A History of Classical Scholarship. Vol. 1. from the Sixth Century B.c. to the End of the Middle Ages. Third Edition. PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A History of Classical Scholarship. Vol. 1. from the Sixth Century B.c. to the End of the Middle Ages. Third Edition. PDF full book. Access full book title A History of Classical Scholarship. Vol. 1. from the Sixth Century B.c. to the End of the Middle Ages. Third Edition. by . Download full books in PDF and EPUB format.
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 740
Get Book Here
Book Description
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 740
Get Book Here
Book Description
Author: Sidney E. Berger
Publisher: Routledge
ISBN: 0429514670
Category : Literary Criticism
Languages : en
Pages : 399
Get Book Here
Book Description
Originally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 688
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 944
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1106
Get Book Here
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Author: O. B. Hardison Jr.
Publisher: JHU Press
ISBN: 1421430878
Category : Literary Criticism
Languages : en
Pages : 247
Get Book Here
Book Description
Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.
Author: Bruce R. Burningham
Publisher: Purdue University Press
ISBN: 9781557534415
Category : Literary Criticism
Languages : en
Pages : 276
Get Book Here
Book Description
Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 684
Get Book Here
Book Description
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 720
Get Book Here
Book Description
Author: Aa. Vv.
Publisher: Mimesis
ISBN: 8857529304
Category : Performing Arts
Languages : en
Pages : 200
Get Book Here
Book Description
The volume The Italian Method of la drammatica: its Legacy and Reception includes the long and complex investigation to identify the Italian acting-code system of the drammatica used by nineteenth-century Italian actors such as Adelaide Ristori, Giovanni Grasso, Tommaso Salvini, Eleonora Duse. In particular, their acting inspired Stanislavsky who reformedtwentieth-century stage. The declamatory code of the drammatica was composed by symbols for notation of voice and gesture which Italian actors marked in their prompt-books.The discovery of the drammatica’s code sheds new light on nineteenth-century acting. Having deciphered the phonetic symbols of the code, Anna Sica has given birth an investigation with a group of outstanding scholars in an attempt to explore the drammatica’s legacy, and its reception in Europe as well as in Asia. At this stage new evidence has emerged proving that, for instance, the symbol used by the drammatica actors to sign the colorito vocale was known to English actors in the second half of the nineteenth century.By noting how Adelaide Ristori passed on her art to Irving’s actress Genevieve Ward, and how Stanislavsky, almost aflame, moulded his system from Duse’s acting, an unexplored variety in the reception of the drammatica’s legacy is revealed.
