Author: Thomas H. Carpenter
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 198
Book Description
This study examines the development of Dionysian imagery in Greek vase painting from the first appearance of the god on an Attic vase c. 580 BC to the point at which red figure overtook black figure as the dominant style of vase painting in Attica c. 520 BC.
Dionysian Imagery in Archaic Greek Art
Author: Thomas H. Carpenter
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 198
Book Description
This study examines the development of Dionysian imagery in Greek vase painting from the first appearance of the god on an Attic vase c. 580 BC to the point at which red figure overtook black figure as the dominant style of vase painting in Attica c. 520 BC.
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 198
Book Description
This study examines the development of Dionysian imagery in Greek vase painting from the first appearance of the god on an Attic vase c. 580 BC to the point at which red figure overtook black figure as the dominant style of vase painting in Attica c. 520 BC.
Dionysian Imagery in Fifth-century Athens
Author: Thomas H. Carpenter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
This is an extensive study of Dionysian imagery found primarily in scenes on red-figure vases of the fifth-century BC but also in the architectural sculpture, coins, and theatre of the same period. Thomas Carpenter seeks to define a methodology for using this imagery as evidence for cultural and religious activity, and challenges some commonly-held views about the meaning of Dionysian iconography, at the same time pointing to problems inherent in the evidence under scrutiny.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
This is an extensive study of Dionysian imagery found primarily in scenes on red-figure vases of the fifth-century BC but also in the architectural sculpture, coins, and theatre of the same period. Thomas Carpenter seeks to define a methodology for using this imagery as evidence for cultural and religious activity, and challenges some commonly-held views about the meaning of Dionysian iconography, at the same time pointing to problems inherent in the evidence under scrutiny.
Dionysos in Archaic Greece
Author: Cornelia Isler-Kerényi
Publisher: BRILL
ISBN: 9004144455
Category : Religion
Languages : de
Pages : 384
Book Description
An interpretation of the god Dionysos as seen by Greek vase painters before the golden age of classical culture, which will help understand his wide popularity beyond wine consumption, which lasted until the end of antiquity.
Publisher: BRILL
ISBN: 9004144455
Category : Religion
Languages : de
Pages : 384
Book Description
An interpretation of the god Dionysos as seen by Greek vase painters before the golden age of classical culture, which will help understand his wide popularity beyond wine consumption, which lasted until the end of antiquity.
Dionysos in Classical Athens
Author: Cornelia Isler-Kerényi
Publisher: BRILL
ISBN: 9004270124
Category : Religion
Languages : en
Pages : 310
Book Description
Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.
Publisher: BRILL
ISBN: 9004270124
Category : Religion
Languages : en
Pages : 310
Book Description
Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.
The Image of the Artist in Archaic and Classical Greece
Author: Guy Hedreen
Publisher: Cambridge University Press
ISBN: 1107118255
Category : Art
Languages : en
Pages : 395
Book Description
This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
Publisher: Cambridge University Press
ISBN: 1107118255
Category : Art
Languages : en
Pages : 395
Book Description
This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
The Imagery of the Athenian Symposium
Author: Kathryn Topper
Publisher: Cambridge University Press
ISBN: 1107011027
Category : Art
Languages : en
Pages : 239
Book Description
This book explores what it meant to be a Greek community and how Athenians thought about past and present.
Publisher: Cambridge University Press
ISBN: 1107011027
Category : Art
Languages : en
Pages : 239
Book Description
This book explores what it meant to be a Greek community and how Athenians thought about past and present.
Komast Dancers in Archaic Greek Art
Author: Tyler Jo Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 402
Book Description
A fully illustrated study of the iconography of komast dancers ('revellers') in Archaic Greece. These figures appear in black-figure vase-painting and in other artistic media, and have long been associated with the worship of Dionysos, god of wine and drama, and the origins of Greek theatre.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 402
Book Description
A fully illustrated study of the iconography of komast dancers ('revellers') in Archaic Greece. These figures appear in black-figure vase-painting and in other artistic media, and have long been associated with the worship of Dionysos, god of wine and drama, and the origins of Greek theatre.
Vase Painting, Gender, and Social Identity in Archaic Athens
Author: Mark Stansbury-O'Donnell
Publisher: Cambridge University Press
ISBN: 110766280X
Category : Art
Languages : en
Pages : 331
Book Description
This study explores the phenomenon of 'spectators' at the sides of Athenian narrative vase paintings.
Publisher: Cambridge University Press
ISBN: 110766280X
Category : Art
Languages : en
Pages : 331
Book Description
This study explores the phenomenon of 'spectators' at the sides of Athenian narrative vase paintings.
The Symposion in Ancient Greek Society and Thought
Author: Fiona Hobden
Publisher: Cambridge University Press
ISBN: 1107026660
Category : History
Languages : en
Pages : 315
Book Description
This book provides insights into the symposion's importance in Greek culture by tracing the discursive power of its representations.
Publisher: Cambridge University Press
ISBN: 1107026660
Category : History
Languages : en
Pages : 315
Book Description
This book provides insights into the symposion's importance in Greek culture by tracing the discursive power of its representations.
Theologies of Ancient Greek Religion
Author: Esther Eidinow
Publisher: Cambridge University Press
ISBN: 1316715213
Category : History
Languages : en
Pages : 443
Book Description
Studied for many years by scholars with Christianising assumptions, Greek religion has often been said to be quite unlike Christianity: a matter of particular actions (orthopraxy), rather than particular beliefs (orthodoxies). This volume dares to think that, both in and through religious practices and in and through religious thought and literature, the ancient Greeks engaged in a sustained conversation about the nature of the gods and how to represent and worship them. It excavates the attitudes towards the gods implicit in cult practice and analyses the beliefs about the gods embedded in such diverse texts and contexts as comedy, tragedy, rhetoric, philosophy, ancient Greek blood sacrifice, myth and other forms of storytelling. The result is a richer picture of the supernatural in ancient Greece, and a whole series of fresh questions about how views of and relations to the gods changed over time.
Publisher: Cambridge University Press
ISBN: 1316715213
Category : History
Languages : en
Pages : 443
Book Description
Studied for many years by scholars with Christianising assumptions, Greek religion has often been said to be quite unlike Christianity: a matter of particular actions (orthopraxy), rather than particular beliefs (orthodoxies). This volume dares to think that, both in and through religious practices and in and through religious thought and literature, the ancient Greeks engaged in a sustained conversation about the nature of the gods and how to represent and worship them. It excavates the attitudes towards the gods implicit in cult practice and analyses the beliefs about the gods embedded in such diverse texts and contexts as comedy, tragedy, rhetoric, philosophy, ancient Greek blood sacrifice, myth and other forms of storytelling. The result is a richer picture of the supernatural in ancient Greece, and a whole series of fresh questions about how views of and relations to the gods changed over time.