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Author: United States. Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 2050
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Book Description
Author: United States. Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 2050
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Book Description
Author: United States. Congress Senate
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1330
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Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1110
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Author: David W. Prasifka
Publisher:
ISBN: 9780894648380
Category : Technology & Engineering
Languages : en
Pages : 266
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Book Description
As a source of reference material for the practising water engineer or water manager, this book outlines a strategy for projecting water consumption for specific types of land use and selecting a water conservation programme to maximise the beneficial use of a limited natural resource - a situation that typifies new development nationally and worldwide.
Author: United States. Bureau of Sport Fisheries and Wildlife
Publisher:
ISBN:
Category : Fish-culture
Languages : en
Pages : 32
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Book Description
Author: Ohio River Basin Commission
Publisher:
ISBN:
Category : Environmental impact statements
Languages : en
Pages : 112
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Book Description
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 4
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Book Description
Author: United States. Congress. House. Committee on Interior and Insular Affairs
Publisher:
ISBN:
Category : Outdoor recreation
Languages : en
Pages : 30
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Author:
Publisher:
ISBN:
Category : Earthquakes
Languages : en
Pages :
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Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
