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Author: Gary Rosenshield
Publisher: Univ of Wisconsin Press
ISBN:
Category : Law
Languages : en
Pages : 328
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Book Description
Gary Rosenshield offers a new interpretation of Dostoevsky's greatest novel, The Brothers Karamazov. He explores Dostoevsky's critique and exploitation of the jury trial for his own ideological agenda, both in his journalism and his fiction, contextualizing his portrayal of trials and trial participants (lawyers, jurors, defendants, judges) in the political, social, and ideological milieu of his time. Further, the author presents Dostoevsky's critique in terms of the main notions of the critical legal studies movement in the United States, showing how, over one hundred and twenty years ago, Dostoevsky explicitly dealt with the same problems that the law-and-literature movement has been confronting over the past two decades. This book should appeal to anyone with an interest in Russian literature, Russian history and culture, legal studies, law and literature, narratology, or metafiction and literary theory.
Author: Gary Rosenshield
Publisher: Univ of Wisconsin Press
ISBN:
Category : Law
Languages : en
Pages : 328
Get Book Here
Book Description
Gary Rosenshield offers a new interpretation of Dostoevsky's greatest novel, The Brothers Karamazov. He explores Dostoevsky's critique and exploitation of the jury trial for his own ideological agenda, both in his journalism and his fiction, contextualizing his portrayal of trials and trial participants (lawyers, jurors, defendants, judges) in the political, social, and ideological milieu of his time. Further, the author presents Dostoevsky's critique in terms of the main notions of the critical legal studies movement in the United States, showing how, over one hundred and twenty years ago, Dostoevsky explicitly dealt with the same problems that the law-and-literature movement has been confronting over the past two decades. This book should appeal to anyone with an interest in Russian literature, Russian history and culture, legal studies, law and literature, narratology, or metafiction and literary theory.
Author: Amy D. Ronner
Publisher:
ISBN: 9781611634174
Category : Law and literature
Languages : en
Pages : 0
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Book Description
In 1849, Fyodor Dostoevsky, already a known novelist, was arrested, tried, and sentenced to death for treason. After about eight months in prison, officials paraded him and others into a public square and tethered them to execution posts before a firing squad. Just before discharging their fatal shots, the soldiers received a command to halt. By order of Nicholas I, the great Russian novelist and fellow prisoners were spared and their death sentences commuted to terms of hard labor and exile in Siberia. After serving his sentence, Dostoevsky, permitted to return to St. Petersberg, wrote some of the greatest masterpieces in world literature. His experience in Siberia, where he lived in close proximity with convicts, political prisoners, and others punished for crimes they did not commit, shaped his life and career. It not only gave him insight into the workings of the human psyche, but also fostered what could be characterized as an obsession with criminal justice, convicts, and suspects. Although Dostoevsky wrote in the nineteenth century, his genius transcends time to shed light on our own justice system and legal doctrines. Through a legal lens, this book examines several of Dostoevsky's works, including Crime and Punishment, The Double, Notes from the House of the Dead, Demons, and Brothers Karamazov, to show how they transmit relevant and timely messages about our mental capacity doctrine, confessions, legal system, and prisons. "Amy Ronner's excellent book offers a new dimension to the growing literature on Dostoevsky and the law ... not only does Ronner address a broad scope of issues within civil and criminal law, from testamentary capacity to confessional jurisprudence to the Miranda protections. Her Dostoevsky is more capacious and diverse than the Dostoevsky of other legal scholars who tend to focus on a smaller set of usual suspects like Crime and Punishment and The Brothers Karamazov. Still rarer than Ronner's vast knowledge of Dostoevsky is her great familiarity with Dostoevsky studies which is typically sidelined by various professional experts who seek to bring Dostoevsky's insights to bear on their professional concerns. In refreshingly readable prose, Ronner walks the reader through a number of technical legal issues, making the stakes clear for lawyers and non-lawyers alike." -- Anna Schur, The Russian Review "Ronner. . . provides a fresh entry point into Dostoevskii's work, one that could be particularly useful in teaching the Russian author to American students. Indeed, the book will be a valuable teaching resource: extensively researched, it presents previous English language scholarship in an exhaustive, fair, and informative way." --Cristina Vatulescu, The Slavic Review
Author: Anna Schur
Publisher:
ISBN: 9780810144941
Category : LITERARY CRITICISM
Languages : en
Pages : 232
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Book Description
Nineteenth-century Russian literature abounds in negative images of lawyers and the law. The Letters and the Law is the first book to frame the conflict between writers and lawyers as a competition for cultural authority.
Author: Sergei Antonov
Publisher: Harvard University Press
ISBN: 0674972619
Category : History
Languages : en
Pages : 351
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Book Description
As readers of classic Russian literature know, the nineteenth century was a time of pervasive financial anxiety. With incomes erratic and banks inadequate, Russians of all social castes were deeply enmeshed in networks of credit and debt. The necessity of borrowing and lending shaped perceptions of material and moral worth, as well as notions of social respectability and personal responsibility. Credit and debt were defining features of imperial Russia’s culture of property ownership. Sergei Antonov recreates this vanished world of borrowers, bankrupts, lenders, and loan sharks in imperial Russia from the reign of Nicholas I to the period of great social and political reforms of the 1860s. Poring over a trove of previously unexamined records, Antonov gleans insights into the experiences of ordinary Russians, rich and poor, and shows how Russia’s informal but sprawling credit system helped cement connections among property owners across socioeconomic lines. Individuals of varying rank and wealth commonly borrowed from one another. Without a firm legal basis for formalizing debt relationships, obtaining a loan often hinged on subjective perceptions of trustworthiness and reputation. Even after joint-stock banks appeared in Russia in the 1860s, credit continued to operate through vast networks linked by word of mouth, as well as ties of kinship and community. Disputes over debt were common, and Bankrupts and Usurers of Imperial Russia offers close readings of legal cases to argue that Russian courts—usually thought to be underdeveloped in this era—provided an effective forum for defining and protecting private property interests.
