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Category :
Languages : fr
Pages : 6
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Category :
Languages : fr
Pages : 6
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Author: Nancy Cunard
Publisher:
ISBN: 9781946963598
Category :
Languages : en
Pages : 0
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Reprint Edition of the 1934 Edition. This is the abridged edition of Nancy Cunard's classic collection. In 1934, Nancy Cunard self-published this volume in an edition of 1000 copies through her Hours Press. She was an odd source considering she was a wealthy white Englishwoman. Nonetheless, the volume was very well respected. Chapters in the book cover "Slavery," "Patterns of Negro Life and Expression," "Negro History and Literature," "Education and Law," and more. Langston Hughes, Zora Neale Hurston, William Carlos Williams, Samuel Becket, and others contributed to the text. Mostly neglected in Cunard's own time, Negro has attained the status of a cult classic. The list of contributors--represented in poetry, prose, translations, and music--is a who's who of 20th-century arts and literature: Louis Armstrong, Samuel Beckett, Norman Douglas, Nancy Cunard herself, Theodore Dreiser, W. E. B. DuBois, Langston Hughes, Zora Neale Hurston, William Plomer, Arthus Schomburg, William Carlos Williams, and more. In its subject and international approach, Negro was generations ahead of its time. Its exploration of black achievement and black anger takes the reader from life in America to the West Indies, South America, Europe, and Africa. Though very much of its time, Negro is also timeless in its depiction of oppressive social and political conditions as well as in its homage to myriad contributions by black artists and thinkers. The story behind Negro: An Anthology is as legendary as its contents. In the late 1920s, Nancy Cunard, socially conscious, British, white, upper-class nonconformist and heir to the famed Cunard Shipping Line, married a black man and single-handedly put out 100 copies of a groundbreaking anthology. The work contained essays, poetry, short stories, and political propaganda from the era's finest Afro-American writers, along with valuable contributions by several white writers, including William Carlos Williams, Samuel Beckett, and Theodore Dreiser. In this invaluable reprint, we can see how broadly Cunard's interest in the "Negro question" ran. In chapters dealing with slavery, history, education, and the arts--as well as Latin America, Europe, and Africa--Cunard includes the poetry of Langston Hughes and Sterling Brown; Zora Neale Hurston's anthropological study of the "Characteristics of Negro Expressions"; James Ford's legendary "Communism and the Negro"; and glimpses into the conditions and folk customs of blacks in Trinidad, Barbados, Cuba, Brazil, Uruguay, Paris, and West Africa. The most poignant writing, however, is her own account of the infamous case of the Scottsboro Boys, a group of innocent blacks falsely accused of raping two white women, which resulted in their near-execution. Although much of the communist-friendly content of Negro may seem naive by today's standards, the collection still stands as one of the most unique and esoteric compendiums of 20th-century Afro-American literature. --Eugene Holley, Jr.
Author: R. J. Cardullo
Publisher: Springer
ISBN: 9463008780
Category : Education
Languages : en
Pages : 351
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"André Bazin (1918–58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: François Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin’s writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan’s Travels.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin’s life and work, a complete bibliography of Bazin’s writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world’s pre-eminent critical thinkers."
Author: Tim Ingold
Publisher: Cambridge University Press
ISBN: 9780521358873
Category : Social Science
Languages : en
Pages : 340
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Throughout the northern circumpolar tundras and forests, and over many millennia, human populations have based their livelihood wholly or in part upon the exploitation of a single animal species-the reindeer. Yet some are hunters, others pastoralists, while today traditional pastoral economies are being replaced by a commercially oriented ranch industry. In this book, drawing on ethnographic material from North America and Eurasia, Tim Ingold explains the causes and mechanisms of transformations between hunting, pastoralism and ranching, each based on the same animal in the same environment, and each viewed in terms of a particular conjunction of social and ecological relations of production. In developing a workable synthesis between ecological and economic approaches in anthropology, Ingold introduces theoretically rigorous concepts for the analysis of specialized animal-based economies, which cast the problem of 'domestication' in an entirely new light.
Author: Walter R. Lawrence
Publisher: Asian Educational Services
ISBN: 9788120616301
Category : Jammu and Kashmir (India)
Languages : en
Pages : 554
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(Reprint London 1895 edn.)
Author: Gustave Cohen
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Janet Gurkin Altman
Publisher: Ohio State University Press
ISBN: 0814203132
Category : Epistolary fiction
Languages : en
Pages : 252
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Publisher:
ISBN:
Category : World War, 1939-1945
Languages : en
Pages : 960
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Author: C. G. Crisp
Publisher: Indiana University Press
ISBN: 9780253315502
Category : Motion pictures
Languages : en
Pages : 522
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Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
Author: John Bellows
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 708
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