Document concernant le film "l'Illusion perdue", 1927

Document concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

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Document concernant le film "l'Illusion perdue", 1927

Document concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

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Documents concernant le film "Illusions de jeunesse", 1921

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4

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Documents concernant le film "l'Illusion du bonheur", 1917

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6

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Document concernant le film "la Boutique aux illusions", 1939

Document concernant le film Author:
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ISBN:
Category :
Languages : fr
Pages : 2

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Document concernant le film "l'Appel de la folie", 1927

Document concernant le film Author:
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Category :
Languages : fr
Pages : 2

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Documents concernant le film "A qui la faute?" 1927

Documents concernant le film Author:
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ISBN:
Category :
Languages : fr
Pages : 24

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Document concernant le film "Une folie", 1927

Document concernant le film Author:
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Category :
Languages : fr
Pages : 2

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Documents concernant le film "le Roman d'un comédien", 1927

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Category :
Languages : fr
Pages : 4

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The Sounds of Early Cinema

The Sounds of Early Cinema PDF Author: Richard Abel
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350

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Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.

The Book of the Cinema

The Book of the Cinema PDF Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 248

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Book Description
This guide looks at every aspect of world cinema. It covers the following areas: * The origins of the cinema * Fifty years of sound cinema * The dream industry * Film making today * How a film is made * Ways of looking at film * Film and society * Film genres * Six great directors.