Author: A. Grohmann
Publisher: Springer
ISBN: 0230292526
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
With studies of, amongst others, Miguel de Cervantes, Anton Chekhov, Charles Baudelaire and Henry James, this landmark collection of essays is a unique and wide-ranging exploration and celebration of the many forms of digression in major works by fifteen of the finest European writers from the early modern period to the present day.
Digressions in European Literature
Author: A. Grohmann
Publisher: Springer
ISBN: 0230292526
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
With studies of, amongst others, Miguel de Cervantes, Anton Chekhov, Charles Baudelaire and Henry James, this landmark collection of essays is a unique and wide-ranging exploration and celebration of the many forms of digression in major works by fifteen of the finest European writers from the early modern period to the present day.
Publisher: Springer
ISBN: 0230292526
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
With studies of, amongst others, Miguel de Cervantes, Anton Chekhov, Charles Baudelaire and Henry James, this landmark collection of essays is a unique and wide-ranging exploration and celebration of the many forms of digression in major works by fifteen of the finest European writers from the early modern period to the present day.
Madness and Irrationality in Spanish and Latin American Literature and Culture
Author: Lloyd Hughes Davies
Publisher: University of Wales Press
ISBN: 1786835762
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This is the first monograph to consider the significance of madness and irrationality in both Spanish and Spanish American literature. It considers various definitions of ‘madness’ and explores the often contrasting responses, both positive (figural madness as stimulus for literary creativity) and negative (clinical madness representing spiritual confinement and sterility). The concept of national madness is explored with particular reference to Argentina: while, on the one hand, the country’s vast expanses have been seen as conducive to madness, the urban population of Buenos Aires, on the other, appears to be especially dependent on psychoanalytic therapy. The book considers both the work of lesser-known writers such as Nuria Amat, whose personal life is inflected by a form of literary madness, and that of larger literary figures such as José Lezama Lima, whose poetic concepts are suffused with the irrational. The conclusion draws attention to the ‘other side’ of reason as a source of possible originality in a world dominated by the tenets of logic and conventionalised thinking.
Publisher: University of Wales Press
ISBN: 1786835762
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This is the first monograph to consider the significance of madness and irrationality in both Spanish and Spanish American literature. It considers various definitions of ‘madness’ and explores the often contrasting responses, both positive (figural madness as stimulus for literary creativity) and negative (clinical madness representing spiritual confinement and sterility). The concept of national madness is explored with particular reference to Argentina: while, on the one hand, the country’s vast expanses have been seen as conducive to madness, the urban population of Buenos Aires, on the other, appears to be especially dependent on psychoanalytic therapy. The book considers both the work of lesser-known writers such as Nuria Amat, whose personal life is inflected by a form of literary madness, and that of larger literary figures such as José Lezama Lima, whose poetic concepts are suffused with the irrational. The conclusion draws attention to the ‘other side’ of reason as a source of possible originality in a world dominated by the tenets of logic and conventionalised thinking.
Eye in the Sky
Author: Philip K. Dick
Publisher: Houghton Mifflin Harcourt
ISBN: 0547572549
Category : Fiction
Languages : en
Pages : 255
Book Description
A wry look at how different people see the world, told in the caustically fun style of award-winning science fiction novelist Philip K. Dick.
Publisher: Houghton Mifflin Harcourt
ISBN: 0547572549
Category : Fiction
Languages : en
Pages : 255
Book Description
A wry look at how different people see the world, told in the caustically fun style of award-winning science fiction novelist Philip K. Dick.
The Novel and Europe
Author: Andrew Hammond
Publisher: Springer
ISBN: 1137526270
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
This book examines the ways in which fiction has addressed the continent since the Second World War. Drawing on novelists from Europe and elsewhere, the volume analyzes the literary response to seven dominant concerns (ideas of Europe, conflict, borders, empire, unification, migration, and marginalization), offering a ground-breaking study of how modern and contemporary writers have participated in the European debate. The sixteen essays view the chosen writers, not as representatives of national literatures, but as participants in transcontinental discussion that has occurred across borders, cultures, and languages. In doing so, the contributors raise questions about the forms of power operating across and radiating from Europe, challenging both the institutionalized divisions of the Cold War and the triumphalist narrative of continental unity currently being written in Brussels.
