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Author: Ebenezer Prout
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 302
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Book Description
The study of double counterpoint & of the various forms of imitation is an invaluable & indispensable introduction to the higher branches of composition.
Author: Ebenezer Prout
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 302
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Book Description
The study of double counterpoint & of the various forms of imitation is an invaluable & indispensable introduction to the higher branches of composition.
Author: Frederick Bridge
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 150
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Book Description
Author: Ebenezer Prout
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 304
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Book Description
Author: Hugo Riemann
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 228
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Book Description
Author: David Yearsley
Publisher: Cambridge University Press
ISBN: 9780521803465
Category : Music
Languages : en
Pages : 284
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Book Description
In Bach's Germany musical counterpoint was an art involving much more than the sophisticated use of advanced compositional techniques. A range of theological, cultural, social and political meanings attached themselves to the use of complex procedures such as canon and double counterpoint. This book explores the significance of Bach's counterpoint in a range of interrelated contexts: its use as a means of reflecting on death; its parallels to alchemy; its vexed status in the galant music culture of the first half of the eighteenth century; its value as a representation of political power; and its central importance in the creation of Bach's image in the nineteenth and twentieth centuries. Touching on a wide array of contemporary literary, philosophical, critical, and musical texts, the book includes new readings of many of Bach's late works in order to re-evaluate the status and meaning of counterpoint in Bach's work and legacy.
Author: Beth Denisch
Publisher: Hal Leonard Corporation
ISBN: 1540012239
Category : Music
Languages : en
Pages : 184
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Book Description
(Berklee Guide). Use counterpoint to make your music more engaging and creative. Counterpoint the relationship between musical voices is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, gain control, and lead you to new creative possibilities. You will learn "tricks of the trade" from the masters and apply these skills to contemporary styles. Online audio examples illustrate the principles being discussed, and many recommended listening lists point you to additional examples of how these principles have been used in music over the past thousand years.
Author: Arnold Schoenberg
Publisher: Oxford University Press
ISBN: 0195382218
Category : Music
Languages : en
Pages : 273
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Book Description
Models for Beginners in Composition (1943) represents one of Arnold Schoenberg's earliest attempts to reach a broad American audience through his pedagogical ideas. In this newly revised edition, Gordon Root incorporates many of Schoenberg's corrections to the original manuscript. Significant commentary also traces Schoenberg's development of the two-measure phrase as the main component of his pedagogical method.
Author: John Alexander Fuller-Maitland
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 858
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 854
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
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Book Description
