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Author: Margot A. Henriksen
Publisher: Univ of California Press
ISBN: 0520340906
Category : History
Languages : en
Pages : 496
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Book Description
Did America really learn to "stop worrying and love the bomb," as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned "I Have a Dream" speech or with Elvis Presley's throbbing "I'm All Shook Up"? In Margot Henriksen's vivid depiction of the decades after World War II, all three are expressions of a cultural revolution directly related to the atomic bomb. Although many scientists and other Americans protested the pursuit of nuclear superiority after World War II ended, they were drowned out by Cold War rhetoric that encouraged a "culture of consensus." Nonetheless, Henriksen says, a "culture of dissent" arose, and she traces this rebellion through all forms of popular culture. At first, artists expressed their anger, anxiety, and despair in familiar terms that addressed nuclear reality only indirectly. But Henriksen focuses primarily on new modes of expression that emerged, discussing the disturbing themes of film noir (with extended attention to Alfred Hitchcock) and science fiction films, Beat poetry, rock 'n' roll, and Pop Art. Black humor became a primary weapon in the cultural revolution while literature, movies, and music gave free rein to every possible expression of the generation gap. Cultural upheavals from "flower power" to the civil rights movement accentuated the failure of old values. Filled with fascinating examples of cultural responses to the Atomic Age, Henriksen's book is a must-read for anyone interested in the United States at mid-twentieth century.
Author: Margot A. Henriksen
Publisher: Univ of California Press
ISBN: 0520340906
Category : History
Languages : en
Pages : 496
Get Book
Book Description
Did America really learn to "stop worrying and love the bomb," as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned "I Have a Dream" speech or with Elvis Presley's throbbing "I'm All Shook Up"? In Margot Henriksen's vivid depiction of the decades after World War II, all three are expressions of a cultural revolution directly related to the atomic bomb. Although many scientists and other Americans protested the pursuit of nuclear superiority after World War II ended, they were drowned out by Cold War rhetoric that encouraged a "culture of consensus." Nonetheless, Henriksen says, a "culture of dissent" arose, and she traces this rebellion through all forms of popular culture. At first, artists expressed their anger, anxiety, and despair in familiar terms that addressed nuclear reality only indirectly. But Henriksen focuses primarily on new modes of expression that emerged, discussing the disturbing themes of film noir (with extended attention to Alfred Hitchcock) and science fiction films, Beat poetry, rock 'n' roll, and Pop Art. Black humor became a primary weapon in the cultural revolution while literature, movies, and music gave free rein to every possible expression of the generation gap. Cultural upheavals from "flower power" to the civil rights movement accentuated the failure of old values. Filled with fascinating examples of cultural responses to the Atomic Age, Henriksen's book is a must-read for anyone interested in the United States at mid-twentieth century.
Author: George Case
Publisher: McFarland
ISBN: 1476618488
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
Stanley Kubrick's Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb is one of the most celebrated and significant films ever made. This book traces the movie's origins as a thriller novel through its evolution into a devastating black comedy, to its ultimate reception as an undisputed cinema classic. A wealth of fresh detail is provided on Dr. Strangelove's production, its initial reception and its lasting influence. The book also examines the film within the context of the real-life superpower standoff it satirized and evaluates its place alongside director Kubrick's entire catalog of famous works. Drawn from interviews, biographical research and extensive cultural analysis, this work is an indispensable resource for Kubrick fans, movie buffs and students of Cold War history.
Author: Peter Goodchild
Publisher: Harvard University Press
ISBN: 9780674016699
Category : Biography & Autobiography
Languages : en
Pages : 520
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Book Description
Goodchild unravels the complex web of harsh early experiences, character flaws, and personal and professional frustrations that lay behind the paradox of "the father of the H-bomb."
Author: Sean M. Maloney
Publisher: U of Nebraska Press
ISBN: 1640123490
Category : Performing Arts
Languages : en
Pages : 615
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Book Description
King of the Cold War crisis film, Dr. Strangelove became a cultural touchstone from the moment of its release in 1964. The duck-and-cover generation saw it as a satire on nuclear issues and Cold War thinking. Subsequent generations, removed from the film's historical moment, came to view it as a quasi-documentary about an unfathomable secret world. Sean M. Maloney uses Dr. Strangelove and other genre classics like Fail Safe and The Bedford Incident to investigate a curious pop cultural contradiction. Nuclear crisis films repeatedly portrayed the failures of the Cold War's deterrent system. Yet the system worked. What does this inconsistency tell us about the genre? What does it tell us about the deterrent system, for that matter? Blending film analysis with Cold War history, Maloney looks at how the celluloid crises stack up against reality--or at least as much of reality as we can reconstruct from these films with confidence. The result is a daring intellectual foray that casts new light on Dr. Strangelove, one of the Cold War era's defining films.
