Author: Anne L. Walsh
Publisher: Tamesis Books
ISBN: 9781855661509
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
The complex narrative technique of one of Spain's most renowned contemporary authors. The writings of Arturo Pérez-Reverte, one of Spain's most renowned contemporary authors, have been described as a minefield. This monograph examines the complexities behind the narrative technique employed in creating such a minefield, including an analysis of the role played by both male and female characters, the relevance of the past as a motif, and aspects of the role of storytelling in creating mystery where none should exist. Both Revertian novelsand journalistic writing are seen to be part of an over-all game which is played between their author and his readers. Film, too, forms part of the material reviewed as, though Pérez-Reverte is not a script writer, many films have been based on his novels. The text-centred analysis concludes that the themes of interest in all Revertian output revolve around two main areas: the significance of the past, whether historical, cultural, or literary, andthe role of the written word in communicating, in rescuing and in challenging versions of that past in order to combat what Pérez-Reverte terms 'dismemory'. ANNE L. WALSH lectures in Hispanic Studies at University College, Cork.
Author: Alberto Ribas-Casasayas
Publisher: Rowman & Littlefield
ISBN: 1611487374
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
Espectros is a compilation of original scholarly studies that presents the first volume-length exploration of the spectral in literature, film, and photography of Latin America, Spain, and the Latino diaspora. In recent decades, scholarship in deconstructionist "hauntology," trauma studies, affect in image theory, and a renewed interest in the Gothic genre, has given rise to a Spectral Studies approach to the study of narrative. Haunting, the spectral, and the effects of the unseen, carry a special weight in contemporary Latin American and Spanish cultures (referred to in the book as “Transhispanic cultures”), due to the ominous legacy of authoritarian governments and civil wars, as well as the imposition of the unseen yet tangible effects of global economics and neoliberal policies. Ribas and Petersen’s detailed introductory analysis grounds haunting as a theoretical tool for literary and cultural criticism in the Transhispanic world, with an emphasis on the contemporary period from the end of the Cold War to the present. The chapters in this volume explore haunting from a diversity of perspectives, in particular engaging haunting as a manifestation of trauma, absence, and mourning. The editors carefully distinguish the collective, cultural dimension of historical trauma from the individual, psychological experience of the aftermath of a violent history, always taking into account unresolved social justice issues. The volume also addresses the association of the spectral photographic image with the concept of haunting because of the photograph’s ability to reveal a presence that is traditionally absent or has been excluded from hegemonic representations of society. The volume concludes with a series of studies that address the unseen effects and progressive deterioration of the social fabric as a result of a globalized economy and neoliberal policies, from the modernization of the nation-state to present.
Author: Brittany Powell Kennedy
Publisher: Univ. Press of Mississippi
ISBN: 1626744904
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
For centuries, Spain and the South have stood out as the exceptional "other" within US and European nationalisms. During Franco's regime and the Jim Crow era both violently asserted a haunting brand of national "selfhood." Both areas shared a loss of splendor and a fraught relation with modernization and retained a sense of defeat. Brittany Powell Kennedy explores this paradox not simply to compare two apparently similar cultures but to reveal how we construct difference around this self/other dichotomy. She charts a transatlantic link between two cultures whose performances of "otherness" as assertions of "selfhood" enact and subvert their claims to exceptionality. Perhaps the greatest example of this transatlantic link remains the War of 1898, when the South tried to extract itself from but was implicated in US imperial expansion and nation-building. Simultaneously, the South participated in the end of Spain as an imperial power. Given the War of 1898 as a climactic moment, Kennedy explores the writings of those who come directly after this period and who attempted to "regenerate" what was perceived as "traditional" in an agrarian past. That desire recurs over the century in novels from writers as diverse as William Faulkner, Camilo José Cela, Walker Percy, Eudora Welty, Federico García Lorca, and Ralph Ellison. As these writers wrestle with ideas of Spain and the South, they also engage questions of how national identity is affirmed and contested. Kennedy compares these cultures across the twentieth century to show the ways in which they express national authenticity. Thus she explores not only Francoism and Jim Crow, but varied attempts to define nationhood via exceptionalism, suggesting a model of performativity that relates to other "exceptional" geographies.
Author: Colleen P. Culleton
Publisher: Routledge
ISBN: 1317104587
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Bringing together works by Salvador Espriu, Juan Goytisolo, Mercè Rodoreda, Esther Tusquets, and Juan Marsa that portray memory as a disorienting narrative enterprise, Colleen Culleton argues that the source of this disorientation is the material reality of life in Barcelona in the immediate post-Civil War years. Barcelona was the object of harsh persecution in the first years of the Franco regime that included the erasure of marks of Catalan identity and cultural history from the urban landscape and made Barcelona a moving target for memory. The literature and film she examines show characters struggling to produce narratives of the remembered past that immediately conflict with the dominant version of Spain's historical narrative formulated to legitimize the Civil War. Culleton suggests the trope of the laberinto, used as an image or device in all five of the works she considers and translated into English as both maze and labyrinth, opens up a space that enables readers to take vulnerability to outside interference into account as an inseparable part of remembrance. While the narratives all have maze-like qualities involving a high level of reader participation and choice, the exigencies of the labyrinth with its unicursal demands for patience, perseverance, and faith always prevail. Thus do the Francoist narrative and social structure in the end resurface and reassert themselves over the narrating character's perspective.
