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Author: James Hilton
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
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Book Description
Author: James Hilton
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
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Book Description
Author: Fr. Michael Azkoul
Publisher: Xlibris Corporation
ISBN: 1543446280
Category : Religion
Languages : en
Pages : 103
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Book Description
To repeat, as it has been repeated many times before, Christian unity is possible only when all those who call themselves Christian embrace common doctrine bearing common definitions. Thus far, there has been only one church that has not changed its beliefsthe Eastern Orthodox Church. She should be the apex of unity. That is not the direction in which the ecumenical movement is moving; therefore, unaware of its ecclesial need, the ecumenical movement has lost its horizon. Father Michael
Author: Ken Windrum
Publisher: SUNY Press
ISBN: 1438473974
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
Investigates how musicals, war films, sex comedies, and Westerns dealt with contentious issues during a time of change in Hollywood. The era known as the Hollywood Renaissance is celebrated as a time when revolutionary movies broke all the rules of the previous “classical” era as part of the ferment of the late 1960s and early 1970s. Yet many films during this era did not overtly smash the system but provided more traditional entertainment, based on popular genres, for a wider audience than the youth culture who flocked to more transgressive fare. Ken Windrum focuses on four genres of traditionalist movies—big-budget musicals, war spectacles, “naughty” sex comedies, and Westerns. From El Dorado to Lost Horizons shows how even seemingly innocuous, family-oriented films still participated in the progressive aspects of the time while also holding a conservative point of view. Windrum analyzes representations of issues including gender roles, marriage, sexuality, civil rights, and Cold War foreign policy, revealing how these films dealt with changing times and reflected both status quo positions and new attitudes. He also examines how the movies continued or deviated from classical principles of structure and style. Windrum provides a counter-history of the Hollywood Renaissance by focusing on a group of important films that have nevertheless been neglected in scholarly accounts. “This book is detailed and insightful in discussing the traditional (classical) and maverick (but ultimately recuperative) qualities of the mainstream films of the period. Windrum’s discussion of the narrative structure and stylistic elements of the films, both classical and innovative, is a highlight of the book.” — Glenn Man, author of Radical Visions: American Film Renaissance, 1967–1976
Author: George Colby Borley
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Book Description
Author: Robert Riskin
Publisher: Univ of California Press
ISBN: 9780520205253
Category : Performing Arts
Languages : en
Pages : 772
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Book Description
Screenwriter Robert Riskin (1897-1955) was a towering figure even among the giants of Hollywood's Golden Age. Known for his unique blend of humor and romance, wisecracking and idealism, Riskin teamed with director Frank Capra to produce some of his most memorable films. Pat McGilligan has collected six of the best Riskin scripts: Platinum Blonde (1931), American Madness (1932), It Happened One Night (1934), Mr. Deeds Goes to Town (1936), Lost Horizon (1937), and Meet John Doe (1941). All of them were directed by Capra, and although Capra's work has been amply chronicled and celebrated, Riskin's share in the collaboration has been overlooked since his death. McGilligan provides the "backstory" for the forgotten half of the team, indispensable counterpoint to the director's self-mythologizing autobiography--and incidentally the missing link in any study of Capra's career. Riskin's own career, although interrupted by patriotic duty and cut short by personal tragedy, produced as consistent, entertaining, thoughtful, and enduring a body of work as any Hollywood writer's. Those who know and love these vintage films will treasure these scripts. McGilligan's introduction offers new information and insights for fans, scholars, and general readers.
Author: Kevin Kierstead
Publisher: Kevin Kierstead
ISBN:
Category : Humor
Languages : en
Pages : 109
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Book Description
Based on actual conversations between a guy and a pirate...Purpose of life? It's in this book! So is the the meaning behind the angst that moths feel at porch lights, why men and women succeed or fail as couples, and the untapped and under-explored uses of boogers. You have discovered The Lost Dialogues of Table 18. From the author: "When I first sat down with this pirate to talk, I was not prepared for the ride he would take me on. To the best of my ability, I returned the favor, day after day, coffee after coffee."
Author: Leland Poague
Publisher: Cambridge University Press
ISBN: 0521380669
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Another Frank Capra offers a new interpretation of the great Hollywood director beyond the patriotic sentimentalist or the cynical opportunist that he has been taken for. Often cast as a cinematic simpleton or primitive, Capra's exploitation of the stylistic and narrative resources of cinema was, in fact, extremely self-conscious and adventurous in ways typical of artistic modernism. His modernism is also evident in his repeated and strong identification with female characters. Informed by recent work in genre theory and feminist psychology, Another Frank Capra shows Capra to be a 'proto-feminist' director whose feminism has been entirely neglected by previous critics.
Author: Dale Garfan Hayes
Publisher:
ISBN: 9780822007715
Category : Literary Criticism
Languages : en
Pages : 66
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Book Description
Includes the life of James Hilton, chapter summaries and commentaries, critical notes, character sketches, and more.
Author: Eleni Palis
Publisher: Oxford University Press
ISBN: 0197558178
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
Quotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images can quote one another, convening interaction and creating new knowledge across time. Classical Projections offers film quotation as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though film quotations have appeared since silent cinema, Classical Projections focuses on quotations of classical Hollywood film--mainstream American studio production, 1915-1950--as quoted in post-classical Hollywood, roughly 1960 to present. This strategic historical frame asks: how does post-classical cinema visualize its awareness of coming after a classical or golden age? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? As a constitutive element of post-classical authorship, film quotations amass and manufacture classical Hollywood in retrospective, highly strategic ways. By revealing how quotational tellings of film history build and embolden exclusionary, myopic canons, Classical Projections uncovers opportunities to construct more capacious cultural memory.
Author: Ian Scott
Publisher: University Press of Kentucky
ISBN: 0813196256
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Because screenwriter Robert Riskin (1897–1955) spent most of his career collaborating with legendary Hollywood director Frank Capra, his own unique contributions to film have been largely overshadowed. With five Academy Award nominations to his credit for the monumental films Lady for a Day, Mr. Deeds Goes to Town, You Can't Take It with You, Here Comes the Groom, and It Happened One Night (for which he won an Oscar), Riskin is often imitated but rarely equaled. Robert Riskin: The Life and Times of a Hollywood Screenwriter is the first detailed critical examination of the Hollywood pioneer's life and work. In addition to being one of the great screenwriters of the classic Hollywood era, Riskin was also a producer and director, founding his own film company and playing a crucial role in the foundation of the Screen Writers Guild. During World War II, Riskin was one of the major forces behind propaganda filmmaking. He worked in the Office of War Information and oversaw the distribution—and later, production—of films and documentaries in foreign theaters. He was interested in showing the rest of the world more than just an idealized version of America; he looked for films that emphasized the spiritual and cultural vibrancy within the United States, making charity, faith, and generosity of spirit his propaganda tools. His efforts also laid the groundwork for a system of distribution channels that would result in the dominance of American cinema in Europe in the postwar years. Author Ian Scott provides a unique perspective on Riskin and the ways in which his brilliant, pithy style was realized in Capra's enduring films. Riskin's impact on cinema extended far beyond these films as he articulated his vision of a changing America and helped spread Hollywood cinema abroad.
