Women and Music in Sixteenth-Century Ferrara PDF Download
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Author: Laurie Stras
Publisher: Cambridge University Press
ISBN: 1107154073
Category : Music
Languages : en
Pages : 417
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Book Description
Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.
Author: Laurie Stras
Publisher: Cambridge University Press
ISBN: 1107154073
Category : Music
Languages : en
Pages : 417
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Book Description
Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.
Author: Louis Dean Nuernberger
Publisher:
ISBN:
Category : Part songs, Italian
Languages : en
Pages : 792
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Book Description
Author: Jessie Ann Owens
Publisher: Oxford University Press, USA
ISBN: 0195129040
Category : Composers
Languages : en
Pages : 368
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Book Description
Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.
Author: Alfred Einstein
Publisher:
ISBN:
Category : Composers, Italian
Languages : en
Pages :
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Book Description
Author: Thomas Schmidt (Musicologist)
Publisher: Brepols Publishers
ISBN: 9782503525662
Category : Church music
Languages : en
Pages : 0
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Book Description
In an article published in 1979, Ludwig Finscher defined imitation and text treatment as the main parameters of the stylistic shift he detected in motet composition around 1500, and Josquin Desprez as the composer whose works embodied them most clearly. This volume of twenty-five essays by leading Renaissance musicologists - based on a conference which took place in Bangor (Wales) in 2007 - takes stock of developments in motet research in the intervening three decades. It does focus considerable attention on text treatment and compositional technique (texture and cantus firmus manipulation as much as imitation in the strict sense), but also on questions such as regional repertoires (such as Bohemia and Spain), manuscripts (such as the 'Medici Codex'), and semantic aspects (devotion, symbolism etc.). Josquin's oeuvre, while still the focus of several essays, is contextualized through studies on composers as diverse as Regis, Busnoys, Obrecht, Fevin, Moulu, Gascongne, Gaffurio, Martini, and Senfl. Although there are still many questions to be answered about the motet around 1500 - a period which, according to Joshua Rifkin, is like a 'black hole' for the genre given the lack of extant works, ascriptions, and stylistic consistency - the volume is an important step forward in exploring and understanding this crucial repertoire.
Author: Alvin Harold Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 762
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Book Description
Author: Stefano La Via
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 1176
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Book Description
Author: Cecil Gray
Publisher: London, K. Paul, Trench, Trubner & Company, Limited etc. 1926.
ISBN:
Category : Composers
Languages : en
Pages : 184
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
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Book Description
Author: Susan McClary
Publisher: University of California Press
ISBN: 0520314255
Category : Music
Languages : en
Pages : 386
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Book Description
In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself—the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.