Author: Bradley S. Epps
Publisher: U of Minnesota Press
ISBN: 081664960X
Category : Performing Arts
Languages : en
Pages : 506
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Book Description
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
Author: Efrat Ben-Ze’ev
Publisher: Cambridge University Press
ISBN: 1139484346
Category : History
Languages : en
Pages :
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Book Description
Silence lies between forgetting and remembering. This book explores how different societies have constructed silences to enable men and women to survive and make sense of the catastrophic consequences of armed conflict. Using a range of disciplinary approaches, it examines the silences that have followed violence in twentieth-century Europe, the Middle East, and Africa. These essays show that silence is a powerful language of remembrance and commemoration and a cultural practice with its own rules. This broad-ranging book discloses the universality of silence in the ways we think about war through examples ranging from the Spanish Civil War and the Israeli-Palestinian conflict to the Armenian Genocide and South Africa's Truth and Reconciliation Commission. Bringing together scholarship on varied practices in different cultures, this book breaks new ground in the vast literature on memory, and opens up new avenues of reflection and research on the lingering aftermath of war.
Author: Robin Maria DeLugan
Publisher: Routledge
ISBN: 1000291987
Category : Education
Languages : en
Pages : 135
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Book Description
This volume examines the ways in which the violent legacies of the twentieth century continue to affect the concept of the nation. Through a study of three societies’ commemoration of notorious episodes of 1930s state violence, the author considers the manner in which attention to the state violence authoritarianism, and exclusions of the last century have resulted in challenges to dominant conceptions of the nation. Based on extensive ethnographic research in El Salvador, Spain, and the Dominican Republic, Remembering Violence focuses on new public sites of memory, such as museum exhibitions, monuments, and commemorations – powerful loci for representing ideas about the nation – and explores the responses of various actors – civil society, government, and diasporic citizens – as well as those of UN and other international agencies invested in new nation-building goals. With attention to the ways in which memory practices explain ongoing national exclusions and contemporary efforts to contest them, this book will appeal to scholars across the social sciences and humanities with interests in public memory and commemoration.
Author: Olga López-Valero Colbert
Publisher: Bucknell University Press
ISBN: 9780838756508
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
"This book explores Antonio Muñoz Molina's creation of compelling narratives about Spain's immediate past by engaging in a dynamic dialogue with popular culture subgenres and the media. The author asserts that popular culture functions in Muñoz Molina's novels as provider of a series of strategies that represent in the text aspects of Francoism and the Transition that, because of their relevance, are part of the structure of feeling of those periods. The study focuses on the role of popular music, film, photography, the thriller, the romance novel as well as the radio and other gadgets of modern technology in Muñoz Molina's Novels. The Gaze on the Past argues that through the incorporation of popular culture in texts, Muñoz Molina undertakes a deliberate and intense reflection on memory and on the creation of historical moments, highlighting their desire to be heard." from publisher
Author: Diane Kirkby
Publisher: ANU E Press
ISBN: 1922144037
Category : Social Science
Languages : en
Pages : 236
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Book Description
This collection brings methods and questions from humanities, law and social sciences disciplines to examine different instances of lawmaking. Contributors explore the problematic of past law in present historical analysis across indigenous Australia and New Zealand, from post-Franco Spain to current international law and maritime regulation, from settler colonial humanitarian debates to efforts to end cruelty to children and animals. They highlight problems both national and international in their implication. From different disciplines and theoretical positions, they illustrate the diverse and complex study of law’s history.
Author: Isabel M. Estrada
Publisher: Liverpool University Press
ISBN: 1835536905
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. The 2008 financial crisis prompted the most significant social protests since 1968 in the Middle East, Europe, and the United States. These protests generated not only social reform but also collaborative and affective affiliations, often seen through artistic and cultural materials. Taking Spain as a focal point, this book examines film production at both points in time, showing how it emerges from simultaneously divergent and comparable economic and political milieux. The book aims to recognize and celebrate the political responsibility exercised and expressed by a new generation of Spaniards deeply immersed in those protests. Through the convergences of two markedly significant periods in two separate centuries, filmmakers expose the deficiencies of Spain’s democracy in 2008—the D€MOCRAZY in the title, a slogan seen on a banner carried by the protesters—while creating a new sensibility and forms of social life that bring back the notions of community and the common good that had been forgotten in the midst of such a brittle environment.