Author: Peter Bryant
Publisher: RosettaBooks
ISBN: 0795311583
Category : Fiction
Languages : en
Pages : 175
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Book Description
The basis for Stanley Kubrick’s masterpiece, Dr. Strangelove: A chilling Cold War thriller in which unchecked power unleashes total nuclear disaster. Air Force Brigadier General Quinten is a dying man suffering from the paranoid delusion that he can make the world a better place by ordering a full-scale nuclear attack on the Soviet Union. Receiving word of the attack already underway, the president of the United States and his advisors now must work frantically to stop it. The US bombers are to be shot down—but a lone bomber called the “Alabama Angel” escapes and flies on to complete its lunatic mission, ignoring the president’s orders. A ghastly and chilling vision of what might happen when profound and deadly power is put into the wrong hands, this classic thriller continues to serve as a warning in today’s tumultuous political climate.
Author: Mick Broderick
Publisher: Wallflower Press
ISBN: 9780231177085
Category : Dr. Strangelove (Motion picture)
Languages : en
Pages : 0
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Book Description
With rare access to unpublished materials, this volume assesses Dr. Strangelove's narrative accuracy, consulting recently declassified Cold War nuclear-policy documents alongside interviews with Kubrick's collaborators. It focuses on the myths surrounding the film.
Author: Craig Nelson
Publisher: Simon and Schuster
ISBN: 145166043X
Category : History
Languages : en
Pages : 448
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Book Description
"Radiation is a complex and paradoxical concept: staggering amounts of energy flow from seemingly inert rock and that energy is both useful and dangerous. While nuclear energy affects our everyday lives--from nuclear medicine and food irradiation to microwave technology--its invisible rays trigger biological damage, birth defects, and cellular mayhem. From the end of the nineteenth century through the use of the atomic bomb in World War II to the twenty-first century's confrontation with the dangers of nuclear power, Craig Nelson illuminates a pageant of fascinating historical figures: Enrico Fermi, Marie and Pierre Curie, Albert Einstein, FDR, Robert Oppenheimer, and Ronald Reagan, among others. He reveals many little-known details, including how Jewish refugees fleeing Hitler transformed America from a country that created light bulbs and telephones into one that split atoms; how the most grotesque weapon ever invented could realize Alfred Nobel's lifelong dream of global peace; how emergency workers and low-level utility employees fought to contain a run-amok nuclear reactor, while wondering if they would live or die. Brilliantly fascinating and remarkably accessible, The Age of Radiance traces mankind's complicated and difficult relationship with the dangerous power it discovered and made part of civilization"--
Author: David Mikics
Publisher: Yale University Press
ISBN: 0300255616
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
An engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self†‘taught filmmaker and self†‘proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever†‘curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.
Author: Fred Kaplan
Publisher: Simon & Schuster
ISBN: 1982107308
Category : History
Languages : en
Pages : 384
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Book Description
From the author of the classic The Wizards of Armageddon and Pulitzer Prize finalist comes the definitive history of American policy on nuclear war—and Presidents’ actions in nuclear crises—from Truman to Trump. Fred Kaplan, hailed by The New York Times as “a rare combination of defense intellectual and pugnacious reporter,” takes us into the White House Situation Room, the Joint Chiefs of Staff’s “Tank” in the Pentagon, and the vast chambers of Strategic Command to bring us the untold stories—based on exclusive interviews and previously classified documents—of how America’s presidents and generals have thought about, threatened, broached, and just barely avoided nuclear war from the dawn of the atomic age until today. Kaplan’s historical research and deep reporting will stand as the permanent record of politics. Discussing theories that have dominated nightmare scenarios from Hiroshima and Nagasaki, Kaplan presents the unthinkable in terms of mass destruction and demonstrates how the nuclear war reality will not go away, regardless of the dire consequences.
Author: Robert P. Kolker
Publisher: Rutgers University Press
ISBN: 1978820941
Category : Performing Arts
Languages : en
Pages : 144
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Book Description
The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences. Triumph Over Containment offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture. This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.