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Author: Caroline Russell-King
Publisher: FriesenPress
ISBN: 1039194761
Category : Performing Arts
Languages : en
Pages : 188
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Book Description
“The secret of life may be found in the questions you ask, and the same goes for the secrets of playwriting. In Do It Yourself Dramaturgy, Caroline Russell-King asks just the right questions or, rather, she exhorts playwrights to ask them before launching their work into the world. Comprehensive and concise, this eminently usable guide offers lesson after lesson in dramaturgical inquiry—craft-based, artistic, practical, professional, and even profound. It comes packing answers, too, from a writer who clearly knows her stuff, including how to entertain as she teaches. Russell-King’s cheeky, smart examples are worth the price of admission. Her parentheticals—where she stows personal stories and biases—are priceless. “ —Todd London, Artistic Director, Writer, Dramatist Guild of America, NYC. “What a terrific resource for playwrights: sound advice and provocative questions peppered with relevant (and entertaining) anecdotes.” —Conni Massing, Playwright, screenwriter, story consultant, Edmonton. “Full of really valuable advice and questions to ask yourself. Read it then WRITE.” —George F. Walker, Playwright, Toronto. “Caroline Russell-King's Do It Yourself Dramaturgy guides you like a lighthouse beacon through the frequent fog of the creative process of writing, or more likely, rewriting a stage play. Phrased as a series of practical questions the playwright might ask of their work before revising and submitting it to a potential producer, this concise, practical and lively guide renders complex concepts accessible and useful to a playwright at any level of experience, or for that matter anyone engaged in the creation of that fundamental conveyor of human experience: story.“ —Gerry Potter, Writer, Director, Dramaturg, Edmonton. “Russell-King knows what she’s talking about. And she knows how to tell it with frankness, humour and clarity.” —Bill Lane, Producer, Director, Stratford.
Author: Caroline Russell-King
Publisher: FriesenPress
ISBN: 1039194761
Category : Performing Arts
Languages : en
Pages : 188
Get Book
Book Description
“The secret of life may be found in the questions you ask, and the same goes for the secrets of playwriting. In Do It Yourself Dramaturgy, Caroline Russell-King asks just the right questions or, rather, she exhorts playwrights to ask them before launching their work into the world. Comprehensive and concise, this eminently usable guide offers lesson after lesson in dramaturgical inquiry—craft-based, artistic, practical, professional, and even profound. It comes packing answers, too, from a writer who clearly knows her stuff, including how to entertain as she teaches. Russell-King’s cheeky, smart examples are worth the price of admission. Her parentheticals—where she stows personal stories and biases—are priceless. “ —Todd London, Artistic Director, Writer, Dramatist Guild of America, NYC. “What a terrific resource for playwrights: sound advice and provocative questions peppered with relevant (and entertaining) anecdotes.” —Conni Massing, Playwright, screenwriter, story consultant, Edmonton. “Full of really valuable advice and questions to ask yourself. Read it then WRITE.” —George F. Walker, Playwright, Toronto. “Caroline Russell-King's Do It Yourself Dramaturgy guides you like a lighthouse beacon through the frequent fog of the creative process of writing, or more likely, rewriting a stage play. Phrased as a series of practical questions the playwright might ask of their work before revising and submitting it to a potential producer, this concise, practical and lively guide renders complex concepts accessible and useful to a playwright at any level of experience, or for that matter anyone engaged in the creation of that fundamental conveyor of human experience: story.“ —Gerry Potter, Writer, Director, Dramaturg, Edmonton. “Russell-King knows what she’s talking about. And she knows how to tell it with frankness, humour and clarity.” —Bill Lane, Producer, Director, Stratford.
Author: Erving Goffman
Publisher: Anchor
ISBN: 0593468295
Category : Social Science
Languages : en
Pages : 272
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Book Description
A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.
Author: Camilla Damkjaer
Publisher: John Hunt Publishing
ISBN: 1782799028
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
This book takes its starting point in a rare experiment, that of an academic researcher attempting to learn to do circus. What happens to the knowledge of the performance theoretician when physically engaging with the circus arts? One of the (im)material outcomes of this experiment is what the author calls "homemade academic circus” - a series of lecture-performances on performance-related academic questions, presented and discussed through circus disciplines. The interest of homemade academic circus, and the analysis of it presented in this book, lies not only in the fact that it is a form of curiosity within academic research. It is also worth noting that the main character in this experiment (sometimes known as the “professional amateur” or the “academic freak”, the alter egos of the researcher) goes through the opposite process of what many artists within artistic and practice-based research experience today. What happens if, rather than going from art to academia, one would go from academia to art? Which cultural and paradigmatic shocks would that produce, and how would that influence the researcher’s understanding of knowledge and thinking?
