Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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Author: Noah William Isenberg
Publisher: Columbia University Press
ISBN: 0231130554
Category : History
Languages : en
Pages : 373

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Book Description
In this comprehensive companion to Weimar cinema, chapters address the technological advancements of each film, their production and place within the larger history of German cinema, the style of the director, the actors and the rise of the German star, and the critical reception of the film.

Author: David A. Gerstner
Publisher: Routledge
ISBN: 1136761810
Category : Reference
Languages : en
Pages : 786

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Book Description
The Routledge International Encyclopedia of Queer Culture covers gay, lesbian, bisexual, transgender and queer (GLBTQ) life and culture post-1945, with a strong international approach to the subject.The scope of the work is extremely comprehensive, with entries falling into the broad categories of Dance, Education, Film, Health, Homophobia, the Int

Author: Robert Mills
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256

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Book Description
Suspended Animation argues that not only is the stereotype of uncontrolled violence in the Middle Ages historically misleading, the gulf between modern society and the medieval era is not as immense as we might think.

Author: William Hand Browne
Publisher:
ISBN:
Category : Maryland
Languages : en
Pages : 442

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Book Description
Includes the proceedings of the Society.

Author: Sally Bick
Publisher: University of Illinois Press
ISBN: 025205167X
Category : Music
Languages : en
Pages : 242

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Book Description
The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.

Author: Michael Lang
Publisher: Kluwer Law International B.V.
ISBN: 9041125094
Category : Law
Languages : en
Pages : 356

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Book Description
A growing number of cases pending before trhe European Court of Justice (ECJ) concern the fundamental freedoms and direct taxation. This book scrutinises the national background of the most important of these cases and examines possible infringements of fundamental freedoms. The focus of each analysis is on the questions submitted to the ECJ by the national courts. Moreover, where available, the opinion of the Advocate General is discussed. The cases are presented by esteemed national and European tax law experts. This book goes to the heart of the national tax systems, exposing hidden obstacles to fundamental freedoms.

Author: Arved Ashby
Publisher: Oxford University Press
ISBN: 0199827346
Category : Music
Languages : en
Pages : 217

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Book Description
MTV utterly changed the movies. Since music television arrived some 30 years ago, music videos have introduced filmmakers to a new creative vocabulary: speeds of events changed, and performance and mood came to dominate over traditional narrative storytelling. Popular Music and the New Auteur charts the impact of music videos on seven visionary directors: Martin Scorsese, Sofia Coppola, David Lynch, Wong Kar-Wai, the Coen brothers, Quentin Tarantino, and Wes Anderson. These filmmakers demonstrate a fresh kind of cinematic musicality by writing against pop songs rather than against script, and allowing popular music a determining role in narrative, imagery, and style. Featuring important new theoretical work by some of the most provocative writers in the area today, Popular Music and the New Auteur will be required reading for all who study film music and sound. It will be particularly relevant for readers in popular music studies, and its intervention in the ongoing debate on auteurism will make it necessary reading in film studies.

Author: James Buhler
Publisher:
ISBN: 0199371075
Category : Music
Languages : en
Pages : 337

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Book Description
A theory of the soundtrack is concerned with what belongs to the soundtrack, how a soundtrack is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound and music, classify the types of relations that films have used for image and sound, identify the central problems, and reflect on and describe effective uses of sound in film. This book summarizes and critiques major theories of the soundtrack from roughly 1929 until today. Rather than providing an exhaustive historical survey, it sketches out the range of theoretical approaches that have been applied to the soundtrack since the commercial introduction of the sound film. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories. The organization is both chronological and topical, the former in that the chapters move steadily from early film theory through models of the classical system to more recent critical theories; the latter in that the chapters highlight central issues for each generation: the problem of film itself, then of image and sound, of adequate analytical-descriptive models, and finally of critical-interpretative models.

Author: Cornell Woolrich
Publisher: National Geographic Books
ISBN: 1613161522
Category : Fiction
Languages : en
Pages : 0

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Book Description
From “the supreme master of suspense” comes the chilling chronicle of one man’s descent into madness. (New York Times) When New Orleans coffee merchant Louis Durand first meets his bride-to-be after a months-long courtship by mail, he’s shocked that she doesn’t match the photographs sent with her correspondence. But Durand has told his own fibs, concealing from her the details of his wealth, and so he mostly feels fortunate to find her so much more beautiful than expected. Soon after they marry, however, he becomes increasingly convinced that the woman in his life is not the same woman with whom he exchanged letters, a fact that becomes unavoidable when she suddenly disappears with his fortune. Alone, desperate, and inexplicably love-sick, Louis quickly descends into madness, obsessed with finding Julia and bringing her to justice — and simply with seeing her again. He engages the services of a private detective to do so, embarking on a search that spans the southeast of the country. When he finally tracks her down, the nightmare truly begins… A dark tale of the destructive power of love, Waltz into Darkness is a classic “femme fatale” narrative that shows “the father of the modern suspense story” (LA Times) at the top of his unsettling craft. It has been adapted for film twice, most notably serving as the basis for Francois Truffaut’s Mississippi Mermaid.