Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Book Description
Document concernant le film "la Tentation", d'après le roman de Charles Méré, 1927
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Book Description
La tentation. Roman d'après la pièce de Charles Méré abondamment illustré par les photographies du film. Production Cinéromans-Films de France. Édition Paris-Consortium
Author: René Jeanne
Publisher:
ISBN:
Category :
Languages : fr
Pages : 76
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 76
Book Description
Documents concernant le film "le Vertige", d'après le roman de Charles Méré, film de Marcel L'Herbier, 1925
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
A Century of Artists Books
Author: Riva Castleman
Publisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0
Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Publisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0
Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Documents concernant le film "le Corsaire masqué", d'après un roman de Charles T. Jackson, 1927
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 18
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 18
Book Description
Documents concernant le film "Mère adorée", d'après le roman de Charles Belmont Davies
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 8
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 8
Book Description
Documents concernant le film "l'Ile des rêves", d'après un roman de P. Rosenhayn, 1927
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Documents concernant le film "l'Ile d'amour", d'après un roman de Saint-Sarny, 1927
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Love as Passion
Author: Niklas Luhmann
Publisher: Stanford University Press
ISBN: 9780804732536
Category : Psychology
Languages : en
Pages : 268
Book Description
Originally published: Cambridge, Mass.: Harvard University Press, 1986.
Publisher: Stanford University Press
ISBN: 9780804732536
Category : Psychology
Languages : en
Pages : 268
Book Description
Originally published: Cambridge, Mass.: Harvard University Press, 1986.
Invention of Hysteria
Author: Georges Didi-Huberman
Publisher: MIT Press
ISBN: 0262541807
Category : Psychology
Languages : en
Pages : 387
Book Description
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
Publisher: MIT Press
ISBN: 0262541807
Category : Psychology
Languages : en
Pages : 387
Book Description
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.