Publisher: Springer
ISBN: 1137526270
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
This book examines the ways in which fiction has addressed the continent since the Second World War. Drawing on novelists from Europe and elsewhere, the volume analyzes the literary response to seven dominant concerns (ideas of Europe, conflict, borders, empire, unification, migration, and marginalization), offering a ground-breaking study of how modern and contemporary writers have participated in the European debate. The sixteen essays view the chosen writers, not as representatives of national literatures, but as participants in transcontinental discussion that has occurred across borders, cultures, and languages. In doing so, the contributors raise questions about the forms of power operating across and radiating from Europe, challenging both the institutionalized divisions of the Cold War and the triumphalist narrative of continental unity currently being written in Brussels.
Digressions and the Human Imagination
Author: Morten Nielsen
Publisher: Taylor & Francis
ISBN: 1040033539
Category : Social Science
Languages : en
Pages : 242
Book Description
Digressions and the Human Imagination makes a significant contribution to our anthropological knowledge about human creativity. The creative force of the human imagination is widely considered as a key ingredient in understanding how social and cultural transformations occur. And yet, what we know about the nature of creative processes is surprisingly limited. Taking their cue from literary studies, the contributors to this volume explore digression as human creativity’s main impulse. They offer a series of experimental explorations of digression in different arenas of social life – literature, conversations, myths, humour, art, and wayfinding. In their examination of the relationship between creativity and digressive processes, the contributions challenge and eventually collapse conventional distinctions between ‘artistic’ and ‘scientific’ imaginaries. This book articulates with clarity the freedom and joy of wandering off in new directions, but also the potentially transgressive and even revolutionary character that digression has when it is put to work through the creativity of the human imagination. It will be relevant for anthropologists and other scholars from across the humanities and social sciences with an interest in creativity.
Publisher: Taylor & Francis
ISBN: 1040033539
Category : Social Science
Languages : en
Pages : 242
Book Description
Digressions and the Human Imagination makes a significant contribution to our anthropological knowledge about human creativity. The creative force of the human imagination is widely considered as a key ingredient in understanding how social and cultural transformations occur. And yet, what we know about the nature of creative processes is surprisingly limited. Taking their cue from literary studies, the contributors to this volume explore digression as human creativity’s main impulse. They offer a series of experimental explorations of digression in different arenas of social life – literature, conversations, myths, humour, art, and wayfinding. In their examination of the relationship between creativity and digressive processes, the contributions challenge and eventually collapse conventional distinctions between ‘artistic’ and ‘scientific’ imaginaries. This book articulates with clarity the freedom and joy of wandering off in new directions, but also the potentially transgressive and even revolutionary character that digression has when it is put to work through the creativity of the human imagination. It will be relevant for anthropologists and other scholars from across the humanities and social sciences with an interest in creativity.
Digression
Author: Olivia Santovetti
Publisher: Peter Lang
ISBN: 9783039105502
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
This volume examines the workings of digression in the novels of five major Italian authors - Manzoni, Dossi, Pirandello, Gadda and Calvino - from the birth of the modern novel in the early 19th century to the era of postmodernist experimentation.
Publisher: Peter Lang
ISBN: 9783039105502
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
This volume examines the workings of digression in the novels of five major Italian authors - Manzoni, Dossi, Pirandello, Gadda and Calvino - from the birth of the modern novel in the early 19th century to the era of postmodernist experimentation.
Wandering Games
Author: Melissa Kagen
Publisher: MIT Press
ISBN: 0262370972
Category : Games & Activities
Languages : en
Pages : 215
Book Description
An analysis of wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. In this book, game studies scholar Melissa Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80 Days, Heaven’s Vault, Death Stranding, and The Last of Us Part II. Exploring the connotations of wandering within these different game worlds, she considers how ideologies of work, gender, colonialism, and death inflect the ways we wander through digital spaces. Overlapping and intersecting, each provides a multifaceted lens through which to understand what wandering does, lacks, implies, and offers. Kagen’s account will attune game designers, players, and scholars to the myriad possibilities of the wandering ludic body.
