Digital Video Shooting for Beginners and Moving Image Theory

Digital Video Shooting for Beginners and Moving Image Theory PDF Author: Ron Belshaw
Publisher: Ron Belshaw
ISBN: 1905415052
Category : Digital video
Languages : en
Pages : 19

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Book Description

Digital Video Shooting for Beginners and Moving Image Theory

Digital Video Shooting for Beginners and Moving Image Theory PDF Author: Ron Belshaw
Publisher: Ron Belshaw
ISBN: 1905415052
Category : Digital video
Languages : en
Pages : 19

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Book Description


Digital Video EDITING for Beginners (with MovieMaker)

Digital Video EDITING for Beginners (with MovieMaker) PDF Author: Ron Belshaw
Publisher: Ron Belshaw
ISBN: 1905415125
Category : Digital video
Languages : en
Pages : 34

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Digital Video Shooting Theory

Digital Video Shooting Theory PDF Author:
Publisher: Ron Belshaw
ISBN: 1905415176
Category :
Languages : en
Pages : 15

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Book Description


The Photoplay

The Photoplay PDF Author: Hugo Münsterberg
Publisher:
ISBN:
Category : Film criticism
Languages : en
Pages : 252

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Book Description


Web Design for Beginners

Web Design for Beginners PDF Author: Ron Belshaw
Publisher: Ron Belshaw
ISBN: 190541501X
Category : HTML (Document markup language)
Languages : en
Pages : 97

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Book Description


Still Moving

Still Moving PDF Author: Karen Redrobe Beckman
Publisher: Duke University Press Books
ISBN:
Category : Art
Languages : en
Pages : 338

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Book Description
DIVA collection of essays that discuss the relationship of film and photography, with a focus on medium specificity./div

Moving Image Theory

Moving Image Theory PDF Author: Joseph D Anderson
Publisher: SIU Press
ISBN: 9780809327461
Category : Art
Languages : en
Pages : 276

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Book Description
Looking at film through its communication properties rather than its social or political implications, this work draws on the tenets of James J. Gibson's ecological theory of visual perception and offers a new understanding of how moving images are seen and understood.

Deleuze's Cinema Books

Deleuze's Cinema Books PDF Author: David Deamer
Publisher: Edinburgh University Press
ISBN: 1474407706
Category : Performing Arts
Languages : en
Pages : 513

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Book Description
Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.

Essentials of Teaching and Integrating Visual and Media Literacy

Essentials of Teaching and Integrating Visual and Media Literacy PDF Author: Danilo M. Baylen
Publisher: Springer
ISBN: 3319058371
Category : Education
Languages : en
Pages : 313

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Book Description
This book focuses on how to effectively integrate the teaching and learning of visual and media literacies in K-12 and higher education. Not only does it address and review the elements and principles of visual design but also identifies, discusses and describes the value of media in learning diverse and challenging content across disciplines. Finally, this book provides a balanced treatment of how visual and media literacies support deep content learning, student engagement, critical thinking, creativity, problem solving, and production.

Joseph Cornell Versus Cinema

Joseph Cornell Versus Cinema PDF Author: Michael Pigott
Publisher: A&C Black
ISBN: 147250352X
Category : Art
Languages : en
Pages : 145

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Book Description
Joseph Cornell is one of the most significant American artists of the 20th century. His work is highly visible in the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied. However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined. In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of 20th-century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.