it as a concentration camp and each of those books are of German origin. The Jewish Memorial in San Francisco has Drancy listed as a concentration camp along with Belsen, Auschwitz and numerous other concentration camps. I photographed one particular memorial stone showing Drancy which is in this book. There are also eye witness accounts and other references. There is more to this story, but after nearly 10 years of emails, research and letter writing to various government departments in the UK and abroad there is still a lot of questions that need answers in particular, dates of incarceration. Copyright 2018 Lifetime rights owned by Raymond Roscoe

Drancy - Journey's End!

Drancy - Journey's End! PDF Author: Raymond Roscoe
Publisher: PCI Leisure
ISBN:
Category : History
Languages : en
Pages : 247

Get Book

Book Description
Story description A Film Treatment is available to legitimate film production companies for this true story Drancy – Journey's End!' - based on the true account of Thomas Roscoe from his 'Wartime Log' which he wrote during his captivity as a teenage civilian. 'Drancy - Journey's End' is written in a novel style. The account stretches from the day he stepped on board the cargo ship in 1937 (at the age of 14) that was to be his workplace and home for the foreseeable future, through to a meeting held at the houses of Parliament in 1993. The book attempts to view things as he would have done at such a young age. This is a true story of a 14 year old British boy from Liverpool who lied about his age in order to fulfil his childhood dream, to see the world. Using his older brother’s birth certificate, Thomas was able to secure himself a job on a cargo ship, SS Davisian in 1937 two years before the outbreak of WWII. The book covers his fears as the ship he was working on was bombarded with shells from a German surface raider, the scuttling of his ship in shark infested waters. It covers the horrors he endured in a concentration camp, the screams of men, women and children as they were beaten and tortured by guards, the fears he had, his hopes and dreams all dashed and then a final battle in 1993 with a British tribunal. The author is trying to get the war and maritime records corrected and to bring this account into the Public Domain. The author is also looking for a film producer to help put this true story on the screen. The only record the Liverpool Maritime Museum has been that Thomas was sent to one P.O.W. camp, Milag-Nord. They had no idea that other camps were involved. They were shocked to see the Parliamentary tribunal transcript about Drancy concentration camp. Why was there no mention to the media back then about non-combatant British teenage civilians being held in Drancy concentration camp? Was it because it would have caused a media frenzy back then and even today, to know that the government tribunal of the time not only played down Drancy as a Concentration camp, but also left British civilians in Germany even after the war. Maybe that was why they denied it was a concentration camp, maybe that was also the reason why that meeting in 1993 was held so late at night and maybe it could have caused a huge legal battle with even greater compensation with the British media wanting to know why they were left there. So, from the tribunal’s viewpoint, deny Drancy was a concentration camp and don't pay the compensation out, compensation that Germany had given. There are others around the world who deny Drancy was a concentration camp, obviously the holocaust deniers are at the top of the list, referring to it as just a ‘transit’ camp. The following statement is in the 1993 tribunal transcript (copy in the book), quote, ‘under the legal definition that we apply in the United Kingdom, we do not accept that Drancy was a concentration camp’, unquote. The 1993 Parliamentary tribunal transcript in the book states, quote, "On 13 August 1992, Helmut Wegner, the Minister Plenipotentiary at the German embassy in London, wrote to stating that his Government confirmed that in the ”Bundegesetzblatt"— the official gazette—Drancy is listed in the published list of concentration camps" unquote. The Israeli Government, at the Yad Yashem memorial in Jerusalem, has a memorial to holocaust victims, listed there is Drancy as a concentration camp.” These are just two of a number of statements listed in the book. According to the Weiner Library in London, the oldest institution in the world that specialises in the Holocaust, Drancy was a ‘concentration camp’ (their statement is in the transcript of the 1993 meeting) toward the end of the book. Interesting too is the fact that on Amazon there are books about Drancy referring to it as a concentration camp and each of those books are of German origin. The Jewish Memorial in San Francisco has Drancy listed as a concentration camp along with Belsen, Auschwitz and numerous other concentration camps. I photographed one particular memorial stone showing Drancy which is in this book. There are also eye witness accounts and other references. There is more to this story, but after nearly 10 years of emails, research and letter writing to various government departments in the UK and abroad there is still a lot of questions that need answers in particular, dates of incarceration. Copyright 2018 Lifetime rights owned by Raymond Roscoe

