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Author:
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Category : Art
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author: Debora L. Silverman
Publisher: Univ of California Press
ISBN: 0520913280
Category : History
Languages : en
Pages : 446
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Book Description
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
Author:
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Category : Art
Languages : en
Pages :
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Book Description
Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 0810931001
Category : Grabados en color franceses
Languages : en
Pages : 274
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Book Description
Tentoonstellingscatalogus. Met bibliografie en register.
Author: Drouot
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: K. Porter Aichele
Publisher: Rowman & Littlefield
ISBN: 1611496179
Category : Art
Languages : en
Pages : 307
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Book Description
Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.
