Diplomatic Tours in the Gardens of Versailles Under Louis XIV PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Diplomatic Tours in the Gardens of Versailles Under Louis XIV PDF full book. Access full book title Diplomatic Tours in the Gardens of Versailles Under Louis XIV by Robert W. Berger. Download full books in PDF and EPUB format.
Author: Robert W. Berger
Publisher: University of Pennsylvania Press
ISBN: 081224107X
Category : Architecture
Languages : en
Pages : 184
Get Book Here
Book Description
The first book to examine how the vast gardens of Versailles were used as a setting for the receptions of ambassadors, heads of state, and other visiting dignitaries who conducted diplomatic and political business with France.
Author: Robert W. Berger
Publisher: University of Pennsylvania Press
ISBN: 081224107X
Category : Architecture
Languages : en
Pages : 184
Get Book Here
Book Description
The first book to examine how the vast gardens of Versailles were used as a setting for the receptions of ambassadors, heads of state, and other visiting dignitaries who conducted diplomatic and political business with France.
Author: Daniëlle Kisluk-Grosheide
Publisher: Metropolitan Museum of Art
ISBN: 1588396223
Category : Art
Languages : en
Pages : 396
Get Book Here
Book Description
What was it like to visit one of the most magnificent courts of Europe? Based on a wealth of contemporary documents and surviving works of art, this lavish book explores the experiences of those who swarmed the palace and grounds of Versailles when it was the seat of the French monarchy. Engaging essays describe methods of transportation, the elaborate codes of dress and etiquette, precious diplomatic gifts, royal audiences, and tours of the palace and gardens. Also presented are the many types of visitors and guests who eagerly made their way to this center of power and culture, including day-trippers and Grand Tourists, European diplomats, overseas ambassadors, incognito travelers, and Americans. Through paintings and portraits, furniture, costumes and uniforms, arms and armor, guidebooks, and other works of art, Visitors to Versailles illuminates what travelers encountered at court and what impressions, gifts, and souvenirs they took home with them. In bringing to life their experiences, this sumptuously illustrated volume reminds us why Versailles has enchanted generations of visitors from the ancien régime to the present day.
Author: Thomas F. Hedin
Publisher: University of Pennsylvania Press
ISBN: 0812298373
Category : Architecture
Languages : en
Pages : 297
Get Book Here
Book Description
Ovid tells the story of Latona, the mother by Jupiter of Apollo and Diana. In her flight from the jealous Juno, she arrives faint and parched on the coast of Asia Minor. Kneeling to sip from a pond, Latona is met by the local peasants, who not only deny her effort but muddy the water in pure malice. Enraged, Latona calls a curse down upon the stingy peasants, turning them to frogs. In his masterful study, Thomas F. Hedin reveals how and why a fountain of this strange legend was installed in the heart of Versailles in the 1660s, the inaugural decade of Louis XIV’s patronage there. The natural supply of water was scarce and unwieldy, and it took the genius of the king’s hydraulic engineers, working in partnership with the landscape architect André Le Nôtre, to exploit it. If Ovid’s peasants were punished for their stubborn denial of water, so too the obstacles of coarse nature at Versailles were conquered; the aquatic iconography of the fountain was equivalent to the aquatic reality of the gardens. Latona was designed by Charles Le Brun, the most powerful artist at the court of Louis XIV, and carried out by Gaspard and Balthazar Marsy. The 1660s were rich in artistic theory in France, and the artists of the fountain delivered substantial lectures at the Académie royale de peinture et de sculpture on subjects of central concern to their current work. What they professed was what they were visualizing in the gardens. As such, the fountain is an insider’s guide to the leading artistic ideals of the moment. Louis XIV was viewed as the reincarnation of Apollo, the god of creativity, the inspiration of artists and scientists. Hedin’s original argument is that Latona was a double declaration: a glorification of the king and a proud manifesto by artists.
Author: Robert Wellington
Publisher: Routledge
ISBN: 1351576402
Category : Art
Languages : en
Pages : 287
Get Book Here
Book Description
Antiquarianism and the Visual Histories of Louis XIV: Artifacts for a Future Past provides a new interpretation of objects and images commissioned by Louis XIV (1638-1715) to document his reign for posterity. The Sun King's image-makers based their prediction of how future historians would interpret the material remains of their culture on contemporary antiquarian methods, creating new works of art as artifacts for a future time. The need for such items to function as historical evidence led to many pictorial developments, and medals played a central role in this. Coin-like in form but not currency, the medal was the consummate antiquarian object, made in imitation of ancient coins used to study the past. Yet medals are often elided from the narrative of the arts of ancient r?me France, their neglect wholly disproportionate to the cultural status that they once held. This revisionary study uncovers a numismatic sensibility throughout the iconography of Louis XIV, and in the defining monuments of his age. It looks beyond the standard political reading of the works of art made to document Louis XIV's history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand si?e.
Author: Amir Alexander
Publisher: Macmillan + ORM
ISBN: 0374714126
Category : Mathematics
Languages : en
Pages : 209
Get Book Here
Book Description
A “lucid and convincingly argued” narrative of how ancient geometric principles continue to shape the contemporary world (Publishers Weekly). On a cloudy day in 1413, a balding young man stood at the entrance to the Cathedral of Florence, facing the ancient Baptistery across the piazza. As puzzled passers-by looked on, he raised a small painting to his face, then held a mirror in front of the painting. Few at the time understood what he was up to; even he barely had an inkling of what was at stake. But on that day, the master craftsman and engineer Filippo Brunelleschi would prove that the world and everything within it was governed by the ancient science of geometry. In Proof!, the award-winning historian Amir Alexander traces the path of the geometrical vision of the world as it coursed its way from the Renaissance to the present, shaping our societies, our politics, and our ideals. Geometry came to stand for a fixed and unchallengeable universal order, and kings, empire-builders, and even republican revolutionaries would rush to cast their rule as the apex of the geometrical universe. For who could doubt the right of a ruler or the legitimacy of a government that drew its power from the immutable principles of Euclidean geometry? From the elegant terraces of Versailles to the broad avenues of Washington, DC, and on to the boulevards of New Delhi and Manila, the geometrical vision was carved into the landscape of modernity. Euclid, Alexander shows, made the world as we know it possible.