Publisher: MIT Press
ISBN: 0262370972
Category : Games & Activities
Languages : en
Pages : 215
Book Description
An analysis of wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. In this book, game studies scholar Melissa Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80 Days, Heaven’s Vault, Death Stranding, and The Last of Us Part II. Exploring the connotations of wandering within these different game worlds, she considers how ideologies of work, gender, colonialism, and death inflect the ways we wander through digital spaces. Overlapping and intersecting, each provides a multifaceted lens through which to understand what wandering does, lacks, implies, and offers. Kagen’s account will attune game designers, players, and scholars to the myriad possibilities of the wandering ludic body.
Three Rings
Author: Daniel Mendelsohn
Publisher: New York Review of Books
ISBN: 1681376393
Category : Biography & Autobiography
Languages : en
Pages : 129
Book Description
A memoir, biography, work of history, and literary criticism all in one, this moving book tells the story of three exiled writers—Erich Auerbach, François Fénelon, and W. G. Sebald—and their relationship with the classics, from Homer to Mimesis. In a genre-defying book hailed as “exquisite” (The New York Times) and “spectacular” (The Times Literary Supplement), the best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own—works that pondered the nature of narrative itself: Erich Auerbach, the Jewish philologist who fled Hitler’s Germany and wrote his classic study of Western literature, Mimesis, in Istanbul; François Fénelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey, The Adventures of Telemachus—a veiled critique of the Sun King and the best-selling book in Europe for a hundred years—resulted in his banishment; and the German novelist W.G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn’s struggle to write two of his own books—a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father—that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life.
Publisher: New York Review of Books
ISBN: 1681376393
Category : Biography & Autobiography
Languages : en
Pages : 129
Book Description
A memoir, biography, work of history, and literary criticism all in one, this moving book tells the story of three exiled writers—Erich Auerbach, François Fénelon, and W. G. Sebald—and their relationship with the classics, from Homer to Mimesis. In a genre-defying book hailed as “exquisite” (The New York Times) and “spectacular” (The Times Literary Supplement), the best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own—works that pondered the nature of narrative itself: Erich Auerbach, the Jewish philologist who fled Hitler’s Germany and wrote his classic study of Western literature, Mimesis, in Istanbul; François Fénelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey, The Adventures of Telemachus—a veiled critique of the Sun King and the best-selling book in Europe for a hundred years—resulted in his banishment; and the German novelist W.G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn’s struggle to write two of his own books—a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father—that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life.
A Theory of Narrative
Author: Alojzija Zupan Sosič
Publisher: Cambridge Scholars Publishing
ISBN: 1527587797
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
Relying on the structure and methodology of classical and postclassical narratology, this book explores the phenomena of story and narrative, narrator, focalization, character, time and space, as well as the beginning and the ending of a narrative. It upgrades the theory of the unreliable narrator and introduces three new categories that have until now been exclusively used to refer to unreliable narrators, namely commentators, interpreters and evaluators.
Publisher: Cambridge Scholars Publishing
ISBN: 1527587797
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
Relying on the structure and methodology of classical and postclassical narratology, this book explores the phenomena of story and narrative, narrator, focalization, character, time and space, as well as the beginning and the ending of a narrative. It upgrades the theory of the unreliable narrator and introduces three new categories that have until now been exclusively used to refer to unreliable narrators, namely commentators, interpreters and evaluators.
The Europeans
Author: Orlando Figes
Publisher: Metropolitan Books
ISBN: 1627792155
Category : History
Languages : en
Pages : 688
Book Description
From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture. The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres. Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures. As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.
Publisher: Metropolitan Books
ISBN: 1627792155
Category : History
Languages : en
Pages : 688
Book Description
From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture. The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres. Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures. As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.