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Author: Vimalakānta Rôya Caudhurī
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120817081
Category : Music
Languages : en
Pages : 228
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Book Description
In this book the author has dealt with the musical terms as found in the old sastras and are also in common use. He has explained these terms in simple language with reference to their history of origin. Description of seventy-eight different musical instruments and forty-seven different Talas are also there. An essential aid to research-scholars and students of music. The Bengali version of the book Bharatiya Sangeetkosh earned for him Sangeet Natak Academy award as the best book on music published during the period from 1960 to 1968. Bimalakanta Roychaudhuri was born in 1909 in all illustrious family of musical heritage. He had his training in music from Sitalchandra Mukhopadhyay, Sitalkrishna Ghosh, Amir Khan (Sarod) and then from Inayet Khan, the foremost Sitar players of those days. He also had his musical training from his maternal uncle Birendrakishore Roychaudhuri and maternal grandfather Brojendrakishore Roychaudhuri. He took part in the translation of Sangeet Ratnakara from Sanskrit to Bengali under the patronage of Brojendrakishore Roychaudhuri. He was Chairman of the Board of Musical Studies of the University of Calcutta. His work Raga Vyakarana (in Hindi) has been published by the Bharatiya Jnanpith.
Author: Vimalakānta Rôya Caudhurī
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120817081
Category : Music
Languages : en
Pages : 228
Get Book Here
Book Description
In this book the author has dealt with the musical terms as found in the old sastras and are also in common use. He has explained these terms in simple language with reference to their history of origin. Description of seventy-eight different musical instruments and forty-seven different Talas are also there. An essential aid to research-scholars and students of music. The Bengali version of the book Bharatiya Sangeetkosh earned for him Sangeet Natak Academy award as the best book on music published during the period from 1960 to 1968. Bimalakanta Roychaudhuri was born in 1909 in all illustrious family of musical heritage. He had his training in music from Sitalchandra Mukhopadhyay, Sitalkrishna Ghosh, Amir Khan (Sarod) and then from Inayet Khan, the foremost Sitar players of those days. He also had his musical training from his maternal uncle Birendrakishore Roychaudhuri and maternal grandfather Brojendrakishore Roychaudhuri. He took part in the translation of Sangeet Ratnakara from Sanskrit to Bengali under the patronage of Brojendrakishore Roychaudhuri. He was Chairman of the Board of Musical Studies of the University of Calcutta. His work Raga Vyakarana (in Hindi) has been published by the Bharatiya Jnanpith.
Author: Pandit Amarnath
Publisher: India Viking
ISBN: 9780670092277
Category : Hindustani music
Languages : en
Pages : 240
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Book Description
Pandit Amarnath was regarded as a musicians' musician and the foremost interpreter of the Indore Gharana. In this book, he demystifies the many terms associated with Hindustani classical music for the common man interested in this art form. From crucial terms such as avaart and kharaj bharna to musicological terminology like moorchhana and shrutee to short profiles of stalwarts in the field and telling musical 'proverbs' and sayings of the great masters, this is a pathfinder to the otherwise closed traditions of Hindustani classical music whose secrets and philosophies have been restricted to masters and connoisseurs. Pandit Amarnath reveals the terms in both their etymology as well as their implications in musical practice and listening. First published twenty-five years ago to great critical acclaim and now being updated by Rekha and Vishal Bhardwaj, this will be a must-read for music lovers and musicologists, musicians and students, linguists and historians alike.
Author: Ashok Damodar Ranade
Publisher: Bibliophile South Asia
ISBN: 9788185002637
Category : Music
Languages : en
Pages : 356
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Book Description
Author: K. T. Achaya
Publisher: Oxford University Press, USA
ISBN: 9780195658682
Category : Cooking
Languages : en
Pages : 347
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Book Description
An alphabetical listing of Indian food materials, cuisines and recipes of India, and the health aspects of the foods, which makes reference to the literature, archaeology, historical writing, botany and genetics of India.