Shadows in the City of Light

Shadows in the City of Light PDF Author: Sara R. Horowitz
Publisher: State University of New York Press
ISBN: 1438481756
Category : Literary Criticism
Languages : en
Pages : 334

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Book Description
The essays in Shadows in the City of Light explore the significance of Paris in the writing of five influential French writers—Sarah Kofman, Patrick Modiano, George Perec, Henri Raczymow, and Irene Nemirovsky—whose novels and memoirs capture and probe the absences of deported Paris Jews. These writers move their readers through wartime and postwar cityscapes of Paris, walking them through streets and arrondissments where Jews once resided, looking for traces of the disappeared. The city functions as more than a backdrop or setting. Its streets and buildings and monuments remind us of the exhilarating promise of the French Revolution and what it meant for Jews dreaming of equality. But the dynamic space of Paris also reminds us of the Holocaust and its aftermath. The shadowed paths traced by these writers raise complicated questions about ambivalence, absence, memory, secularity, and citizenship. In their writing, the urban landscape itself bears witness to the absent Jews, and what happened to them. For the writers treated in this volume, neither their Frenchness nor their Jewishness is a fixed point. Focusing on Paris's dual role as both a cultural hub and a powerful symbol of hope and conflict in Jewish memory, the contributors address intersections and departures among these writers. Their complexity of thought, artistry, and depth of vision shape a new understanding of the impact of the Holocaust on Jewish and French identity, on literature and literary forms, and on the development of Jewish secular culture in Western Europe.

How the Essay Film Thinks

How the Essay Film Thinks PDF Author: Laura Rascaroli
Publisher: Oxford University Press
ISBN: 0190656395
Category : Performing Arts
Languages : en
Pages : 224

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Book Description
This book offers a novel understanding of the epistemological strategies that are mobilized by the essay film, and of where and how such strategies operate. Against the backdrop of Adorno's discussion of the essay form's anachronistic, anti-systematic and disjunctive mode of resistance, and capitalizing on the centrality of the interstice in Deleuze's understanding of the cinema as image of thought, the book discusses the essay film as future philosophy-as a contrarian, political cinema whose argumentation engages with us in a space beyond the verbal. A diverse range of case studies discloses how the essay film can be a medium of thought on the basis of its dialectic use of audiovisual interstitiality. The book shows how the essay film's disjunctive method comes to be realized at the level of medium, montage, genre, temporality, sound, narration, and framing-all of these emerging as interstitial spaces of intelligence that illustrate how essayistic meaning can be sustained, often in contexts of political, historical or cultural extremity. The essayistic urge is not to be identified with a fixed generic form, but is rather situated within processes of filmic thinking that thrive in gaps.

In Lieu of Memory

In Lieu of Memory PDF Author: Thomas Nolden
Publisher: Syracuse University Press
ISBN: 9780815630890
Category : Literary Criticism
Languages : en
Pages : 284

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Book Description
This book provides a wide-ranging analysis of French Jewish authors born after the Shoah and traces the development of the rich agenda of jeune littérature juive (young Jewish writing) from its beginnings in the late 1970s, into the 1980s and 1990s, when it gained intense momentum. Thomas Nolden uses a wealth of biographical information to expound on his central thesis: the abrupt interruption of transmission of the Jewish heritage by assimilation, migration, and near-extermination required these writers to reinvent themselves, their past, and their memories as Jews. Nolden provides concise readings of the fiction of more than two dozen writers of both Sephardic and Ashkenazi background living in present-day France. He demonstrates how contemporary Jewish writing has responded historically, culturally, politically, and aesthetically to developments in French society and in Jewish culture. His critical analysis of the major themes, concerns, and stylistic features of the authors' work connects Jewish writing in France to the traditions of Jewish writing both during the Diaspora and in Israel.

