Does the New Testament Imitate Homer? PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Does the New Testament Imitate Homer? PDF full book. Access full book title Does the New Testament Imitate Homer? by Dennis R. MacDonald. Download full books in PDF and EPUB format.
Author: Dennis R. MacDonald
Publisher: Yale University Press
ISBN: 0300129890
Category : Religion
Languages : en
Pages : 240
Get Book Here
Book Description
div In this provocative challenge to prevailing views of New Testament sources, Dennis R. MacDonald argues that the origins of passages in the book of Acts are to be found not in early Christian legends but in the epics of Homer. MacDonald focuses on four passages in the book of Acts, examines their potential parallels in the Iliad, and concludes that the author of Acts composed them using famous scenes in Homer’s work as a model. Tracing the influence of passages from the Iliad on subsequent ancient literature, MacDonald shows how the story generated a vibrant, mimetic literary tradition long before Luke composed the Acts. Luke could have expected educated readers to recognize his transformation of these tales and to see that the Christian God and heroes were superior to Homeric gods and heroes. Building upon and extending the analytic methods of his earlier book, The Homeric Epics and the Gospel of Mark, MacDonald opens an original and promising appreciation not only of Acts but also of the composition of early Christian narrative in general. /DIV
Author: Dennis R. MacDonald
Publisher: Yale University Press
ISBN: 0300129890
Category : Religion
Languages : en
Pages : 240
Get Book Here
Book Description
div In this provocative challenge to prevailing views of New Testament sources, Dennis R. MacDonald argues that the origins of passages in the book of Acts are to be found not in early Christian legends but in the epics of Homer. MacDonald focuses on four passages in the book of Acts, examines their potential parallels in the Iliad, and concludes that the author of Acts composed them using famous scenes in Homer’s work as a model. Tracing the influence of passages from the Iliad on subsequent ancient literature, MacDonald shows how the story generated a vibrant, mimetic literary tradition long before Luke composed the Acts. Luke could have expected educated readers to recognize his transformation of these tales and to see that the Christian God and heroes were superior to Homeric gods and heroes. Building upon and extending the analytic methods of his earlier book, The Homeric Epics and the Gospel of Mark, MacDonald opens an original and promising appreciation not only of Acts but also of the composition of early Christian narrative in general. /DIV
Author: Dennis Ronald MacDonald
Publisher:
ISBN: 9780300097702
Category : Literary Criticism
Languages : en
Pages : 227
Get Book Here
Book Description
The book traces the influence of passages from the Iliad on subsequent ancient literature, showing how the story generated a vibrant mimetic literary tradition long before Luke composed the Acts. Educated readers would have recognized Luke's transformation of these tales and seen that the Christian God and heroes were superior to Homeric gods and heroes, MacDonald contends. With this radical reappraisal of the Acts of the Apostles, MacDonald sheds new light not only on a single book of the New Testament but also on the composition of early Christian narrative in general.
Author: Dennis Ronald MacDonald
Publisher: Yale University Press
ISBN: 9780300080124
Category : Religion
Languages : en
Pages : 284
Get Book Here
Book Description
In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E
Author: Dennis R. MacDonald
Publisher: Rowman & Littlefield
ISBN: 1442230533
Category : Religion
Languages : en
Pages : 441
Get Book Here
Book Description
These two volumes of The New Testament and Greek Literature are the magnum opus of biblical scholar Dennis R. MacDonald, outlining the profound connections between the New Testament and classical Greek poetry. MacDonald argues that the Gospel writers borrowed from established literary sources to create stories about Jesus that readers of the day would find convincing. In The Gospels and Homer MacDonald leads readers through Homer’s Iliad and Odyssey, highlighting models that the authors of the Gospel of Mark and Luke-Acts may have imitated for their portrayals of Jesus and his earliest followers such as Paul. The book applies mimesis criticism to show the popularity of the targets being imitated, the distinctiveness in the Gospels, and evidence that ancient readers recognized these similarities. Using side-by-side comparisons, the book provides English translations of Byzantine poetry that shows how Christian writers used lines from Homer to retell the life of Jesus. The potential imitations include adventures and shipwrecks, savages living in cages, meals for thousands, transfigurations, visits from the dead, blind seers, and more. MacDonald makes a compelling case that the Gospel writers successfully imitated the epics to provide their readers with heroes and an authoritative foundation for Christianity.
Author: Dennis R. MacDonald
Publisher: Society of Biblical Lit
ISBN: 158983691X
Category : Religion
Languages : en
Pages : 729
Get Book Here
Book Description
With characteristic boldness and careful reassessment of the evidence, MacDonald offers an alternative reconstruction of Q and an alternative solution to the Synoptic Problem: the Q+/Papias Hypothesis. To do so, he reconstructs and interprets two lost books about Jesus: the earliest Gospel, which was used as a source by the authors of Mark, Matthew, and Luke; and the earliest commentary on the Gospels, by Papias of Hierapolis, who apparently knew Mark, Matthew, and the lost Gospel, which he considered to be an alternative Greek translation of a Semitic Matthew. MacDonald also explores how these two texts, well known into the fourth century, shipwrecked with the canonization of the New Testament and the embarrassment at outmoded eschatologies in both the lost Gospel and Papias’s Exposition.