Author: Isaac Butler
Publisher: Bloomsbury Publishing USA
ISBN: 1635571774
Category : Performing Arts
Languages : en
Pages : 465
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Book Description
"Marvelous . . . A vital book about how to make political art that offers lasting solace in times of great trouble, and wisdom to audiences in the years that follow."- Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR A STONEWALL BOOK AWARDS HONOR BOOK The oral history of Angels in America, as told by the artists who created it and the audiences forever changed by it--a moving account of the AIDS era, essential queer history, and an exuberant backstage tale. When Tony Kushner's Angels in America hit Broadway in 1993, it won the Pulitzer Prize, swept the Tonys, launched a score of major careers, and changed the way gay lives were represented in popular culture. Mike Nichols's 2003 HBO adaptation starring Meryl Streep, Al Pacino, and Mary-Louise Parker was itself a tour de force, winning Golden Globes and eleven Emmys, and introducing the play to an even wider public. This generation-defining classic continues to shock, move, and inspire viewers worldwide. Now, on the 25th anniversary of that Broadway premiere, Isaac Butler and Dan Kois offer the definitive account of Angels in America in the most fitting way possible: through oral history, the vibrant conversation and debate of actors (including Streep, Parker, Nathan Lane, and Jeffrey Wright), directors, producers, crew, and Kushner himself. Their intimate storytelling reveals the on- and offstage turmoil of the play's birth--a hard-won miracle beset by artistic roadblocks, technical disasters, and disputes both legal and creative. And historians and critics help to situate the play in the arc of American culture, from the staunch activism of the AIDS crisis through civil rights triumphs to our current era, whose politics are a dark echo of the Reagan '80s. Expanded from a popular Slate cover story and built from nearly 250 interviews, The World Only Spins Forward is both a rollicking theater saga and an uplifting testament to one of the great works of American art of the past century, from its gritty San Francisco premiere to its starry, much-anticipated Broadway revival in 2018.
Author: Maaike Bleeker
Publisher: Springer Nature
ISBN: 3031083032
Category : Performing Arts
Languages : en
Pages : 298
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Book Description
This book explores how doing dramaturgy is informed by today’s highly diverse field of theatre, dance and performance. It does so in dialogue with fourteen performances and their makers, tracing the thinking-through-practice that underlies these creations. The first part of the book looks at how dramaturgs participate in practices of thinking-making and introduces a dramaturgical mode of looking at performances and the processes in which they are created. The second part of the book discusses the performances and creative processes of Manuela Infante, Julian Hetzel, Ivo van Hove, Anouk van Dijk, Falk Richter, Milo Rau, Kris Verdonck, Death Centre, Hotel Modern, Jr.cE.sA.r , Emio Greco and Pieter C. Scholten, Dries Verhoeven, the LGB Society of Mind, Sanja Mitrović, and Amanda Piña. Showing how ways of making and ways of doing dramaturgy mutually inform each other, this book is an essential resource for students and others aspiring to develop their own dramaturgical practice.
Author: Lenora Inez Brown
Publisher: Hackett Publishing
ISBN: 1585104566
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
The Art of Dramaturgy is a transformative approach to dramaturgical thinking and collaboration. Each chapter includes ways to approach so-called old plays or set texts (think Shakespeare or Pinter or Parks) and then takes it up a notch to show how to use those skills when working on new plays.
Author: Katalin Trencsényi
Publisher: Bloomsbury Publishing
ISBN: 1408155672
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
Dramaturgy in the Making maps contemporary dramaturgical practices in various settings of theatre-making and dance to reveal the different ways that dramaturgs work today. It provides a thorough survey of three major areas of practice - institutional dramaturgy, production dramaturgy and dance dramaturgy - with each illustrated through a range of case studies that illuminate methodology and which will assist practitioners in developing their own 'dramaturgical toolbox'. In tracing the development of the role of the dramaturg, the author explores the contribution of Lessing, Brecht and Tynan, foundational figures who shaped the practice. She excavates the historical and theoretical contexts for each strand of the work, uniquely offering a history of dance dramaturgy and its associated theories. Based on extensive research, the volume features material from the author's interviews with fifty eminent professionals from Europe and North America, including: Robert Blacker, Jack Bradley, DD Kugler, Ruth Little and Hildegard De Vuyst. Through these, a detailed and precise insight is provided into dramaturgical processes at organisations such as the Akram Khan Company, les ballets C de la B (Gent), the National Theatre and the Royal Court (London), the Schaubühne (Berlin) and The Sundance Institute Theatre Lab (Utah), among others. Dramaturgy in the Making will prove indispensable to anyone working in theatre or wanting to better understand the dramaturgical processes in performance-making today. The book features a foreword by Geoff Proehl, author of Toward a Dramaturgical Sensibility: Landscape and Journey.
Author: Theresa Lang
Publisher: Taylor & Francis
ISBN: 1317450353
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Essential Dramaturgy: The Mindset and Skillset provides a concrete way to approach the work of a dramaturg. It explores ways to refine the process of defining, evaluating, and communicating that is essential to effective dramaturgical work. It then looks at how this outlook enhances the practical skills of production and new play dramaturgy. The book explains what a dramaturg does, what the role can be, and how best to refine and teach the skillset and mindset.
Author: Katalin Trencsényi
Publisher: A&C Black
ISBN: 1408177110
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of dramaturgical work such as live art, devised and physical theatre, experimental performance, and dance demand new approaches and sensibilities. New Dramaturgy: International Perspectives on Theory and Practice is the first book to explore new dramaturgy in depth, and considers how our thinking about dramaturgy and the role of the dramaturg has been transformed. Edited by Katalin Trencsényi and Bernadette Cochrane, New Dramaturgy: International Perspectives on Theory and Practice provides an unrivalled resource for practitioners, scholars, and students.
Author: Theresa Lang
Publisher: Taylor & Francis
ISBN: 1317450345
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
Essential Dramaturgy: The Mindset and Skillset provides a concrete way to approach the work of a dramaturg. It explores ways to refine the process of defining, evaluating, and communicating that is essential to effective dramaturgical work. It then looks at how this outlook enhances the practical skills of production and new play dramaturgy. The book explains what a dramaturg does, what the role can be, and how best to refine and teach the skillset and mindset.