Holocaust Intersections

Holocaust Intersections PDF Author: Axel Bangert
Publisher: Routledge
ISBN: 1351563556
Category : Foreign Language Study
Languages : en
Pages : 296

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Book Description
Recent representations of the Holocaust have increasingly required us to think beyond rigid demarcations of nation and history, medium and genre. Holocaust Intersections sets out to investigate the many points of conjunction between these categories in recent images of genocide. The book examines transnational constellations in Holocaust cinema and television in Europe, disclosing instances of border-crossing and boundary-troubling at levels of production, distribution and reception. It highlights intersections between film genres, through intertextuality and pastiche, and the deployment of audiovisual Holocaust memory and testimony. Finally, the volume addresses connections between the Holocaust and other histories of genocide in the visual culture of the new millennium, engaging with the questions of transhistoricity and intercultural perspective. Drawing on a wide variety of different media - from cinema and television to installation art and the internet - and on the most recent scholarship on responses to the Holocaust, the volume aims to update our understanding of how visual culture looks at the Holocaust and genocide today. With the contributions: Robert S. C. Gordon, Axel Bangert, Libby Saxton- Introduction Emiliano Perra- Between National and Cosmopolitan: 21st Century Holocaust Television in Britain, France and Italy Judith Keilbach- Title to be announced Laura Rascaroli- Transits: Thinking at the Junctures of Images in Harun Farocki's Respite and Arnaud des Pallieres's Drancy Avenir Maxim Silverman- Haneke and the Camps Barry Langford- Globalising the Holocaust: Fantasies of Annihilation in Contemporary Media Culture Ferzina Banaji- The Nazi Killin' Business: A Post-Modern Pastiche of the Holocaust Matilda Mroz- Neighbours: Polish-Jewish Relations in Contemporary Polish Visual Culture Berber Hagedoorn- Holocaust Representation in the Multi-Platform TV Documentaries De Oorlog (The War) and 13 in de Oorlog (13 in the War) Annette Hamilton- Cambodian Genocide: Ethics and Aesthetics in the Cinema of Rithy Panh Piotr Cieplak, Emma Wilson- The Afterlife of Images

Final Journey

Final Journey PDF Author: Martin Gilbert
Publisher: Rosetta Books
ISBN: 0795346832
Category : History
Languages : en
Pages : 423

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Book Description
A thoughtful and rigorous examination of the Jewish experience under Hitler’s “Final Solution”—based on eyewitness accounts and contemporary evidence. Focusing on firsthand narratives from survivors and supported by contextual scholarship, Gilbert presents a masterful cross-section of the experiences of the millions of European Jews who lost their homes, careers, families, and lives at the hands of Hitler’s “Final Solution.” The accounts of these journeys are at once unique and unified by both their tragedy and by their triumphs. Gilbert’s vast knowledge on the subject, coupled with his frank and readable style, makes Final Journey accessible to readers and scholars alike. The text is supported by eighty-four photographs—many of which were published for the first time in 1979—and twenty-four pages of maps prepared by the author, which help bring the stories of the men, women, and children back to life in unflinching detail.

The Children of Drancy

The Children of Drancy PDF Author: Hubert Butler
Publisher: Lilliput Press
ISBN:
Category : Reference
Languages : en
Pages : 296

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Book Description


Journey's End

Journey's End PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


A Journey of Hope

A Journey of Hope PDF Author: Oscar Mann
Publisher: Rowman & Littlefield
ISBN: 076183236X
Category : Holocaust, Jewish (1939-1945)
Languages : en
Pages : 304

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Book Description
In this touching and courageous memoir, Oscar Mann recounts his boyhood in France, the onset of World War II and the Holocaust, his immigration to America, and his years in the military and as a doctor. Mann's honest narrative offers us a glimpse into his past and a critical time in 20th century history and reminds us all of the power of hope. Visit the authors website for more information along with many unique images that help to visually support the author's story.

Paris

Paris PDF Author: Andrew Hussey
Publisher: Bloomsbury Publishing USA
ISBN: 1596913231
Category : History
Languages : en
Pages : 530

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Book Description
Describes daily life in Paris throughout history from the point of view of the Parisians themselves, including the working classes, criminals, insurrectionists, street urchins, artists, and prostitutes.