Author: Germaine Dempster
Publisher: Stanford University Press
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Dramatic Irony in Chaucer
Author: Germaine Dempster
Publisher: Stanford University Press
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Publisher: Stanford University Press
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Dramatic Irony in Chaucer and Its Origin
Author: Germaine Collette
Publisher:
ISBN:
Category : Irony in literature
Languages : en
Pages : 662
Book Description
Publisher:
ISBN:
Category : Irony in literature
Languages : en
Pages : 662
Book Description
Chaucer and the Art of Storytelling
Author: Leonard Michael Koff
Publisher: Univ of California Press
ISBN: 0520339223
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
Publisher: Univ of California Press
ISBN: 0520339223
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
Chaucer's General Prologue to the Canterbury Tales
Author: Caroline D. Eckhardt
Publisher: University of Toronto Press
ISBN: 9780802025920
Category : Literary Criticism
Languages : en
Pages : 520
Book Description
This annotated, international bibliography of twentieth-century criticism on the Prologue is an essential reference guide. It includes books, journal articles, and dissertations, and a descriptive list of twentieth-century editions; it is the most complete inventory of modern criticism on the Prologue.
Publisher: University of Toronto Press
ISBN: 9780802025920
Category : Literary Criticism
Languages : en
Pages : 520
Book Description
This annotated, international bibliography of twentieth-century criticism on the Prologue is an essential reference guide. It includes books, journal articles, and dissertations, and a descriptive list of twentieth-century editions; it is the most complete inventory of modern criticism on the Prologue.
Chaucer's Miller's, Reeve's, and Cook's Tales
Author: David Biggs
Publisher: University of Toronto Press
ISBN: 9780802008749
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
An annotated bibliography describing editing and critical works on three of Chaucer's tales. The authors make extensive use of the standard bibliographies of English literature, medieval studies, and Chaucerian studies.
Publisher: University of Toronto Press
ISBN: 9780802008749
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
An annotated bibliography describing editing and critical works on three of Chaucer's tales. The authors make extensive use of the standard bibliographies of English literature, medieval studies, and Chaucerian studies.
The Nun's Priest's Tale
Author: Geoffrey Chaucer
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Book Description
Chaucer's Narrators
Author: David Lawton
Publisher: Boydell & Brewer Ltd
ISBN: 0859912175
Category : History
Languages : en
Pages : 186
Book Description
The book begins with a brief prefatory discussion of its relation to structuralist and post-structuralist criticism. The first chapter, `Apocryphal Voices', surveys the basis of modern critical approaches to persona and `irony' in Chaucer's poetry, and suggests that such approaches are better suited to unequivocally written contexts. A systematic hesitation between a wholly written and a wholly spoken context requires critical distinctions between types of persona, and a number of distinctions in the range between persona and voice. `Morality in its Context' examines the Pardoner and his tale and argues against a `dramatic' view of the tale itself, while the third chapter, 'Chaucer's Development of Persona', is a study of possible sources for Chaucer's handling of the narratorial '1', looking at the English `disour', the French `dits amoureux', Italian and Latin sources of influence, and the Roman de la Rose. The last two chapters apply the principles outlined so far to Troilus and The Canterbury Tales, with a particular examination of the literary history of the Squire'stale to show that modern interest in dramatic persona has obscured many other important issues and leads to drastic misreading. This is a challenging and lucid work which questions many of the received attitudes of recentChaucer criticism, and offers a reasoned and approachable alternative view.
Publisher: Boydell & Brewer Ltd
ISBN: 0859912175
Category : History
Languages : en
Pages : 186
Book Description
The book begins with a brief prefatory discussion of its relation to structuralist and post-structuralist criticism. The first chapter, `Apocryphal Voices', surveys the basis of modern critical approaches to persona and `irony' in Chaucer's poetry, and suggests that such approaches are better suited to unequivocally written contexts. A systematic hesitation between a wholly written and a wholly spoken context requires critical distinctions between types of persona, and a number of distinctions in the range between persona and voice. `Morality in its Context' examines the Pardoner and his tale and argues against a `dramatic' view of the tale itself, while the third chapter, 'Chaucer's Development of Persona', is a study of possible sources for Chaucer's handling of the narratorial '1', looking at the English `disour', the French `dits amoureux', Italian and Latin sources of influence, and the Roman de la Rose. The last two chapters apply the principles outlined so far to Troilus and The Canterbury Tales, with a particular examination of the literary history of the Squire'stale to show that modern interest in dramatic persona has obscured many other important issues and leads to drastic misreading. This is a challenging and lucid work which questions many of the received attitudes of recentChaucer criticism, and offers a reasoned and approachable alternative view.
