Documentary & anti-graphic photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Documentary & anti-graphic photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo PDF full book. Access full book title Documentary & anti-graphic photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo by Henri Cartier-Bresson. Download full books in PDF and EPUB format.
Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 200
Get Book Here
Book Description
"Julien Levy was one of the most influential collectors of the 20th century. His gallery, which opened in 1931 in New York, played an essential role in avant-garde cultural exchanges between France and the United States of America, and especially, it was the first in the United States to promote Surrealism." "Gathered together again for the first time since, these period prints represent an exceptional set of essential and sometimes unknown images. This historical exhibition assembles the original early works of three masters of photography."--BOOK JACKET.
Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 200
Get Book Here
Book Description
"Julien Levy was one of the most influential collectors of the 20th century. His gallery, which opened in 1931 in New York, played an essential role in avant-garde cultural exchanges between France and the United States of America, and especially, it was the first in the United States to promote Surrealism." "Gathered together again for the first time since, these period prints represent an exceptional set of essential and sometimes unknown images. This historical exhibition assembles the original early works of three masters of photography."--BOOK JACKET.
Author:
Publisher:
ISBN: 9782883500020
Category :
Languages : en
Pages : 191
Get Book Here
Book Description
Author: Sire
Publisher:
ISBN:
Category :
Languages : en
Pages : 191
Get Book Here
Book Description
En 1935, Julien Levy réunit dans sa galerie de New York trois photographes parmi les plus importants du XXe siècle : Henri Cartier-Bresson, Manuel Alvarez Bravo et Walker Evans. Cette exposition, ici restituée, interroge la place, la nature et le rôle de la photographie à cette époque-là.
Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
Get Book Here
Book Description
This book provides the reader with a unique opportunity to confront and compare the visions of two seminal photographic masters, Henri Cartier-Bresson and Walker Evans.
Author: Wolfgang Brückle
Publisher:
ISBN:
Category :
Languages : de
Pages : 12
Get Book Here
Book Description
Author: Hugh Davis
Publisher: Univ. of Tennessee Press
ISBN: 1572336072
Category : Literary Criticism
Languages : en
Pages : 338
Get Book Here
Book Description
"In The Making of James Agee, Hugh Davis takes a comprehensive look at Agee's career, showing the interrelatedness of his concerns as a writer. A full view of Agee's oeuvre, Davis argues, illuminates its deeply political nature and reveals a debt to various sources, particularly European surrealism, that have been little noted by previous Agee scholars." "Davis challenges the view of Agee that has persisted since his death - that he is best understood primarily as a romantic individualist at odds with convention and the literary mainstream - and argues that this myth was largely constructed by friends and associates who were so immersed in the tenets of modernism that they distorted Agee's work (and aesthetic intent) in an attempt to purify it in modernist terms. In revealing a writer of far greater complexity than the myth allows, Davis explores, for example, the leftist poetry that Agee wrote in the 1930s, which was almost completely suppressed by his editors. He also throws a fresh light on Agee's collaboration with photographer Walker Evans on Let Us Now Praise Famous Men and reevaluates A Death in the Family in light of recent scholarship that has produced an almost entirely new version of the novel, one much closer to Agee's original intentions."--BOOK JACKET.
Author: Linda A. Kinnahan
Publisher: Routledge
ISBN: 1351793462
Category : Literary Criticism
Languages : en
Pages : 282
Get Book Here
Book Description
In Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy’s late modernist poetics in relation to photography’s ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the course of the century as an art form, social tool, and cultural force, Loy’s relationship to a range of photographic cultures emerging in the first half of the twentieth century suggests how we might understand not only the intriguing work of this poet, but also the shaping impact of photography and new technologies of vision upon modernist poetics. Framing Loy’s encounters with photography through intersections of portraiture, Surrealism, fashion, documentary, and photojournalism, Kinnahan draws correspondences between Loy’s late poetry and visual discourses of the body, urban poverty, and war, discerning how a visual rhetoric of gender often underlies these mappings and connections. In her final chapter, Kinnahan examines two contemporary poets who directly engage the camera’s modern impact –Kathleen Fraser and Caroline Bergvall – to explore the questions posed in their work about the particular relation of the camera, the photographic image, and the construction of gender in the late twentieth century.
Author:
Publisher: Steidl
ISBN: 9783969990070
Category :
Languages : en
Pages : 200
Get Book Here
Book Description
A photo-dialogue on Florida past and present Sunshine state. Swampland paradise. Tourist aspiration. Real-estate racket. Refuge of excess. Political swing-state. Sub-tropical fever dream. With forms of nature and culture found nowhere else, Florida is unique. It is also among the most elusive and misunderstood of places. Anastasia Samoylova (born 1984) has photographed Florida on intensive road trips. Walker Evans (1903-75) photographed it over four decades. Twisting the visual clichés, these two remarkably discerning observers convey Florida's dizzying combination of fantasy and reality. Evans witnessed modern Florida emerging in the 1930s, with its blend of cultures, waves of tourism, stark beauty and blatant vulgarity. He photographed there until the 1970s, making Polaroids that still feel contemporary. Samoylova inherits what Evans saw coming. With intelligence and humor, she picks her way through the seductions and disappointments of a place that symbolizes the contradictions of the United States today. In Floridas, photographs by Samoylova and Evans are presented in parallel, weaving past and present, switching between black-and-white and color imagery, all complemented by an essay from editor David Campany and a visionary short story by celebrated novelist and Florida resident Lauren Groff.
Author: Monica Bravo
Publisher: Yale University Press
ISBN: 030025363X
Category : Art
Languages : en
Pages : 257
Get Book Here
Book Description
An engaging investigation of how the relationships between four U.S. photographers and Mexican artists forged new developments in modernism Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Monica Bravo offers fresh insights concerning Weston’s friendship with Diego Rivera; Modotti’s images of labor, which she published alongside the writings of the Stridentists; Strand’s engagement with folk themes and the work of composer Carlos Chávez; and the influence of Manuel Álvarez Bravo on Levitt’s contributions to a New World surrealism. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, the book reveals the ways in which cross-border collaboration shaped a new “greater American” aesthetic.
Author: Peter Smith
Publisher: Routledge
ISBN: 1317524896
Category : Social Science
Languages : en
Pages : 397
Get Book Here
Book Description
Rethinking Photography is an accessible and illuminating critical introduction to the practice and interpretation of photography today. Peter Smith and Carolyn Lefley closely link critical approaches to photographic practices and present a detailed study of differing historical and contemporary perspectives on social and artistic functions of the medium, including photography as art, documentary forms, advertising and personal narratives. Richly illustrated full colour images throughout connect key concepts to real world examples. It also includes: Accessible book chapters on key topics including early photography, photography and industrial society, the rise of photography theory, critical engagement with anti-realist trends in the theory and practice of photography, photography and language, photography education, and photography and the creative economy Specific case studies on photographic practices include snapshot and portable box cameras, digital and mobile phone cultures, and computer-generated imagery Critical summaries of current photography theoretical studies in the field, displaying how critical theory has been mapped on to working practices of photographers and students In-depth profiles of selected key photographers and theorists and studies of their professional practices Assessment of photography as a key area of contemporary aesthetic debate Focused and critical study of the world of working photographers beyond the horizons of the academy. Rethinking Photography provides readers with an engaging mix of photographic case studies and an accessible exploration of essential theory. It is the perfect guide for students of Photography, Fine Art, Art History, and Graphic Design as well as practitioners from any background wishing to understand the place of photography in global societies today.
