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Author: Simon Goldhill
Publisher: Oxford University Press
ISBN: 0199978824
Category : Literary Collections
Languages : en
Pages : 303
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Book Description
Written by one of the best-known interpreters of classical literature today, Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on how our understanding of tragedy has been shaped by our literary past. Simon Goldhill sheds new light on Sophocles' distinctive brilliance as a dramatist, illuminating such aspects of his work as his manipulation of irony, his construction of dialogue, and his deployment of the actors and the chorus. Goldhill also investigates how nineteenth-century critics like Hegel, Nietzsche, and Wagner developed a specific understanding of tragedy, one that has shaped our current approach to the genre. Finally, Goldhill addresses one of the foundational questions of literary criticism: how historically self-conscious should a reading of Greek tragedy be? The result is an invigorating and exciting new interpretation of the most canonical of Western authors.
Author: Simon Goldhill
Publisher: Oxford University Press
ISBN: 0199978824
Category : Literary Collections
Languages : en
Pages : 303
Get Book Here
Book Description
Written by one of the best-known interpreters of classical literature today, Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on how our understanding of tragedy has been shaped by our literary past. Simon Goldhill sheds new light on Sophocles' distinctive brilliance as a dramatist, illuminating such aspects of his work as his manipulation of irony, his construction of dialogue, and his deployment of the actors and the chorus. Goldhill also investigates how nineteenth-century critics like Hegel, Nietzsche, and Wagner developed a specific understanding of tragedy, one that has shaped our current approach to the genre. Finally, Goldhill addresses one of the foundational questions of literary criticism: how historically self-conscious should a reading of Greek tragedy be? The result is an invigorating and exciting new interpretation of the most canonical of Western authors.
Author: Anthony Grafton
Publisher: Harvard University Press
ISBN: 9780674035720
Category : History
Languages : en
Pages : 1188
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Book Description
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
Author: Richard Rutherford
Publisher: John Wiley & Sons
ISBN: 0470775262
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
This accessible one-volume survey of the literature of Greece and Rome covers the period between Homer around 700 BC and Augustine around AD 410. Highlights what is important historically and of continuing interest and value in classical literature. An introduction by the editor presents essential information in a concise, accessible way. Each chapter focuses on a particular genre or area of literature. This structure allows readers to see continuities between different periods and to move easily between the Greek and Roman worlds. Includes extensive quotations in English. A timeline and an index of authors help to make the material as accessible as possible.
Author: Timothy Peter Wiseman
Publisher: Oxford University Press, USA
ISBN: 0198718357
Category : History
Languages : en
Pages : 342
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Book Description
In an ambitious overview of a thousand years of history, from the formation of the city-state of Rome to the establishment of a fully Christian culture, T. P. Wiseman examines the evidence for the oral delivery of Roman 'literature' to mass public audiences.
Author: Glynne Wickham
Publisher: Routledge
ISBN: 1135032629
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Shakespeare's Dramatic Heritage shows that the drama of Elizabethan and Jacobean England is deeply indebted to the religious drama of the Middle Ages and represents a climax, in secular guise, to mediaeval experiment and achievement rather than a new beginning. This is fully examined in terms of dramatic literature as well as in terms of theatres, stages and production conventions. The plays studied include: Richard II, A Midsummer Night's Dream, Hamlet, Macbeth, Coriolanus, The Winter's Tale and Marlowe's King Edward II.
Author: Grant Parker
Publisher: Cambridge University Press
ISBN: 110710081X
Category : Art
Languages : en
Pages : 579
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Book Description
This book explores how since colonial times South Africa has created its own vernacular classicism, both in creative media and everyday life.
Author: Timothy Peter Wiseman
Publisher: Liverpool University Press
ISBN:
Category : Drama
Languages : en
Pages : 246
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Book Description
In this sequel to Historiography And Imagination (UEP 1994), Professor Wiseman explores the question of how the Romans understood their own past and the role of early drama in generating and transmitting legends. The first six of the book's twelve essays are concerned with stories and scenarios in the surviving literature which are best explained as having been first created for the stage. The other essays discuss the family traditions of Roman aristocrats, the rites of spring enjoyed by the Roman plebs, the use of Roman history in the radical politics of the nineteenth century, and how a great modern Roman historian exploited the novelist's art. The book is designed to be accessible to anyone with an interest in the ancient world, and all Latin and Greek is translated.
Author: Johanna Hanink
Publisher: Cambridge University Press
ISBN: 1107062020
Category : Drama
Languages : en
Pages : 295
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Book Description
The first account of how Athens invented the notion of 'classical' tragedy during the later fourth century BC.
Author: Betine van Zyl Smit
Publisher: John Wiley & Sons
ISBN: 1118347765
Category : Literary Criticism
Languages : en
Pages : 624
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Book Description
A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film
Author: Desmond J. Conacher
Publisher: University of Toronto Press
ISBN: 1442637595
Category : Literary Criticism
Languages : en
Pages : 550
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Book Description
It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this opinion, it has tended to put too much emphasis on "Euripides the destroyer" rather than "Euripides the creator." In this study the author's main purpose is to redress the balance and to discuss the structure and techniques of Euripidean drama in relation to its new and richly varied themes. The consistent dramatic form evolved by Aeschylus and Sophocles had grown out of their conception of tragedy as the resultant of the tension between the individual will and the universal order suggested in myth. For Euripides, who never fully accepted myth as the real basis of tragedy, alternate ways of using the traditional material became necessary, and the playwright continually changed his dramatic structure to suit the particular tragic idea he was seeking to express. Viewed in this way, Euripides' dramatic technique may be seen in positive as well as negative terms—as something other than the breakdown of structural technique and mythological insight under the overwhelming force of his ideas. Professor Conacher offers here a new view of Euripides as the first Greek dramatist properly to understand the world of myth, and so, in a sense, to stand a bit outside it. He shows how Euripides, far from being an impatient or incompetent craftsman, used traditional mth as a basis for inventing new forms in which to cast his perceptions of the sources of human tragedy. All the extant Euripidean drama is examined in this book; the result is an intelligent guide to the plays for all students of dramatic literature, as well as a convincing defence of Euripides the creator.
