Drama and Opera: French drama

Drama and Opera: French drama PDF Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 754

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Book Description

Drama and Opera: French drama

Drama and Opera: French drama PDF Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 754

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Book Description


Drama and Opera

Drama and Opera PDF Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages :

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Book Description


Dance and Drama in French Baroque Opera

Dance and Drama in French Baroque Opera PDF Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 1107137896
Category : Music
Languages : en
Pages : 505

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Book Description
Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.

Drama and Opera

Drama and Opera PDF Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 732

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Book Description
Includes selections, epitomes, outlines of dramas, and some entire plays.

"Art, Theatre, and Opera in Paris, 1750-1850 "

Author: Richard Wrigley
Publisher: Routledge
ISBN: 135157535X
Category : Art
Languages : en
Pages : 288

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Book Description
Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.

Drama and Opera: The opera

Drama and Opera: The opera PDF Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 782

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Book Description
Includes selections, epitomes, outlines of dramas, and some entire plays.

French Theatre Today

French Theatre Today PDF Author: Edward Baron Turk
Publisher: University of Iowa Press
ISBN: 1587299933
Category : Performing Arts
Languages : en
Pages : 402

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Book Description
In 2005 literary and film critic Edward Turk immersed himself in New York City’s ACT FRENCH festival, a bold effort to enhance American contact with the contemporary French stage. This dizzying crash course on numerous aspects of current French theatre paved the way for six months of theatregoing in Paris and a month’s sojourn at the 2006 Avignon Festival. In French Theatre Today he turns his yearlong involvement with this rich topic into an accessible, intelligent, and comprehensive overview of contemporary French theatre. Situating many of the nearly 150 stage pieces he attended within contexts and timeframes that stretch backward and forward over a number of years, he reveals French theatre during the first decade of the twenty-first century to be remarkably vital, inclined toward both innovation and concern for its audience, and as open to international influence as it is respectful of national tradition. French Theatre Today provides a seamless mix of critical analysis with lively description, theoretical considerations with reflexive remarks by the theatremakers themselves, and matters of current French and American cultural politics. In the first part, “New York,” Turk offers close-ups of French theatre works singled out during the ACT FRENCH festival for their presumed attractiveness to American audiences and critics. The second part, “Paris,” depicts a more expansive range of French theatre pieces as they play out on their own soil. In the third part, “Avignon,” Turk captures the subject within a more fluid context that is, most interestingly, both eminently French and resolutely international. The Paris and Avignon chapters contain valuable and well-informed contextual and background information as well as descriptions of the milieus of the Avignon Festival and the various neighborhoods in Paris where he attended performances, information that readers cannot find easily elsewhere. Finally, in the spirit of inclusiveness that characterizes so much new French theatre and to give a representative account of his own experiences as a spectator, Turk rounds out his survey with observations on Paris’s lively opera scene and France’s wealth of circus entertainments, both traditional and newly envisioned. With his shrewd assessments of contemporary French theatre, Turk conveys an excitement and an affection for his topic destined to arouse similar responses in his readers. His book’s freshness and openness will reward theatre enthusiasts who are curious about an aspect of French culture that is inadequately known in this country, veteran scholars and students of contemporary world theatre, and those American theatre professionals who have the ultimate authority and good fortune to determine which new French works will reach audiences on these shores.

"Art, Theatre, and Opera in Paris, 1750-1850 "

Author: Richard Wrigley
Publisher: Routledge
ISBN: 1351575341
Category : Art
Languages : en
Pages : 492

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Book Description
Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.

The Drama: French drama

The Drama: French drama PDF Author:
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 398

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Book Description


Music and Theatre in France, 1600-1680

Music and Theatre in France, 1600-1680 PDF Author: John S. Powell
Publisher: Clarendon Press
ISBN: 9780198165996
Category : History
Languages : en
Pages : 622

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Book Description
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.