Author:
Publisher: BRILL
ISBN: 9004458840
Category : Art
Languages : en
Pages : 358
Get Book Here
Book Description
Exploring the various forms taken by sculpture collections, this volume presents new research on collectors, modes of display, and the aesthetics of viewing sculpture, making a notable addition to the literature on the history of sculpture and art collecting as a cultural phenomenon.
Author: Mark Ledbury
Publisher: Bloomsbury Publishing USA
ISBN: 1501357778
Category : Architecture
Languages : en
Pages : 321
Get Book Here
Book Description
The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures. The splendour of the Château and the masterpieces of art and design that it contains mask a more complex and sometimes more sordid history of human struggle and achievement. The case studies presented by the contributors to this book cannot provide a comprehensive account of the Palace of Versailles and its domains, the life within its walls, its visitors, and the art and architecture that it has inspired from the seventeenth century to the present day: from the palace of the Sun King to the Penthouse of Donald Trump. However, this innovative collection will reshape-or even radically redefine-our understanding of the palace of Versailles and its posterity.
Author: John C. Rule
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773592156
Category : Political Science
Languages : en
Pages : 653
Get Book Here
Book Description
Historians and social scientists have long identified bureaucracy as the modern state's foundation and the reign of France's Louis XIV as a model for its development. A World of Paper offers a fresh interpretation of bureaucracy through a close examination of the department of the Sun King's last foreign secretary, Jean-Baptiste Colbert de Torcy. Torcy, who served as foreign secretary from 1696-1715, is widely regarded as one of the most brilliant foreign ministers of the ancien regime. Building on the work of his predecessors, he fashioned a skilled team of collaborators as he managed the complex issues of war and peace during the turbulent final decades of Louis XIV's reign. John Rule and Ben Trotter examine Torcy's department to depict administrative structures as they emerged through the circulating stream of paper that connected his office with provincial administrators and diplomats abroad. They explore the collection and centralization of information during Torcy's tenure through the creation of a modern state archive, discreet intelligence gathering, and the surveillance and management of the French mails. They also study the postal carriers, couriers, household officers of the royal court, genealogists hired for research, and an informal "brain trust" of experts, and advisors who carried vital information in and out of the department every day. A remarkable reconstruction of the department of Jean-Baptiste Colbert de Torcy, A World of Paper demystifies bureaucracy and explores the ways in which the modern information state developed from his labours.
Author: Meredith Martin
Publisher: Harvard University Press
ISBN: 0674059476
Category : Art
Languages : en
Pages : 337
Get Book Here
Book Description
In a lively narrative that spans more than two centuries, Meredith Martin tells the story of a royal and aristocratic building type that has been largely forgotten today: the pleasure dairy of early modern France. These garden structures—most famously the faux-rustic, white marble dairy built for Marie-Antoinette’s Hameau at Versailles—have long been dismissed as the trifling follies of a reckless elite. Martin challenges such assumptions and reveals the pivotal role that pleasure dairies played in cultural and political life, especially with respect to polarizing debates about nobility, femininity, and domesticity. Together with other forms of pastoral architecture such as model farms and hermitages, pleasure dairies were crucial arenas for elite women to exercise and experiment with identity and power. Opening with Catherine de’ Medici’s lavish dairy at Fontainebleau (c. 1560), Martin’s book explores how French queens and noblewomen used pleasure dairies to naturalize their status, display their cultivated tastes, and proclaim their virtue as nurturing mothers and capable estate managers. Pleasure dairies also provided women with a site to promote good health, by spending time in salubrious gardens and consuming fresh milk. Illustrated with a dazzling array of images and photographs, Dairy Queens sheds new light on architecture, self, and society in the ancien régime.
Author: Ellen R. Welch
Publisher: University of Pennsylvania Press
ISBN: 0812249003
Category : History
Languages : en
Pages : 312
Get Book Here
Book Description
The seventeenth-century French diplomat François de Callières once wrote that "an ambassador resembles in some way an actor exposed on the stage to the eyes of the public in order to play great roles." The comparison of the diplomat to an actor became commonplace as the practice of diplomacy took hold in early modern Europe. More than an abstract metaphor, it reflected the rich culture of spectacular entertainment that was a backdrop to emissaries' day-to-day lives. Royal courts routinely honored visiting diplomats or celebrated treaty negotiations by staging grandiose performances incorporating dance, music, theater, poetry, and pageantry. These entertainments—allegorical ballets, masquerade balls, chivalric tournaments, operas, and comedies—often addressed pertinent themes such as war, peace, and international unity in their subject matter. In both practice and content, the extravagant exhibitions were fully intertwined with the culture of diplomacy. But exactly what kind of diplomatic work did these spectacles perform? Ellen R. Welch contends that the theatrical and performing arts had a profound influence on the development of modern diplomatic practices in early modern Europe. Using France as a case study, Welch explores the interconnected histories of international relations and the theatrical and performing arts. Her book argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period. Through its examination of the early modern precursors to today's cultural diplomacy initiatives, her book investigates the various ways in which performance structures international politics still.