Author: Amy D. Ronner
Publisher: Rowman & Littlefield
ISBN: 1793607826
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
In Dostoevsky as Suicidologist, Amy D. Ronner illustrates how self-homicide in Fyodor Dostoevsky’s fiction prefigures Emile Durkheim’s etiology in Suicide as well as theories of other prominent suicidologists. This book not only fills a lacuna in Dostoevsky scholarship, but provides fresh readings of Dostoevsky’s major works, including Notes from The House of the Dead, Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov. Ronner provides an exegesis of how Dostoevsky’s implicit awareness of fatalistic, altruistic, egoistic, and anomic modes of self-destruction helped shape not only his philosophy, but also his craft as a writer. In this study, Ronner contributes to the field of suicidology by anatomizing both self-destructive behavior and suicidal ideation while offering ways to think about prevention. But most expansively, Ronner tackles the formidable task of forging a ligature between artistic creation and the pluripresent social fact of self-annihilation.
Author: James Patrick Scanlan
Publisher: Cornell University Press
ISBN: 9780801439940
Category : Philosophy
Languages : en
Pages : 284
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Book Description
For all his distance from philosophy, Dostoevsky was one of the most philosophical of writers. Drawing on his novels, essays, letters and notebooks, this volume examines Dostoevsky's philosophical thought.
Author: S.I. Zakhartsev
Publisher: Europa Edizioni
ISBN:
Category : Fiction
Languages : en
Pages : 321
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Book Description
This monograph develops an extensively fresh approach for interpreting logical philosophy as a way to understand the universal unity of thinking and being (Fichte and Hegel) and interpreting the meaning of its harmony (Dostoevsky). The book offers a starting, easy-to-read overview of the essence and meaning of the universal unity of thought and being, as a core concept of the classical philosophy—from the teachings of Parmenides to those of the early Christian Fathers—and the philosophy of law, that tries to demonstrate how this universal unity, which is the foundation of the absolute harmony of existence, manifests in itself the certainty of law and legal awareness. Gradually, it proceeds to introduce increasingly difficult aspects of the German philosophy of 18th–19th centuries by presenting a synthesis of the logical form of philosophy until landing in metaphysics of law, as well as major long-term issues of modern jurisprudence. The authors present a specialized knowledge about law as a complex and multidimensional notion; they discuss the problem of monism-dualism, look at the law-morality, law-religion dualisms and at the concept of the Absolute in law. Their approach is aimed to develop theoretical and methodological premises of a modern, comprehensive theory of law based on an updated notion of freedom in law. This paper synthesizes the results that this trio of researchers, regarded as experts by the Russian scientific community, has achieved after many years of systematic studies of philosophy of law. It is addressed to specialists in the field of theory and philosophy of law, university tutors, post-graduate students, graduate students, legal experts and to everyone who is interested in improving their knowledge of history of philosophy and legal thought as well as exploring Dostoevsky’s ideas from an unusual perspective.
Author: Carol Apollonio Flath
Publisher: Northwestern University Press
ISBN: 0810125323
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense," it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky’s work, reading through the facts--the text--of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose. This sort of reading against the grain is, Apollonio suggests, precisely what these works, with their emphasis on the hidden and the private and their narrative reliance on secrecy and slander, demand. In each work Apollonio focuses on one character or theme caught in the compromising, self-serving, or distorting narrative lens. Who, she asks, really exploits whom in Poor Folk? Does "White Nights" ever escape the dream state? What is actually lost--and what is won--in The Gambler? Is Svidrigailov, of such ill repute in Crime and Punishment, in fact an exemplar of generosity and truth? Who, in Demons, is truly demonic? Here we see how Dostoevsky has crafted his novels to help us see these distorting filters and develop the critical skills to resist their anaesthetic effect. Apollonio's readings show how Dostoevsky's paradoxes counter and usurp our comfortable assumptions about the way the world is and offer access to a deeper, immanent essence. His works gain power when we read beyond the primitive logic of external appearances and recognize the deeper life of the text.
Author: Richard H. Weisberg
Publisher: Yale University Press
ISBN: 9780300045925
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
The cruel power of misdirected words, artfully structured but spiritually empty and bearing the stamp of law or legalistic reasoning, is a persistent theme in the modern novel. Richard Weisberg, who has written extensively on both literature and law, explores the role of legalism and its abuses in eight major novels of the nineteenth and twentieth centuries. Beginning with Dostoevski and moving by way of trenchant analyses of Flaubert and Camus, Weisberg culminates his argument in a brilliantly revisionist reading of Melville's Billy Budd. In each of the novels treated, Weisberg sees a verbally gifted central character relying on wordiness to avoid or distort previously revealed truths. He argues that the malaise Nietzsche called ressentiment goads these characters to verbalizations that do violence to others and, ironically, indict their very creators. He identifies the legalistic theme as the major mode of iconoclasm in modern fiction and the source of its holocaustic vision. Writers, he reflects, viewed with profound skepticism their culture's tendency to substitute complex narrative formalism for earlier, absolute approaches to justice. In this, Weisberg concludes, their works anticipated the jurisprudential discourse of today. "The Failure of the Word is a creative, provocative, and learned work, written with style and feeling. Weisberg brings to bear on his core themes (the legalistic proclivity and ressentiment) a wide body of knowledge and thought in law and philosophy, literary history and theory."--Robert L. Jackson, Yale University
Author: V Yermilov
Publisher: Legare Street Press
ISBN: 9781018165905
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