Author: Soubhik Chakraborty
Publisher: Sanctum Books
ISBN: 8194783003
Category : Music
Languages : en
Pages : 141
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Book Description
This work aims to address the historical development of the great Indian raga tradition, enhanced by computational approaches, and to use computational strategies to analyze aspects of contemporary Hindustani classical music (HCM). It is divided into two parts with Part 1 focusing on the history and aesthetics of HCM and Part 2 covering its computational aspects. The historical development of HCM in the ancient, medieval and modern periods; its terms and genre; and its Khayal gharanas are covered in Part 1. The subtopics include essential concepts such as raga, tala, shruti, thaat, gharana, khayal, dhrupad, thumri, tappa, etc. Part 2 covers the state-of-the-art in computational musicology, raga analysis and song analysis using statistics. The subtopics include statistical modeling, inter onset interval, note duration analysis, pitch movement between the notes, rate of change of pitch (pitch velocity) and probabilistic analysis of musical notes. The author concludes the work with reflecting on the lives of a few renowned musicians and musicologists with an account of hilarious moments taken from their lives to excite the reader to know more about HCM. This book would be useful for musicians, musicologists, researchers in music history, aesthetics, computational musicology, and advanced undergraduate and postgraduate students of music and musicology.
Author: Shyam Benegal
Publisher:
ISBN: 9788174369192
Category : Music
Languages : en
Pages : 184
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Book Description
An Introduction to Hindustani Classical Music: A Guidebook for Beginners is Vijay Singha's comprehensive guide to savour and appreciate classical music. Written in a simple and easy-to-comprehend style, this book delves into the understanding of raga sangeet, semi-classical and fusion music, raga sangeet in Hindi films, as well as the future of classical music in India.
Author: Raghava R. Menon
Publisher: Penguin Group
ISBN:
Category : Music
Languages : en
Pages : 220
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Book Description
A unique reference book on music incorporating terms and references from both the traditions in Indian classical musicýthe Carnatic and the Hindustani. The Penguin Book of Indian Classical Music, the first of its kind, provides definitions of musical terms and descriptions of the traditions and styles that constitute the rich musical heritage of India. From the primary enunciation of a raga as ýaaý, the unstructured, emotionally inspired musical rendering, to the Urdu term ýzamzamaý that refers to the back and forth movement of a note, the dictionary defines the A to Z in Indian classical music. Comparison between the two systems in terms of ragas and the use of notes is facilitated by cross-references. And Raghava Menonýs introduction provides a perceptive insight into what constitutes Indian classical music, both in emotive and technical terms. Complete with photographs of the major instruments used in the two traditions as well as those of some of the all-time great musicians in Indian classical music, the volume is intended to be a valuable reference book for the virtuoso and the lay person aspiring for a greater understanding of Indian music.
Author: Kumāraprasāda Mukhopādhyāẏa
Publisher: Penguin Books India
ISBN: 9780143061991
Category : Music
Languages : en
Pages : 366
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Book Description
Author's anecdotes and impression on the life and musical genius of musicians of Hindustani music style.
Author: Keith Villanueva
Publisher: Createspace Independent Publishing Platform
ISBN: 9781519519443
Category :
Languages : en
Pages : 204
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Book Description
This is essentially a classical Indian music practice manual. It uses sargam ( Sa, Re, Ga, Ma, Pa, Dha, Ni) for musical notation. In northern classical Indian music you can make numerous sequences of these notes. In northern classical Indian instrumental music musical patterns that are used for exercises are called "paltas," where as in the vocal category of Indian classical music these patterns are called "alankars." There are over 650 patterns in this book. These patterns are used as exercises in order to develop one's pitch accuracy, tone, dexterity, agility, flexibility, and speed. These exercises also help train your ear. Training your ear helps you recognized patterns, notes, thaats, ragas, and scales. This book will bring your practice to the next level and make you an improvisation wizard. There is a brief introduction on what sargam notes are and the 10 thaats. The 10 thaats are the 10 major modes within northern Indian classical music. This book uses 2 and 3 notes in order to make 3, 4, 5, and 6 note pattern phrases that go up and down a complete scale . This is a must for jazz musicians
Author: Sulabh Jain
Publisher: Xlibris Corporation
ISBN: 1524522473
Category : Body, Mind & Spirit
Languages : en
Pages : 118
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Book Description
Over thousands of years, Hindu palmists have observed special symbols located on the hands of people. They learnt that the combination of a few lines in the form of these symbols could add more depth to a palm reading than simply reading each line one at a time. In other words, the sum of a few lines on a hand could give a greater meaning than each line could all by itself. These combinations of lines were given names and entered mainstream palmistry in India through its shastras (ancient texts). This style of palmistry was mostly practiced by monks, hermits, and other holy people. Over the course of time, the people who could interpret these symbols became fewer and fewer until a large number of the symbols became lost over a period of time. This book attempts to save the remaining symbols that are still known for future generations of palmists. This is the first book of its kind to catalogue and record the symbols of palmistry that are used in India. It is a vital reference for beginner palmists and an essential skill for the experts alike.
