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Author: Elrud Ibsch
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 292
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Book Description
Author: Elrud Ibsch
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 292
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Book Description
Author: Otfried Höffe
Publisher: Cambridge University Press
ISBN: 1108691994
Category : Philosophy
Languages : en
Pages : 349
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Book Description
This collection brings together in translation the finest postwar German-language scholarship on Nietzsche's philosophy, ranging over his concept of irony, his thoughts on music, his relation to the pre-Socratics, his concept of truth, and numerous other topics. Many of the essays appear in English here for the first time, and all are newly translated for the volume.
Author: Carol Diethe
Publisher: Scarecrow Press
ISBN: 0810864703
Category : Philosophy
Languages : en
Pages : 424
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Book Description
'There cannot be a God because if there were one, I could not believe that I was not He.' _Friedrich Nietzsche Few philosophers have been as popular, prolific, and controversial as Friedrich Nietzsche, who has left his imprint not only on philosophy but on all the arts. Whether it is his concept of the Ybermensch or his nihilistic view of the world, Nietzsche's writings have aroused enormous interest, as well as anathema, in scholars for centuries. The second edition of the Historical Dictionary of Nietzscheanism helps bring the many ideas and concepts developed by the 19th Century philosopher together in one single volume reference. This is accomplished through the use of a chronology, a glossary, a bibliography, and hundreds of cross-referenced dictionary entries on his major writings, his contemporaries, and his successors.
Author: Sander L. Gilman
Publisher: U of Nebraska Press
ISBN: 9780803221345
Category : Literary Criticism
Languages : en
Pages : 762
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Book Description
Inscribing the Other focuses on great authors who have by birth or choice (or both) found themselves outside the mainstream of their culture but who have still wished to address it: Goethe, Freud, Wilde, Heine, Nietzsche, and Isaac Bashevis Singer, among others. In thirteen probing, provocative essays Sander L. Gilman reinterprets their writing as it reveals their efforts to come to terms with their real or imagined sense of difference. The chapters treat many themes and problems, ranging widely from the romantic notion of the transcendent artist to the twentieth-century artists-in-exile, and employing the perspectives of psychiatry, aesthetics, photography, politics, and the history of mentalities. The fate of Jewish writers in modern Germany, or of Yiddish writers whose language is devalued in European culture, is explored. The theme of difference and its artistic and intellectual manifestations runs throughout the book, which includes discussions of Goethe's and Wilde's homosexuality, Nietzsche's madness, Heine's refusal to be photographed, and Primo Levi's internment at Auschwitz, as well as an interview with Singer. In a frank autobiographical introduction, Gilman attempts to understand his own writing as an exercise in "inscribing the Other," in dealing with is own sense of difference through artistic creation.
Author: Douwe Wessel Fokkema
Publisher: John Benjamins Publishing
ISBN: 9789027222046
Category : Literary Collections
Languages : en
Pages : 78
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Book Description
In these lectures, delivered at Harvard University in March 1983, the differences between Modernism and Postmodernism are discussed in semiotic terms, based on a contrastive analysis of semantic and syntactical (compositional) features. They present the major results of research into the literary conventions of Modernism (Gide, Larbaud, V. Woolf, du Perron, Th. Mann) and the innovations of Postmodernism (Borges, Fuentes, Barthelme, Calvino, Hermans). The investigation of innovation in literary history is based on a concept of literary evolution, launched by the Russian Formalists and elaborated by reception theory and semioticians such as Lotman and Eco. The author argues for further corroboration by means of empirical textual as well as psychological research.
Author: Carl Fehrman
Publisher: U of Minnesota Press
ISBN: 1452911215
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Poetic Creation was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Myths of creativity have changed throughout Western literary history. The Romantic era cherished the idea of creativity as a spontaneous, unpremeditated act, closely related to improvisation. In the twentieth century the myth of the writer as a worker among workers has competed with the Surrealist myth of the spontaneous author who writes in a sort of trance. Yet there can be no doubt that the creative process as such crosses historical boundaries. Carl Fehrman devotes this book to the process of artistic creativity, focusing on the dichotomy between inspiration and effort and using texts and manuscripts from the period of early Romanticism to present. Fehrman is primarily concerned with the creativity of poets and draws on authorial accounts of the process, the analysis of manuscripts in successive drafts, psychological and linguistic experiments in creativity, and accounts of creativity in other fields. At the heart of the book are case studies: on Coleridge's writings of "Kubla Khan," Poe's composition of "The Raven," And Valery's account of his prolonged work on "Le Cimetiere Marin." Fehrman also deals with literary works that have undergone genre transformation, Ibsen's Brand and Selma Lagerlof;s Gosta Berlings Saga. In closing chapters he draws upon his case studies and other materials to provide fascinating insights into both productivity and its converse, blocked creativity, and in this context discusses the general problem of periodicity in a creative life. Fehrman works within a Swedish aesthetic tradition which has attracted philosophers, art historians, and literary scholars since the turn of the century, all of them intent on discovering the origins of the work of art. This translation brings his work to Englishspeaking literary scholars and will be of special interest to those concerned with comparative aesthetics and the creative process.
Author: Douwe Wessel Fokkema
Publisher: John Benjamins Publishing
ISBN: 9027221960
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Wurzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.
Author: Friedrich A. Kittler
Publisher: Stanford University Press
ISBN: 9780804720991
Category : Literary Criticism
Languages : en
Pages : 500
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Book Description
This is a highly original book about the connections between historical moment, social structure, technology, communication systems, and what is said and thought using these systems - notably literature. The author focuses on the differences between 'discourse networks' in 1800 and in 1900, in the process developing a new analysis of the shift from romanticism to modernism. The work might be classified as a German equivalent to the New Historicism that is currently of great interest among American literary scholars, both in the intellectual influences to which Kittler responds and in his concern to ground literature in the most concrete details of historical reality. The artful structure of the book begins with Goethe's Faust and ends with Vale;ry's Faust. In the 1800 section, the author discusses how language was learned, the emergence of the modern university, the associated beginning of the interpretation of contemporary literature, and the canonization of literature. Among the writers and works Kittler analyzes in addition to Goethe's Faust are Schlegel, Hegel, E. T. A. Hoffman's 'The Golden Pot', and Goethe's Tasso. The 1900 section argues that the new discourse network in which literature is situated in the modern period is characterized by new technological media - film, the photograph, and the typewritten page - and the crisis that these caused for literary production. Along the way, the author discusses the work of Nietzsche, Gertrude Stein, Mallarme;, Bram Stroker, the Surrealists, Rilke, Kafka, and Freud, among others.
Author: Sander L. Gilman
Publisher: Davies Group Publishers
ISBN:
Category : Philosophy
Languages : en
Pages : 204
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Book Description
Author: Douwe Wessel Fokkema
Publisher: John Benjamins Publishing
ISBN: 9789027222220
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
The authors present a new perspective on a wide range of issues in the study of literature and culture. Some of the topics discussed, such as interpretation, canon formation, and literary historiography, belong to the traditional domain of literary studies. Others cultural identity, convention, systems theory, and empirical methods originate in the social sciences and are now being integrated into the humanities. By referring to the work of authors as widely apart as Hayden White, Edward Said, Fredric Jameson, Michel Foucault, Jacques Derrida, Reinhart Koselleck, Pierre Bourdieu, Niklas Luhmann, Siegfried Schmidt, Norbert Groeben, and many others, the full complexity of the field of literary studies becomes apparent.The authors argue for a distinction between analysis of literary systems on the one hand and critical intervention on the other. By distinguishing between research and criticism, between knowledge and commitment, they offer new ways for literary studies as well as for cultural critique.
