Des marionnettes foraines aux spectacles de variétés : les théâtres Borgniet PDF Download
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Author: Marie-Claude Groshens
Publisher: FeniXX
ISBN: 2711877345
Category : Art
Languages : fr
Pages : 162
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Book Description
Tandis que les théâtres d'acteurs vivants subsistaient jusqu'aux environs de 1960, les établissements de marionnettes foraines fermaient presque tous leurs portes entre 1895 et 1905. En 1914, le théâtre du Petit Poucet dirigé par les frères Levergeois subsistait encore; en 1935, il ne restait plus que le théâtre des Lilliputiens appartenant aux Dulaar-Roussel. Si l'on en croit Gaston Baty, la cause de ce déclin doit être cherchée dans le perfectionnement technique des marionnettes qui ont induit les marionnettistes dans l'erreur de vouloir imiter le théâtre d'acteurs vivants. Et si ceux-ci n'ont survécu que d'un demi-siècle, ne peut-on penser que c'est parce que, eux aussi, cherchaient à ressembler à des hommes ? Ce livre nous fait donc assister aux dernières représentations des derniers marionnettistes forains avec leurs affiches, leurs textes naïfs, leurs décors ingénieux et leurs poupées richement colorées.
Author: Marie-Claude Groshens
Publisher: FeniXX
ISBN: 2711877345
Category : Art
Languages : fr
Pages : 162
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Book Description
Tandis que les théâtres d'acteurs vivants subsistaient jusqu'aux environs de 1960, les établissements de marionnettes foraines fermaient presque tous leurs portes entre 1895 et 1905. En 1914, le théâtre du Petit Poucet dirigé par les frères Levergeois subsistait encore; en 1935, il ne restait plus que le théâtre des Lilliputiens appartenant aux Dulaar-Roussel. Si l'on en croit Gaston Baty, la cause de ce déclin doit être cherchée dans le perfectionnement technique des marionnettes qui ont induit les marionnettistes dans l'erreur de vouloir imiter le théâtre d'acteurs vivants. Et si ceux-ci n'ont survécu que d'un demi-siècle, ne peut-on penser que c'est parce que, eux aussi, cherchaient à ressembler à des hommes ? Ce livre nous fait donc assister aux dernières représentations des derniers marionnettistes forains avec leurs affiches, leurs textes naïfs, leurs décors ingénieux et leurs poupées richement colorées.
Author: John Mccormick
Publisher: University of Iowa Press
ISBN: 1587295180
Category : Art
Languages : en
Pages : 301
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Book Description
In this fascinating and colorful book, researcher and performer John McCormick focuses on the marionette world of Victorian Britain between its heyday after 1860 and its waning years from 1895 to 1914. Situating the rich and diverse puppet theatre in the context of entertainment culture, he explores both the aesthetics of these dancing dolls and their sociocultural significance in their life and time. The history of marionette performances is interwoven with live-actor performances and with the entire gamut of annual fairs, portable and permanent theatres, music halls, magic lantern shows, waxworks, panoramas, and sideshows. McCormick has drawn upon advertisements in the Era, an entertainment paper, between the 1860s and World War I, and articles in the World’s Fair, a paper for showpeople, in the first fifty years of the twentieth century, as well as interviews with descendants of the marionette showpeople and close examinations of many of the surviving puppets. McCormick begins his study with an exploration of the Victorian marionette theatre in the context of other theatrical events of the day, with proprietors and puppeteers, and with the venues where they performed. He further examines the marionette’s position as an actor not quite human but imitating humans closely enough to be considered empathetic; the ways that physical attributes were created with wood, paint, and cloth; and the dramas and melodramas that the dolls performed. A discussion of the trick figures and specialized acts that each company possessed, as well as an exploration of the theatre’s staging, lighting, and costuming, follows in later chapters. McCormick concludes with a description of the last days of marionette theatre in the wake of changing audience expectations and the increasing popularity of moving pictures. This highly enjoyable and readable study, often illuminated by intriguing anecdotes such as that of the Armenian photographer who fell in love with and abducted the Holden company’s Cinderella marionette in 1881, will appeal to everyone fascinated by the magic of nineteenth-century theatre, many of whom will discover how much the marionette could contribute to that magic.
Author: Alain Chevalier
Publisher: P.I.E-Peter Lang S.A., Editions Scientifiques Internationales
ISBN:
Category : Drama
Languages : en
Pages : 284
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Book Description
Par son caractère exhaustif, cette bibliographie offre au praticien, au simple amateur, aussi bien qu'au chercheur spécialisé, la possibilité d'embrasser d'un coup d'oeil la quasi-totalité des ouvrages en français, concernant les spectacles, parus entre 1985 et 1995. This comprehensive bibliography of the performing arts lists almost 8000 French-language books, published between 1985 and 1995, and is a welcome work of reference for anyone interested in the subject.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 378
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Book Description
Author: Karl Toepfer
Publisher: Vosuri Media
ISBN: 1733249737
Category : Performing Arts
Languages : en
Pages : 1320
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Book Description
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.
Author: André Veinstein
Publisher: Publications of the National Center for Scientific Research
ISBN:
Category : Libraries, Theatrical
Languages : fr
Pages : 788
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Book Description
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : fr
Pages : 536
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Book Description
Author: Jody Blake
Publisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232
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Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Author: Benoît Bolduc
Publisher:
ISBN: 9780920351444
Category : Criticism, Textual
Languages : fr
Pages : 380
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Book Description
Author: Ruth Hemus
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
The European Dada movement of the early 20th century has long been regarded as a male preserve, one in which women have been relegated to footnotes or mentioned only as the wives, girlfriends, or sisters of Dada men. This fascinating book challenges that assumption, focusing on the creative contributions made to Dada by five pivotal European women. Ruth Hemus establishes the ways in which Emmy Hennings and Sophie Taeuber in Zurich, Hannah Höch in Berlin, and Suzanne Duchamp and Céline Arnauld in Paris made important interventions across fine art, literature, and performance. Hemus highlights how their techniques and approaches were characteristic of Dada's rebellion against aesthetic and cultural conventions, analyzes the impact of gender on each woman's work, and shows convincingly that they were innovators and not imitators. In its new and original perspective on Dada, the book broadens our appreciation and challenges accepted understandings of this revolutionary avant-garde movement.
