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Author: Karel Sabina
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 82
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Book Description
"The Bartered Bride" by Karel Sabina (translated by Max Kalbeck, Helen J. Harvitt). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Karel Sabina
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 82
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Book Description
"The Bartered Bride" by Karel Sabina (translated by Max Kalbeck, Helen J. Harvitt). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Bedřich Smetana
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 60
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Book Description
Grand Opera, Constitution Hall, Washington, D.C., season 1938-1939, A. Conti Berenguer, general manager, Amelia Conti, artistic director, Cornilia M. Bowie, treasurer, "The Bartered Bride," comic opera in three acts by Frederic Smetana, English translation and adaptation by Josepha Chekova, conductor: Angelo Canarutto, dances by Vecheslav Swoboda's Ballet.
Author: Bedřich Smetana
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 52
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Book Description
Author: Quaintance Eaton
Publisher: U of Minnesota Press
ISBN: 081665753X
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Opera Production was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Designed particularly as a reference work for opera producers, students, performers, and writers, this book provides basic production information about more than 500 operas. Anyone planning to produce an opera will find here the essential information he needs in order to judge whether a given opera is appropriate to his resources for production. Information for individual operas is given concerning the number and importance of settings; size of orchestra, chorus, and ballet; number of singers, their relative importance and individual requirements; sources for obtaining musical materials' previous performances in America; and the opera story, its period, and composer. Extensive information about 150 full-length operas and 109 short operas is provided, with supplementary information about more than 260 other operas. The operas are alphabetized by title for easy reference. In order to condense the information as much as possible, codes and abbreviations are used, with keys and indexes at the back of the book. This book will be invaluable to those working in either amateur or professional companies, in opera workshops, in school, college, or civic opera groups. Those whose interest in opera is confined to the other side of the footlights will find the book absorbing, too, just as a glimpse backstage would be.
Author: Jiří Kopecký
Publisher: Vydavatelství Filozofické fakulty Univerzity Palackého v Olomouci
ISBN: 8087895509
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
This monograph is a model essay on the functioning of a municipal German-language theatre, and it introduces a new view into research led by both theatre scientists and musicologists on the European scene. The book is conceived as social history of a citizen's cultural institution and interprets a wide range of problematic themes which we meet to this day in the everyday practice of municipal theatres.
Author: David Lee Brodbeck
Publisher:
ISBN: 019936270X
Category : Music
Languages : en
Pages : 393
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Book Description
Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna offers a nuanced look at the intersection of music, cultural identity, and political ideology in late-nineteenth-century Vienna. Drawing on an extensive selection of writings in the city's political press, correspondence, archival documents, and a large body of recent scholarship in late Habsburg cultural and political history, author David Brodbeck argues that Vienna's music critics were important agents in the public sphere whose writings gave voice to distinct, sometimes competing ideological positions. These conflicting positions are exemplified especially well in their critical writings about the music of three notable composers of the day who were Austrian citizens but not ethnic Germans: Carl Goldmark, a Jew from German West Hungary, and the Czechs Bed'ich Smetana and Anton n Dvo? k. Often at stake in the critical discourse was the question of who and what could be deemed "German" in the multinational Austrian state. For critics such as Eduard Hanslick and Ludwig Speidel, traditional German liberals who came of age in the years around 1848, "Germanness" was an attribute that could be earned by any ambitious bourgeois-including Jews and those of non-German nationality-by embracing German cultural values. The more nationally inflected liberalism evident in the writings of Theodor Helm, with its particularist rhetoric of German national property in a time of Czech gains at German expense, was typical of those in the next generation, educated during the 1860s. The radical student politics of the 1880s, with its embrace of racialist antisemitism and irredentist German nationalism, just as surely shaped the discourse of certain young Wagnerian critics who emerged at the end of the century. This body of music-critical writing reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based in blood. Brodbeck neatly counters decades of musicological scholarship and offers a unique insight into the diverse ways in which educated German Austrians conceived of Germanness in music and understood their relationship to their non-German fellow citizens. Defining Deutschtum is sure to be an essential text for scholars of music history, cultural studies, and late 19th century Central European culture and society.
Author: Henry Lowell Mason
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 150
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Book Description
Author: Plainfield (N.J.). Public Library
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 56
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Book Description
Author: Susan M. White
Publisher: Columbia University Press
ISBN: 0231101139
Category : Performing Arts
Languages : en
Pages : 422
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Book Description
Using film theory and current criticism, White traces the figure of woman in the work of Max Ophuls.
Author: Johannes Brahms
Publisher:
ISBN:
Category : Choruses, Secular (Mixed voices) with orchestra
Languages : en
Pages : 64
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Book Description