Chaucer's Monk's Tale and Nun's Priest's Tale
Author: Peter Goodall
Publisher: University of Toronto Press
ISBN: 1442691905
Category : Literary Criticism
Languages : en
Pages : 540
Book Description
Of all the stories that comprise The Canterbury Tales, certain ones have attracted more attention than others in terms of literary scholarship and canonization. The Monk's Tale, for instance, was popular in the decades after Chaucer's death, but has since suffered critical neglect, particularly in the twentieth century. The opposite has occurred with the Nun's Priest's Tale, which has long been one of the most popular and widely discussed of the tales, cited by some critics as the most essentially 'Chaucerian' of them all. This annotated bibliography is a record of all editions, translations, and scholarship written on The Monk's Tale and the Nun's Priest's Tale in the twentieth century with a view to revisiting the former and creating a comprehensive scholarly view of the latter. A detailed introduction summarizes all extant writings on the two tales and their relationship to each other, giving a sense of the complexity of Chaucer's seminal work and the unique function of its component stories. By dealing with these two tales in particular, this bibliography suggests the complicated critical reception and history of The Canterbury Tales.
Publisher: University of Toronto Press
ISBN: 1442691905
Category : Literary Criticism
Languages : en
Pages : 540
Book Description
Of all the stories that comprise The Canterbury Tales, certain ones have attracted more attention than others in terms of literary scholarship and canonization. The Monk's Tale, for instance, was popular in the decades after Chaucer's death, but has since suffered critical neglect, particularly in the twentieth century. The opposite has occurred with the Nun's Priest's Tale, which has long been one of the most popular and widely discussed of the tales, cited by some critics as the most essentially 'Chaucerian' of them all. This annotated bibliography is a record of all editions, translations, and scholarship written on The Monk's Tale and the Nun's Priest's Tale in the twentieth century with a view to revisiting the former and creating a comprehensive scholarly view of the latter. A detailed introduction summarizes all extant writings on the two tales and their relationship to each other, giving a sense of the complexity of Chaucer's seminal work and the unique function of its component stories. By dealing with these two tales in particular, this bibliography suggests the complicated critical reception and history of The Canterbury Tales.
Dramatic irony in Chaucer
Author: Germaine (Collette) Dempster
Publisher:
ISBN:
Category : Irony
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Irony
Languages : en
Pages : 120
Book Description
Twentieth-Century Chaucer Criticism
Author: Kathy Cawsey
Publisher: Routledge
ISBN: 131700583X
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
Shifting ideas about Geoffrey Chaucer's audience have produced radically different readings of Chaucer's work over the course of the past century. Kathy Cawsey, in her book on the changing relationship among Chaucer, critics, and theories of audience, draws on Michel Foucault's concept of the 'author-function' to propose the idea of an 'audience function' which shows the ways critics' concepts of audience affect and condition their criticism. Focusing on six trend-setting Chaucerian scholars, Cawsey identifies the assumptions about Chaucer's audience underpinning each critic's work, arguing these ideas best explain the diversity of interpretation in Chaucer criticism. Further, Cawsey suggests few studies of Chaucer's own understanding of audience have been done, in part because Chaucer criticism has been conditioned by scholars' latent suppositions about Chaucer's own audience. In making sense of the confusing and conflicting mass of modern Chaucer criticism, Cawsey also provides insights into the development of twentieth-century literary criticism and theory.
Publisher: Routledge
ISBN: 131700583X
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
Shifting ideas about Geoffrey Chaucer's audience have produced radically different readings of Chaucer's work over the course of the past century. Kathy Cawsey, in her book on the changing relationship among Chaucer, critics, and theories of audience, draws on Michel Foucault's concept of the 'author-function' to propose the idea of an 'audience function' which shows the ways critics' concepts of audience affect and condition their criticism. Focusing on six trend-setting Chaucerian scholars, Cawsey identifies the assumptions about Chaucer's audience underpinning each critic's work, arguing these ideas best explain the diversity of interpretation in Chaucer criticism. Further, Cawsey suggests few studies of Chaucer's own understanding of audience have been done, in part because Chaucer criticism has been conditioned by scholars' latent suppositions about Chaucer's own audience. In making sense of the confusing and conflicting mass of modern Chaucer criticism, Cawsey also provides insights into the development of twentieth-century literary criticism and theory.