Author: Dennis R. MacDonald
Publisher: Rowman & Littlefield
ISBN: 144223055X
Category : Religion
Languages : en
Pages : 273
Get Book Here
Book Description
These two volumes of The New Testament and Greek Literature are the magnum opus of biblical scholar Dennis R. MacDonald, outlining the profound connections between the New Testament and classical Greek poetry. MacDonald argues that the Gospel writers borrowed from established literary sources to create stories about Jesus that readers of the day would find convincing. In Luke and Vergil MacDonald proposes that the author of Luke-Acts followed Mark’s lead in imitating Homer’s Iliad and Odyssey, but greatly expanded his project, especially in the Acts, but adding imitations not only of the epics but also of Euripides’ Bacchae and Plato’s Socratic dialogues. The potential imitations include spectacular miracles, official resistance, epiphanies, prison breaks, and more. The book applies mimesis criticism and uses side-by-side comparisons to show how early Christian authors portrayed the origins of Christianity as more compelling than the Augustan Golden Age.
Author: B.M. Metzger
Publisher: Рипол Классик
ISBN: 5885009015
Category : History
Languages : en
Pages : 385
Get Book Here
Book Description
Author: Karl Olav Sandnes
Publisher: BRILL
ISBN: 9004194428
Category : Religion
Languages : en
Pages : 292
Get Book Here
Book Description
In the fourth century C.E. some Christians paraphrased the stories about Jesus' life in the style of classical epics. Imitating the genre of centos, they stitched together lines taken either from Homer (Greek) or Virgil (Latin). They thus created new texts out of the classical epics, while they still remained fully within the confines of their style and vocabulary. It is the aim of this study to put these attempts into a historical and rhetorical context. Why did some Christians rewrite the Gospel stories in this way, and what came out of this? On the basis of these Christian centos, it is natural to address the view held by some scholars, namely that New Testaments narratives are imitations of the epics.
Author: Andrew F. Gregory
Publisher: Mohr Siebeck
ISBN: 9783161480867
Category : Religion
Languages : en
Pages : 456
Get Book Here
Book Description
"When and how may Christians first be shown to have used the Gospel of Luke and its companion volume, The Acts of the Apostles? Andrew Gregory offers the first book-length discussion of the reception of Luke and of Acts in the period before Irenaeus. The research project which was the basis of this monograph was originally conceived as a comparison of the pneumatology of Luke-Acts with the pneumatologies presented in Christian literature of the second century. Recent scholarship on Lukan pneumatology is agreed that Luke has a particular interest in the Spirit, but it is divided as to whether his pneumatology is part of a homogenous early Christian understanding or a distinctive presentation that is to be sharply differentiated from that of Matthew and Mark, of John, and of Paul. Noting a lacuna identified by Turner, the author set out to originally ask two questions. First, whether it might be possible to identify in second century pneumatologies any characteristics that New Testament scholars might label as distinctively Lukan. Second, whether such characteristics might be sufficient to indicate not only the influence of Lukan pneumatology but also a conscious appropriation of distinctively Lukan theology by other early Christians. Contents include: Introduction and methodology, Previous research, The evidence of the earliest manuscripts and notices, Do narrative outlines of episodes in the life of Jesus presuppose Luke?, Collections of the sayings of Jesus, Marcion, Justin Martyr, The reception of Luke in the Second Century, The reception of Acts in the Second Century, Early and Ambiguous Evidence, Justin Martyr, Narrative accounts explicitly concerning the Post-resurrection teaching of Jesus and the activity of Apostles and other prominent figures, The reception of Acts in the Period before Irenaeus, The reception of Luke and Acts in the Period before Irenaeus."
Author: Anthony Snodgrass
Publisher: Cambridge University Press
ISBN: 9780521629812
Category : Art
Languages : en
Pages : 204
Get Book Here
Book Description
This is a book about Homer, myth and art. The Iliad and Odyssey so dominate our view of ancient Greece that our natural reaction on viewing certain works of early Greek art is to identify them as 'scenes from Homer'. However, Anthony Snodgrass argues that, so far from 'illustrating' the Homeric poems, these works very rarely show signs of acquaintance with the Iliad or Odyssey, seldom even choosing their subject-matter from them. When the subjects do overlap, the artists occasionally give positive signs of preferring a non-Homeric version of the episode. He then attempts to explain why this should be so: despite Homer's unique standing in antiquity, the artists inhabited an independent world, where their own inspirations and concerns dominated their production. It is only the traditional dominance of the literary study of antiquity which has hidden this from us.
